A hospice nurse working at a spooky New Orleans plantation home finds herself entangled in a mystery involving the house's dark past.
After dying from a strange illness that she suffered for three years, a mother returns home to pick up her children.
Teenage musicians travel to England's Spike Island in the hope of attending an outdoor performance by their favorite band, the Stone Roses.
A surreal period film following a university professor and his eerie nomad friend as they go through loose romantic triangles and face death in peculiar ways.
A long term couple sit down for a romantic meal, she is unaware it could be their very last.
The film tells the story of Luiz Antônio, a clumsy radio host, who unexpectedly finds himself in charge of a bankrupt radio station. Relying only on his passion for rock'n'roll and a crazy team, he creates one of the most emblematic radio stations in the history of Brazilian rock, Fluminense FM. Among guitar solos and radio signal interferences, we follow the adventures misadventures of Luiz.
For the past year or so, brothers Jim and Steve Peters, both ordained ministers, have been traveling around the nation on a mission from God. Convinced that rock and roll is "one of the largest satanic forces in the country," they have been exhorting American kids to build bonfires of albums in public places.
Guerilla filmmaker Brendan Toller unleashes I NEED THAT RECORD! THE DEATH (OR POSSIBLE SURVIVAL) OF THE INDEPENDENT RECORD STORE, "an elegy for a vanishing subculture...a lively, bittersweet film that examines - with caustic humor, brutal candor, and, ultimately, great affection - why roughly 3,000 indie record stores have closed across the nation over the past decade," (Johnathan Perry, Boston Globe). A tour-de-force tale of greed, media consolidation, homogenized radio, big box stores, downloading, and technological shifts in the music industry told through candid interviews, crestfallen record store owners, startling statistics, and eye-popping animation. Fat cats or our favorite record stores? You decide. Featuring- IAN MACKAYE, NOAM CHOMSKY, MIKE WATT, THURSTON MOORE, LENNY KAYE (Patti Smith), CHRIS FRANTZ (Talking Heads), GLENN BRANCA, PATTERSON HOOD (Drive By Truckers), PAT CARNEY (Black Keys) , LEGS MCNEIL, BOB GRUEN, BP HELIUM, and many indie record stores across the U.S.
When a teen hears a knock at the door late at night, they decide to go investigate.
Finding the Funk is a road trip in search of the past, present and future of Funk music. Starting with Funk's roots in Jazz and the James Brown bands of the '60s we travel to the Bay Area to celebrate Sly & the Family Stone, then to Dayton the birthplace of so many of Funk's originators, then onto Detroit where from the ashes of Motown, P-Funk's Mothership arose, and then to LA where a new crop of musicians are creating their own Funk history. On our journey into Funk, we talk to legends Sly Stone, Bootsy Collins, George Clinton, Nona Hendryx, Maceo Parker, Bernie Worrell, and Steve Arrington and their descendants Mike D, D'Angelo, Sheila E, Shock G and Sade's Stuart Matthewman. Narrated by Ahmir 'Questlove' Thompson of the Roots.
Small town record store owner Clark finds himself losing his grip on reality when a mysterious record opens his eyes up to an ancient evil beyond human comprehension.
The vinyl record renaissance over the past decade has brought new fans to a classic format and transformed our idea of a record collector: younger, both male and female, multicultural. This same revival has made buying music more expensive, benefited established bands over independent artists and muddled the question of whether vinyl actually sounds better than other formats. Vinyl Nation digs into the crates of the record resurgence in search of truths set in deep wax: Has the return of vinyl made music fandom more inclusive or divided? What does vinyl say about our past here in the present? How has the second life of vinyl changed how we hear music and how we listen to each other?
RPM music is a small shop in the centre of Newcastle selling vinyl records. Founded by former students, the shop has become a place for people with love of music to come, browse, chat and share their stories. These are some of them.
Joca, a 21-year-old, hosts a gathering with friends at his home. As a vinyl enthusiast, he showcases his collection and plays one of the records. His friends - Vitor and Rebeca - arrive, and conflicts arise. Vitor and Joca argue about Joca's record collection, leading to Rebeca feeling unwell. The next day, Joca wakes up with little memory of the previous day, finding a bottle of alcohol indicating excessive drinking. Before he can reflect on the night, he receives a mysterious delivery: a vinyl record. The record plays a bizarre song with warnings for Joca, but he doesn't take them seriously. Mysterious phenomena start occurring, leading to a mysterious revelation for the character.
The film is about the vinyl record culture and presents a panel of stories, searches, collecting, in various locations in Rio de Janeiro.
"Vlada Goes to London" is a short student film exploring the strong-willed Vlada on her night shift as a pizza delivery girl in her desperate attempt to book tickets to London and fulfill her dream of being a DJ. The end of the night brings more challenges than she expects.
Ex-Boy Scout Frankie Dobbs checks into an AirBnB to find a mystery behind its doors-- an anonymous stalker following the property's host, Rowan Emery. But, is this stalker situation as easy to crack as it seems?
IT CAME FROM AQUARIUS RECORDS tells the story about the San Francisco based independent record store, Aquarius Records. Having closed in 2016 after 47 years, this small apartment-sized store championed local, underground, independent, and challenging music to the masses - most memorably with their infamous bi-weekly, college essay-length, new-release lists. Six years in the making, interviewing collectors, musicians, and store owners, the film has a very personal angle, with lots of behind-the-scenes footage (and drama) that shows both the joy and excruciating stress that comes with running — and closing — a store like this, helped in no part by the changing city around them.
Benjamin tells his ex-girlfriend, Angie, that he joined a cell of left-wing terrorists to get revenge on her former boss, who owns a right-wing radio station. His story blends conceptual artists, amateur theatre troupes, hallucinogenic vinyl record and other magical powers. All that nonsense leave Angie wondering if he made that up only to win her back.