Olga and Maks are 15 years away. She is a successful woman with an established position, the mother of an adult daughter, he is a handsome young man who enjoys his life in a handful and lives only in the moment. It might seem that these two different worlds will never meet, and yet fate put them in the way.
Judith has known her husband Brice since they were children, but now their marriage is growing stale. Having just completed her graduate work in psychotherapy, she's eager to begin a career as a marriage counselor. She takes an internship at a matchmaking firm for millionaires and meets Harley, a charismatic billionaire investor who makes no effort to hide his attraction to Judith. Although quite resistant at first, eventually Judith succumbs to his charms, placing her marriage in jeopardy and forever altering the course of her life.
After several years of living with a cult, Martha finally escapes and calls her estranged sister, Lucy, for help. Martha finds herself at the quiet Connecticut home Lucy shares with her new husband, Ted, but the memories of what she experienced in the cult make peace hard to find. As flashbacks continue to torment her, Martha fails to shake a terrible sense of dread, especially in regard to the cult's manipulative leader.
A Washington waitress saves the Emir of Ohtar's life, launching her diplomatic career and a scandal.
An egotistical saxophone player and a young singer meet on V-J Day and embark upon a strained and rocky romance, even as their careers begin a long uphill climb.
A self-serving journalist uses influential women in late-1800s Paris and denies the one who truly loves him.
Janie lives to dance and will dance anywhere, even stripping in a burlesque house. Tod Newton, the rich playboy, discovers her there and helps her get a job in a real Broadway musical being directed by Patch. Tod thinks he can get what he wants from Janie, Patch thinks Janie is using her charms rather than talent to get to the top, and Janie thinks Patch is the greatest. Steve, the stage manager, has the Three Stooges helping him manage all the show girls. Fred Astaire and Nelson Eddy make appearances as famous Broadway personalities.
Two men and a woman form a triangle confined by a lighthouse.
Iren, who went to visit her grandmother with her mother (Lal), finds her grandmother dead at home. Lal is forced to stay at the deceased mother's house with her child (Iren) for a while to host guests and clean the house. Due to the stress of the situation, Iren is unable to speak (selective mutism/temporary mutism). Lal becomes overly protective of her daughter due to her mutism. Her greatest fear is leaving more wounds with her death than she did while alive. Already afraid of leaving permanent marks, Lal cannot remove the stain left on the wooden floor where her mother died and becomes increasingly tense. In an attempt to conceal it, she covers the stain with a cabinet and tries to entertain guests this way. Meanwhile, Iren begins to hear noises coming from under the unrevealed stain. Despite Lal's efforts to protect her daughter, Iren starts to become a part of the family amid these sounds.
Alberto, consumed by jealousy and obsession, manipulates their son Beto to keep the family together while his wife Ema struggles to free herself from his control. When Ema requests a divorce, the situation escalates into a violent confrontation. Desperate, Alberto takes the family to a countryside house with sinister plans, believing he is freeing Ema from a demon. The story culminates in a final act of violence that puts Ema's life at risk and reveals the dark limits of control and obsession.