Kaveh is an LGBT sculptor. He lives in Iran and lives in isolation because of his sexual orientation. He has a lover named Farhad. Their relationship is not very good. It is Kaveh who is not happy with this relationship, he lives in his workshop because of the repression of LGBTs in Iran. He is making a statue when he suddenly realizes that this statue is talking to him. The words of the statue are not clear and are more like chatter. He breaks up his relationship with Farhad like his previous relationships, because something more than sex requires a relationship. He enjoys being alone more, but now he realizes that Farhad has destroyed the only statue they made together. The whispering sound of the statue increases and every moment Kaveh's mental state is more disturbed, to the point that he works day and night to build that statue. The statue is completed as if the statue is the lost lover of Kaveh. By completing the statue of Kaveh, he becomes a statue.
When forest animals invade our cities, the world is in disarray. Office vixen Fiona struggles with her banana phone addiction. Will she succumb to it? Temperamental bunny Barbara only gives her stag sugar daddy Nestor his special massage, after he dines her and plays the big spender. This obscure short film pinpoints postmodern tropes of consumerism, eroticism, and art with an homage to the theater stage and references to literature. This work uses a fantasy language and needs no subtitles.
To finance his next film, a young director presents his previous projects to producers.
Lebanon, Mother's day. Joey (20 years old) is preparing a surprise diner for his mom who is always abroad. but today is a special day because she is here, but not willing to stay till the evening, until they celebrate. Tortured with the idea of her leaving again, Joey tries to convince her mom to stay. But the mother is here for another reason: pushing her son to tidy his house and to accept change.
In 1982, Wim Wenders asked 16 of his fellow directors to speak on the future of cinema, resulting in the film Room 666. Now, 40 years later, in Cannes, director Lubna Playoust asks Wim Wenders himself and a new generation of filmmakers (James Gray, Rebecca Zlotowski, Claire Denis, Olivier Assayas, Nadav Lapid, Asghar Farhadi, Alice Rohrwacher and more) the same question: “is cinema a language about to get lost, an art about to die?”
At struggling independent movie theatres across Alberta, passionate business owners are reviving, re-inventing and sometimes letting go of these once-vital community spaces.
An oral history exploring the development of film projection and cinema in Kingston-on-Thames - from resident innovator Eadweard Muybridge through the heyday, decline, and re-emergence of cinema. Features interviews with historians, projectionists and usherettes as well as cinema-goers with rare footage and images from Kingston’s cinemas.
A lonely man, who spends all his time watching films, finds a way to get his hands on a copy of the lost film Cleopatra (1917), but will he be able to pay the price?
An impossible love story experienced by Eddie and Juliette.
The 100-year history of the Strand Theatre in Rockland, Maine, from its creation on the site of a devastating fire in 1920 through its evolution into the community-supported non-profit institution it is today.
When Brooklyn's Kings Theater -- one of five "Wonder Theaters" in the New York area -- closed its doors in 1977, the neighborhood mourned. In a series of interviews, local aficionados of the palace as well as its projectionist, its organist, and former employees, reminisce about the Kings and its charmed days gone by.
Aníbal Alencastro worked in different cinemas in Mato Grosso in the 1950s and 1960s. Now, he recalls stories related to the job of projectionist.
An affectionate and entertaining look at our nation's obsession with cinema from the early days of silent cinema, through the golden age of the picture palace, to the modern multiplexes and beyond. A celebration of Norfolk-area cinemas past and present that introduces some colourful characters who kept audiences coming back for more, this film also asks: Is this the final reel in the story of cinema or just another chapter in its continuing development?
Art and life are different worlds, separated by an impassable abyss. Where there is life, there is no art, and vice versa. Young artists have to make that choice, sometimes from a rather young age.