A young ad-design artist begins to literally ""slip"" out of reality. Slowly but surely he seems to be fading out of existence: first his payroll checks disappear, then his high school not only fails to mail him about their reunion, but has no records of his existence. The artist soon realizes that since he's drifted through life, he's basically ""slipping through the cracks"". Even his mother has no memory of him. At the end, even his wife and best friend (now the woman's husband in this new reality) forget he ever existed.

Richard Hagstrom is dismayed with the way life has treated him (a rude son, a shrewish wife). His nephew Jonathan gives him a birthday present: a homemade word processor. Hagstrom soon discovers that anything he types into the processor becomes real, and no one but him knows the difference. He begins with simple experiments, but then wipes out his son from existence. Even his wife is unaware of the changes. As the machine overheats into self-destruction, Hagstrom types in one last story: he makes sure that he and Jonathan's mother married and that Jonathan was his son. As the word processor destroys itself, Hagstrom's final wish becomes reality.

A hate-style radio host, Mandrake, spews out venom at anyone who calls in. He soon discovers, however, after receiving calls across all of time that he is dead but that the ""Boss,"" has kept him on since he discourages souls and make them more prone to the ""Boss'"" influence. Mandrake is unable to leave his broadcast booth and finds himself transforming into a demon as he has to continue broadcasting forever, and ever.

A skeptical journalist travels on assignment to a sideshow. Seated in a small theatre, he is greeted by a perverse caretaker/M.C. who promises (in seemingly generic fashion) to unearth strange, horrible, and presumably fake creatures. The journalist nevertheless feels disgusted when he sees a demonic vampire devour an actual lamb. He chastizes the caretaker for endorsing such horrific ""entertainment"". However, when fully realizing that these are actual CREATURES, the startled journalist attempts to flee the circus and unknowingly retreats into the arms of the vampire. The caretaker subsequently transforms him into a new exhibit, currently on display for the faithful flock of sideshow attendants who DELIGHT in being frightened.