故事發生在五光十色的東京，兩個美國人偶然的奇遇。鮑伯是職業倦怠的喜劇明星，正有氣無力地在日本拍攝廣告片。夏洛特剛剛嫁給醉心工作的知名攝影師。酒店的偶遇是這個冒險的開端，接下來他們將走遍這個大都市不為人知的角落，發現人生的新秘密 . . . . . .
艾略特是一個孤單的小男孩，他生長在加州的一個單親家庭，有一天他碰到一個來自外太空的外星人，他發現這個長相滑稽古怪的外星人不但心地善良，而且聰明睿智，於是他便決定幫助他稱為“ＥＴ”的外星人，和他的星球聯絡，並且協助他逃過科學家和政府單位的追捕，安全地把它送回家。他們就此展開一場連他們都想像不到的冒險之旅。
在人人都抱有美國夢的50年代，愛爾蘭女孩艾莉絲雷西（莎雪羅南 飾）為了追尋嶄新的人生，而離開家鄉，隻身前往紐約，落腳於移民的聚集地布魯克林。濃烈思鄉之情所帶來的不適應，在一段意外的愛情來到後即煙消雲散。再度回到家鄉的艾莉絲，勾起了對小鎮的過往情懷，隔著大洋兩岸，兩種人生，艾莉絲該如何選擇？
十二歲小男孩在1978年失蹤，卻穿過時空在1986年再次出現，這中間相差了八年，小男孩卻完全沒有變老，這個神秘的現象，和一座降落地球的外太空飛行物有驚人的關係…
Double-agent Alexander Eberlin is assigned by the British to hunt out a Russian spy, known to them as Krasnevin. Only Eberlin knows that Krasnevin is none other than himself! Accompanying him on his mission is a ruthless partner, who gradually discovers his secret as Eberlin tries to maneuver himself out of a desperate situation.
Like many young men in the Dominican Republic, 19-year-old Miguel "Sugar" Santos dreams of winning a slot on an American baseball team. Indeed, his talents as a pitcher eventually land him a slot on a single-A team in Iowa, but culture shock, racism and other curveballs threaten to turn Sugar's dream sour.
Jason Lu, a Hongkonger living in LA, works a shift at a restaurant and finds himself in a bizarre situation, and facing a deadly problem.
An immigrant from Hong Kong now lives in Los Angeles. He deals with his homesickness and sense of loss after encountering a strange old man.
A sensitive girl struggles with first love and bullying in a 1980's Soviet orphanage.
“An Untitled Film” by George Alshevskij-Jones is a short documentary/visual essay about the struggles of moving to seek a better future in a different country. The research for the film was done by observing and talking to people who have left their home country. It doesn’t matter what country a person has left and in which country he has found himself, the general experiences and emotions stay the same. The most important message that I want the film to convey is that everything is possible and home is not a place on a map, but a place in the soul of each person that I spoke to. The unconventional way of showing many people as one is not just a way of making the film more convenient to create, but a way to fit a much information into one consistent image, that the audience is more likely to understand and perceive as the author intended it. My own experience blended in with the experiences of others.
A young immigrant’s life comes crashing down when he gets a distressing phone call from his home country.
In this short science-fiction film, two men are far away from home. Ray and Brad alleviate their homesickness by watching home movies that were shot from their perspective. By means of virtual reality goggles, Ray sees his wife and children play on the beach.
Photos of Cape Breton landscapes are a google search away, my friends and family are a phone call away, I could probably get a decent donair just about anywhere. If all these things that make my home "home" are so easily accessible, why do I find it so hard to leave? "home(sick)bound" attempts to break that down.