在感恩節傳統的發源地，美國麻州普利茅斯，在黑色星期五賣場促銷活動的當天，發生了一起暴動悲劇，一位神秘的殺人魔開始肆虐這個平靜的城鎮。
企業家「萬事樂」砍掉所有毛樹發展事業，動物被迫遷徙，羅雷司也離他而去，他發現鑄下大錯，閉關反省。多年後世界上已無綠地，全是人工樹木花草，絲呢鎮的高中生「奧黛莉」渴望見到真樹，暗戀她的泰德想為她圓夢，偷偷溜出小鎮尋找最後1顆毛樹種，賣空氣的黑心富商「歐洋氣」百般阻撓，泰德最後排除萬難找到真樹，恢復生態平衡。
一場可怕的瘟疫席捲了整個世界,滿世界被瘟疫襲倒之後,成百上千萬的屍體被感染變成了吸血的殭屍。不管是死人還是活人,只要被殭屍吸去鮮血,就會也立刻殭屍.殭屍電影的真正集大成之作是A·羅梅羅的《殭屍三部曲》之二，拍攝於1979年的《殭屍的黎明》（Dawn of the dead）。這部投資依然不足500k的小電影帶來了全美超過20M,全球超過55M的驚人票房，也徹底奠定了羅梅羅殭屍電影大師的地位。《殭屍的黎明》在完善了殭屍基本設定的同時，成功的引進了之後始終佔據核心地位的城市元素。破敗無人的大型城市，四處遊走的喪屍，絕望的尋求生存的人類，DOTD幾乎可以被稱為現代殭屍電影字典。更可貴的是，在恐怖，逃亡以外，羅梅羅不吝筆墨的大量描寫了人處於極端環境中的各種心理活動: 恐懼，迷茫，瘋狂，種群概念模糊的失落等等，這些元素綜合在一切，終於使殭屍電影超越了初級的恐怖電影，進化為了一類非常獨特的類型。而《殭屍的黎明》本身也被供為了殭屍影迷心中的神作，成為了clut經典。
《早安》是小津安二郎少有的喜劇，仍以他一貫對日常生活中人性的細膩觀察，巧妙地與輕鬆喜趣的橋段結合，呈現樸實卻動人的人間情味及警世寓言。 東京市郊的住宅區，林啟太郎的兩個小孩終日嚷著要買電視，忍不住斥責他們多嘴，沒想到兩個小子抗議回嘴，「大人的廢話更多，什麼『早安』、『午安』都是多餘！」父親要他們閉嘴，他們果真來個無聲抗議。另一方面，幾個婆婆媽媽的家庭主婦因為銀行的存款不翼而飛，而鬧出個解不開的風波。小兄弟的無聲抗議對照街坊鄰居的八卦碎念，街角巷弄的茶壺風暴就從最平凡也最常說的「早安！」開始蔓延…… 《早安》透過幾個天真爛漫孩子的童言無忌，以孩子的童真對比成年人的利慾薰心與虛妄，一語道破成年人世界的種種猜疑與固執，是一部既大搞放屁笑話，又發人深省的作品。子女、父母、婆媳關係，從來都無完美的關係，家家有本難念的經，但始終得從家庭裡透過溝通才能解開。一句早安化千怨，小津安二郎一方面點出看似無聊的說話所能產生的巨大影響，另一方面也點出這些看似無意義的閒話，卻是現代社會不可分割的產物，儘管大家知道是多餘的東西，卻仍樂此不疲的大談分享，近半世紀前的作品，對照今日社會仍諷刺萬千。 小津安二郎曾說，「《早安》這個故事是很久以前醞釀的，描述人們平常無聊話說得熱絡，一但要談正事時，怎麼談都不投機。」美學大師蔣勳也曾表示對《早安》此片的喜愛，「清晨月台候車，人與人的寒暄，『早安啊──』、『天氣好ㄚ──』、『謝謝啊──』、『勞駕了──』完全沒有內容的對話，是日本到現代仍然保持的許多生活裡的「敬語」。像王羲之手帖裡重覆說的「頓首頓首」，沒有特別意義，但是歷經戰亂，顛沛流離，生死聚散，只能珍惜說「敬語」的一點幸福了。」
故事背景在洛杉磯的現代藝術界，集名氣與財富於一身的藝術家和不惜祭出高價的百萬收藏家齊聚，藝術和商業之間產生複雜的利益衝突。天鵝絨圓鋸，藝海疑魂，Velvet Buzzsaw
A down and out young punk gets a job working with a seasoned repo man, but what awaits him in his new career is a series of outlandish adventures revolving around aliens, the CIA, and a most wanted '64 Chevy.
他是一個知名的演員，為了一個籌備多年的新作，因緣際遇下來到一家超商為新角色尋找靈感，他遇上了一名慧黠的超市收銀員－史嘉麗，每天困在「少於十樣或多於十樣」的無趣打包工作中。兩個來自不同世界的人越聊越投機，因而展開了一場旅程，史嘉麗在當班結束後辭了工作，在摩根的幫助下準備新工作的面試，而史嘉麗則幫助他放下心防，以全新的角度認識世界...。
故事發生在新年來臨之夜，傳說每年的這個夜晚，死神就會來到人間挑選一個罪孽深重的人來駕駛他的馬車。這次被選到的是個拋妻棄子又嗜酒如命的流浪漢，在流浪漢由於自己的作風問題而即將被奪走生命時，一個孱弱的修女用基督之愛拯救了他
Logistics or Logistics Art Project is an experimental art film. At 51,420 minutes (857 hours or 35 days and 17 hours), it is the longest movie ever made. A 37 day-long road movie in the true sense of the meaning. The work is about Time and Consumption. It brings to the fore what is often forgotten in our digital, ostensibly fast-paced world: the slow, physical freight transportation that underpins our economic reality.
Film from Andrew Morgan. The True Cost is a documentary film exploring the impact of fashion on people and the planet.
Over the past 25 years, Lauren Greenfield's documentary photography and film projects have explored youth culture, gender, body image, and affluence. Underscoring the ever-increasing gap between the haves and the have-nots, portraits reveal a focus on cultivating image over substance, where subjects unable to attain actual wealth instead settle for its trappings, no matter their ability to pay for it.
A business man buys a house, but he has a hard time trying to get rid of its previous tenant, a dirty bum.
Problems arise for Antonio Magnano when he is unable to consummate his marriage to the beautiful Barbara Puglisi and his virility is called into question. Despite the fact that he loves his beautiful wife and they have otherwise been happily married for a year, his problem becomes a source of contention for all concerned.
After a strange nightmare, a young factory worker's life and home become haunted by bizarre phantoms.
A critique of liquid love through sarcasm and crude humor. With the desire that the viewer empathize with the protagonists and reflect on the ephemerality of sexual-affective relationships in modern society. At the end of the short film, the transformation of people into mere consumer goods will be clear, which, once they have been used, are discarded
An animated short film looking at man's relationship with the natural world.
Once upon a time... consumer goods were built to last. Then, in the 1920’s, a group of businessmen realized that the longer their product lasted, the less money they made, thus Planned Obsolescence was born, and manufacturers have been engineering products to fail ever since. Combining investigative research and rare archive footage with analysis by those working on ways to save both the economy and the environment, this documentary charts the creation of ‘engineering to fail’, its rise to prominence and its recent fall from grace.
A humble noodle-maker in a remote Chinese province, Ermo feels that she's being taken for granted by family and friends. She decides the best way to impress them is to bring home the biggest, most expensive television set she can find - no matter how many noodles she has to peddle.
On an urban island in Shanghai, Yoyo starts secretly following Lan Tian. In a parallel world, Lan Tian is quietly observing Yoyo in the distance. Trapped in a twin-towered shopping complex, they experience two variations of encounters, as affections, desires and other feelings start to appear.
Gimme Green is a humorous look at the American obsession with the residential lawn and the effects it has on our environment, our wallets and our outlook on life. From the limitless subdivisions of Florida to sod farms in the arid southwest, Gimme Green peers behind the curtain of the $40-billion industry that fuels our nation's largest irrigated crop-the lawn.