En ung amerikansk kvinna följer motvilligt med sin pojkvän till en avlägsen liten by i Sverige för ett traditionellt midsommarfirande, men det blir något helt annat än de någonsin kunnat vänta sig.
John ska flytta efter att ha bott tio år i området. Hans vänner ger honom ett oväntat besök för att säga farväl. En väninna kommenterar att han inte har åldrats en dag på tio år. De finner också en personligt dedikerad äkta Van Gogh i Johns packning. Efter en del frågor börjar John berätta om sitt liv som började som grottmänniska för 14 000 år sedan.
A massage therapist looking to overcome her addictions and reconnect with her son, whose father is an anthropologist in South America studying the Yanomani people, moves in with a wealthy ex-client in New Jersey.
Maggie planerar att skaffa barn på egen hand, men planen går i stöpet när hon blir förälskad i den gifte John.
An exploration of the heavy metal scene in Los Angeles, with particular emphasis on glam metal. It features concert footage and interviews of legendary heavy metal and hard rock bands and artists such as Aerosmith, Alice Cooper, Kiss, Megadeth, Motörhead, Ozzy Osbourne and W.A.S.P..
Berättelsen är en skapelseberättelse där Gud i filmens inledning tar sitt liv för att det ur honom skall födas en kvinna. Kvinnan (kallad "Mother Earth" i rollistan) föder sedan en son. Vi följer hans färd genom ett post-apokalyptiskt landskap. Han släpas genom glesa skogar och över berg, och attackeras av ansiktslösa varelser som tycks vara de enda som bebor denna värld.
A team of Arctic researchers find a 40,000 year-old man frozen in ice and bring him back to life. Anthropologist Dr. Stanley Shephard wants to befriend the Iceman and learn about the man's past while Dr. Diane Brady and her surgical team want to discover the secret that will allow man to live in a frozen state.
After squandering his grant money, despondent and recently widowed anthropologist James Krippendorf must produce hard evidence of the existence of a heretofore undiscovered New Guinea tribe. Grass skirts, makeup, and staged rituals transform his three troubled children into the Shelmikedmu, a primitive culture whose habits enthrall scholars. But when a spiteful rival threatens to blow the whistle on Krippendorf's ruse, he gets into the act as well.
Dokumentär om inspelningen av Werner Herzogs film Fitzcarraldo. En filminspelning som drabbas av många problem: skådespelare hoppar av halvvägs, krig pågår på en inspelningsplats och att dra en ångbåt över ett berg är precis så komplicerat som man kan tro.
Short documentary ordered by the magazine "Présence Africaine". From the question "Why is the african in the Human museum while Greek or Egyptian art are in Le Louvre?", the two directors expose and criticise the lack of consideration for African art. The film was censored in France for eight years because of its anti-colonial perspective.
Mexico, 1985. Juan and Wilson, two perennial Veterinary students, perpetrate an audacious heist in the National Museum of Anthropology, running away with a loot of more than hundred invaluable pieces of Mayan art, unaware of the consequences of their outrageous act.
In 1935, German scientists dug for bones; in 1943, they murdered to get them. How the German scientific community supported Nazism, distorted history to legitimize a hideous system and was an accomplice to its unspeakable crimes. The story of the Ahnenerbe, a sinister organization created to rewrite the obscure origins of a nation.
Séfar (in Arabic: سيفار) is an ancient city in the heart of the Tassili n'Ajjer mountain range in Algeria, more than 2,400 km south of Algiers and very close to the Libyan border. Séfar is the largest troglodyte city in the world, with several thousand fossilized houses. Very few travelers go there given its geographical remoteness and especially because of the difficulties of access to the site. The site is full of several paintings, some of which date back more than 12,000 years, mostly depicting animals and scenes of hunting or daily life which testify that this hostile place has not always been an inhabited desert. Local superstition suggests that the site is inhabited by djins, no doubt in connection with the strange paintings found on the site.
Den har kallats Djävulens musik; Heavy Metal. Den har gång på gång anklagats inspirera ungdomar till våldsdåd, mord och självmord - men ännu har inga domar fallit. Den har ständigt avfärdats av samhället och föraktats i media - men lockar likafullt till sig miljoner fans världen över. Antropologen Sam Dunn är själv en av dem. Hans resa ut i världen blir en jakt på Heavy Metals sanna natur: Sex. Våld. Död. Religion.
As retailers, wholesalers, and negotiators, Asante women of Ghana dominate the huge Kumasi Central Market amid the laughter, argument, colour and music. The crew of this `Disappearing World' film have jumped into the fray, explored, and tried to explain the complexities of the market and its traders. As the film was to be about women traders, an all female film crew was selected and the rapport between the two groups of women is remarkable. The relationship was no doubt all the stronger because the anthropologist acting as advisor to the crew, Charlotte Boaitey, is herself an Asante. The people open up for the interviewers telling them about their lives as traders, about differences between men and women, in their perception of their society and also about marriage.
Denton, an anthropologist of note, meets by accident a new neighbor, an attractive girl, whose father insists upon her marriage to a man whom he favors because of his wealth. Denton and the girl are mutually attracted and to Denton comes a vague but haunting belief that they have met before. Worn out by overstudy, he becomes seriously ill with rain fever and the mind pictures he has of his fair neighbor fade into a vision of a prehistoric existence, where he wanders as a stone age savage, meets and loves the girl of his heart, who also lives in that strange world. There also is the conflict between wealth and poverty, the father's choice opposed to the daughter's. The prehistoric Denton finally wins out after struggling with a savage rival and wild beasts as well. Just so the modern Denton finally conquers over his modem rival.
Long thought to be the first film ever made by an Indigenous filmmaker, Black Fire examines the situation of First Nations people in the early 1970s through politically charged discussions, comical vox pops, and interviews with luminaries of the time such as Pastor Doug Nicholls and Aboriginal Tent Embassy co-founder Bertie Williams.
In GLOBAL METAL, directors Scot McFadyen and Sam Dunn set out to discover how the West's most maligned musical genre - heavy metal - has impacted the world's cultures beyond Europe and North America. The film follows metal fan and anthropologist Sam Dunn on a whirlwind journey through Asia, South America and the Middle East as he explores the underbelly of the world's emerging extreme music scenes; from Indonesian death metal to Chinese black metal to Iranian thrash metal. GLOBAL METAL reveals a worldwide community of metalheads who aren't just absorbing metal from the West - they're transforming it - creating a new form of cultural expression in societies dominated by conflict, corruption and mass-consumerism.
The Kumiho family circus in town -- and with it, apparently, a mysterious murderer. The members of motherless family aren’t helping their case with their strange remarks about humans and their initial performances, cavalcades of dismemberment and torrents of blood which terrify the local kids. Pretty soon, a dour, downbeat cop is on the tail of the plucky, bumbling Kumihos. Or rather, tails -- “kumiho” is the word for the fox spirits of Korean mythology, and this clan from Nam Mountain near Seoul, temporarily disguised as people thanks to a magic spell, must eat human livers during a brief, once-in-a-millennium lunar eclipse to shed their foxy nature and assume permanent human form. When the sleazy reprobate on the run from mobsters stumbles into their eerie household, he soon finds himself a little too enthusiastically involved in their scheming after human flesh—and involved with the sexy elder-sister fox spirit as well!
Somewhat based on Desmond Morris's fascinating book of pop anthropology, this partially animated satirical docudrama produced by Playboy Magazine publisher Hugh Hefner, traces the evolution of human kind and offers insight into the reasons why we behave the way we do. Though often dealing with sexuality, nothing in the film is terribly offensive or graphic. A prime example of mainstream experimental film-making from the early 70's featuring a young and breathtakingly lovely Victoria Principal.