Charizmatiškas Niujorko juvelyras, visada laukiantis kito didžiojo pelno, daro daugybę lažybų , kurios gali sukrėsti gyvenimą. Hovardas negailestingai siekia pergalės, tačiau turi atlikti nesaugų, labai ryžtingą veiksmą, subalansuodamas verslą, šeimą ir įtraukdamas priešininkus į visas puses.
Big money artists and mega-collectors pay a high price when art collides with commerce. After a series of paintings by an unknown artist are discovered, a supernatural force enacts revenge on those who have allowed their greed to get in the way of art.
Human, Tears, Art
Inhabitants of a small village in Hungary deal with the effects of the fall of Communism. The town's source of revenue, a factory, has closed, and the locals, who include a doctor and three couples, await a cash payment offered in the wake of the shuttering. Irimias, a villager thought to be dead, returns and, unbeknownst to the locals, is a police informant. In a scheme, he persuades the villagers to form a commune with him.
A vacationing entomologist suffers extreme physical and psychological trauma after being taken captive by the residents of a poor seaside village and made to live with a woman whose life task is shoveling sand for them.
A mechanic with terminal cancer has a bizarre secret --- he's had a life-long love-affair with a sex doll. Now his son, a D-list TV actor, must help him find the doll a new home and say goodbye.
Rašytojas Tomas (Paul Bettany) pirmasis pasitinka Greisę ir ima įkalbinėti miestiečius paslėpti ją. Atsidėkodama moteris sudaro gan keistą sandėrį: dirbti kiekvienam miestelėnui. Ji privalo kasdien padaryti gerą darbą, bet kai už Greisės galvą pasiūloma didelė pinigų suma, žmonės nutaria dar kartą peržiūrėti sutartį. Dogviliečiai sutinka priglausti bėglę, bet dabar ji privalės atidirbti tą pinigų sumą, kurią miestelis prarado. Nuo šiol Greisė turi dirbti nuo ryto iki vakaro, kęsti pažeminimus, įžeidinėjimus, teikti miestelėnams lytines paslaugas. Palaipsniui ji tampa vergė ir kalinė. Viena, ko nežino miestelio gyventojai, yra tai, jog Greisė atlieka misiją ir visi jie žaidžia su ugnimi.
An experimental, psychedelic odyssey through Japanese subculture experienced via the eyes of a disillusioned young man, who must contend with intense familial dysfunction, psychosexual alienation, and existentialist malaise.
“Having broken away from my illusory self, I was desperately seeking a path and a meaning to life.” This phrase perfectly sums up Alejandro Jodorowsky’s biographical project: reconstituting the incredible adventure of his life. Alejandro Jodorowsky was born in 1929 in Tocopilla, a coastal town on edge of the Chilean desert, where this film was shot. It was there where he discovered the fundamentals of reality, as he underwent an unhappy and alienated childhood as part of an uprooted family.
Giulia is an independent young woman who is prepared to offer her body and her spirit against all the religious taboos.
A painter in the throes of a creative block finds inspiration thanks to a fascinating and mysterious gallery owner, but he can't expect the shocking consequences of their encounter.
The personal stories lived by the Uncle, the Father and the Son, respectively, form a tragic experience that is drawn along a line in time. This line is comparable to a crease in the pages of the family album, but also to a crack in the walls of the paternal house. It resembles the open wound created when drilling into a mountain, but also a scar in the collective imaginary of a society, where the idea of salvation finds its tragic destiny in the political struggle. What is at the end of that line? Will old war songs be enough to circumvent that destiny?
X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.
On a dark and rainy night, a historic and regal Taipei cinema sees its final film: 1967 martial arts feature "Dragon Inn". As the film plays, the lives of the theater's various employees and patrons intersect, and two ghostly actors arrive to mourn the passing of an era.
Three friends form a bond over the year, Johnathan is gay, Clare is straight and Bobby is neither, instead he loves the people he loves. As their lives go on there is tension and tears which culminate in a strong yet fragile friendship between the three.
Two Russian prisoners are abused mentally and physically.
On an otherwise quiet night there is a startling knock at the door. Andrew Tucker answers the door to find an old friend whom he hasn't seen in years. The disheveled and absent friend comes to him with one request: "I need you to come with me but, I can't tell you where we're going." Andrew takes a chance but learns that every answer brings more questions. Nothing good ever comes knocking after midnight and Andrew's nightmare asks how far you would go to help a friend.
Four friends spend a final summer together tangled in a web of sexual obsession, alienation and magic.
SUMMER. HEAT. SWEAT. CHILDREN'S LAUGHTER. ALL BECOMES DARKNESS.
A man falls in love with a half-woman/half-phoenix who fell to Earth from the sky.