Zgodba se začne z Noahovim prihodom v bolniško sobo. Noah je star 80 let in je prišel obiskat Allie, ki ima Alzheimerjevo bolezen. Na njeno željo ji začne pripovedovati zgodbo, ki se je dogajala pred 49 leti, ko se je Allie vrnila v New Bern, da bi poiskala Noaha. Dogodki se prepletajo in Noah takrat ugotovi, da čustva do Allie še niso zamrla. Prav tako se svojih čustev zave Allie, a ker je zaročena, poskuša svoja čustva do Noaha zatreti. Tako ima dve možnosti: lahko se poroči z moškim, ki ga ne ljubi, a bo skrbel za njo, ali tvega z Noahom, ki nima ničesar, a ga vseeno ljubi.

Študent na kolidžu Charlie med prazniki sprejme priložnostno službo spremljevalca slepega upokojenega polkovnika Franka Slada. Ta prepriča mladeniča, da ga pelje po vsem New Yorku.

Spet je zahvalni dan in konec prazničnega tedna v New Yorku si želi polkovnik Frank Slade (Al Pacino) privoščiti vse, kar mu ponuja vselej budno velemesto: dobro kuhinjo, čedne dame, limuzine s šoferji in apartma v slavnem hotelu Waldorf Astoria. Mladi Charlie Sirmms (Chris O'Donnell) ga nejevoljno spremlja in je nepričakovano deležen pomembne življenjske lekcije. Slade je mož, kakršnega ni še nikoli spoznal: nekdanji pomočnik predsednika Lyndona Johnsona je slep, vzkipljiv in pesniško navdihnjen. Charlie je študent kolidža pred pomembno odločitvijo. Njuna skupna pustolovščina v New Yorku bo imela globoke posledice na življenje obeh.

PRIPOROČAMO

On Haeundae Beach, a guilt-ridden fisherman takes care of a woman whose father accidentally got killed. A scientist reunites with his ex-wife and a daughter who doesn't even remember his face. And a poor rescue worker falls in love with a rich city girl. When they all find out a gigantic tsunami will hit the beach, they realize they only have 10 minutes to escape.

Kept locked inside the house by her father, 7-year-old Chloe lives in fear and fascination of the outside world, where Abnormals create a constant threat—or so she believes. When a mysterious stranger offers her a glimpse of what's really happening outside, Chloe soon finds that while the truth isn't so simple, the danger is very real.

A prim and proper schoolgirl goes against her society grandmother's wishes when she dates a motorcycle-riding juvenile delinquent.

Caius Martius, aka Coriolanus, is an arrogant and fearsome general who has built a career on protecting Rome from its enemies. Pushed by his ambitious mother to seek the position of consul, Coriolanus is at odds with the masses and unpopular with certain colleagues. When a riot results in his expulsion from Rome, Coriolanus seeks out his sworn enemy, Tullus Aufidius. Together, the pair vow to destroy the great city.

A bright high-school senior has her impending status as valedictorian jeopardized when her bitter history teacher, Mrs. Tingle, gives her a poor grade on a project. When an attempt to get ahead in Mrs. Tingle's class goes awry, mayhem ensues and friendships, loyalties and trust are tested by the teacher's intricate mind-games.

A dark secret connects middle-aged Katze and Brauth. The former has the clue that his end is near. The two meet again after years to share their last days in the old house of their past. With three women they met on their way, the atmosphere begins to recur a second time. When artist Heinrich decides to attend, the friends have their last chance to renew and cut with the history and to settle an old score. In the melancholy of the near end, Katze passes again all the situations in his life. In the hour of death, he is not alone anymore. His body is gone and his soul stays back in the same place where his destiny and fulfillment occurred.

Human, Tears, Art

With her husband Jack perpetually away at work, Margaret Hall raises her children virtually alone. Her teenage son is testing the waters of the adult world, and early one morning she wakes to find the dead body of his gay lover on the beach of their rural lakeside home. What would you do? What is rational and what do you do to protect your child? How far do you go and when do you stop?

The fan's self-sacrificing blades dance in the air, generating a refreshing breeze that wipes away the sweat of others and brings solace on a scorching day.

In early 1980s Manhattan, a pair of Irish-American brothers become embroiled in a conflict with the Irish Mob.

A visit to a Hollywood nightclub, featuring caricatures of, among others, Walter Winchell, Hugh Herbert, W.C. Fields, Katharine Hepburn, Ned Sparks, Johnny Weissmuller, Lupe Velez, John Barrymore, Harpo Marx, George Arliss, Mae West, Stan Laurel, Oliver Hardy, Clark Gable, Edna May Oliver, Gary Cooper, The Dionne Quintuplets, Groucho Marx, Helen Morgan, Wallace Beery, Edward G. Robinson and George Raft.

"Vlada Goes to London" is a short student film exploring the strong-willed Vlada on her night shift as a pizza delivery girl in her desperate attempt to book tickets to London and fulfill her dream of being a DJ. The end of the night brings more challenges than she expects.

The battle of the sexes as drawing room social satire. Philippe, a middle-aged newspaper editor, has lived for six years with Paulette, a successful stage actress. He tells her friend Claudine, a realistic and enterprising reporter, that he's thinking of proposing. Into the mix steps Carl Erickson, a charming Hollywood matinée idol in Paris briefly. He meets Paulette, sees her act (his box seat compliments of Philippe), and sets out to seduce her. The next two days bring talk, tears, separation, despair, surprises, and, perhaps, reconciliation as characters speak "exactly half the truth." It's a quadrille of changing partners.

A short film exploring two stories about love, loss and reunion set inside a café in Kolkata, India.

Wally Walrus conducts the school band's performance of Franz von Suppé's 'Morning, Noon, and Night in Vienna' overture.

One spring night, Ana falls into a permanent sleep. Her mother Irene and her little sister Ayleen witness each other's loneliness as they interact with the sleeping body and discover a distance that was previously imperceptible.

In the film we find some scrap of slow motion they see a Monica Vitti trying to cry, a meeting between Antonioni and Grifi, a film shot in the concentration camp of Auschwitz with a survivor who recounts those awful moments, a glimpse of Palestine today, Grifi's reflections on the prison.

This short film is part of a mixed media artwork of the same name, which also included postcards of Ader crying, sent to friends of his, with the title of the work as a caption. The film was initially ten minutes long, and included Ader rubbing his eyes to produce the tears, but was cut down to three and a half minutes. This shorter version captures Ader at his most anguished. His face is framed closely. There is no introduction or conclusion, no reason given and no relief from the anguish that is presented.