In Mexico, two teenage boys and an attractive older woman embark on a road trip and learn a thing or two about life, friendship, sex, and each other.
Emma, a French novelist aged 27, decide to go to Berlin and join a brothel to uncover the prostitution world, the subject of her new book. Such as gonzo journalism, Emma become a prostitute and her experience, which was supposed to last a few weeks, will last two years. Was writing her book an excuse for Emma to live a shameful fantasy?
A disgraced basketball coach is given the chance to coach Los Amigos, a team of players who are intellectually disabled, and soon realizes they just might have what it takes to make it to the national championships.
Olivier Assayas, Gus Van Sant, Wes Craven and Alfonso Cuaron are among the 20 distinguished directors who contribute to this collection of 18 stories, each exploring a different aspect of Parisian life. The colourful characters in this drama include a pair of mimes, a husband trying to chose between his wife and his lover, and a married man who turns to a prostitute for advice.
Los Amigos wins the Spanish basketball championship for the first time but are disqualified due to Sergio’s fault, leading to their dramatic breakup. Two years later, Cecilia, an inexperienced but optimistic coach, commits to fulfilling Julio’s dream of reuniting the team. Despite a string of misfortunes associated with Cecilia’s arrival, labeled as a “jinx”, Los Amigos’ enthusiasm remains unwavering. Against all odds, they find themselves participating in a thrilling and unexpected international eSports tournament watched by millions worldwide.
After failing the medical entrance exam, Léopold enters midwifery school by default, hiding the truth from those around him. While he is unconvinced of his commitment to this exclusively female environment, his meeting with Nathalie, an experienced midwife with a passionate character, will change his view of this fascinating world and upset his certainties.
Three strangers embark on a journey together. They each have their own reasons for undertaking this journey, but they quickly find that they have more in common than they initially thought.
In this dreamlike film, a nameless father and his son, Aleksei, live together in an apartment in St. Petersburg. Aleksei's mother has died and consequently the two have a very close relationship. When Aleksei acquires a girlfriend, she refuses to take a back seat to his bond with his dad, and breaks up with him. Aleksei is also experiencing nightmares, dreading separation from his father to be a part of the military as his father was.
Storyteller and Conceptual Magician Derek DelGaudio attempts to understand the illusory nature of identity and answer the deceptively simple question 'Who am I?'
Since her parents passed away, Princess Mona lives by herself in a castle with two hideous, ghastly characters, Goomi and His Lordship. One day her sobs draw the attention of a unicorn, called U, who wants to comfort and protect Mona for as long as she needs. U becomes Mona's companion, her confidant and her inseparable friend. While Mona grows into a beautiful princess, a group of charming, peaceful and fanciful Yeah-Yeah’s settles in the neighboring forest. They have no particular special powers, yet they soon bring about major changes in everyone's lives, especially in Kulka, the dreamy musician.
How the spirit of unity, which buoyed Britain during the war years, carried through to create a vision of a fairer, united society.
The action in this lavishly produced film takes place at an oddly ark-shaped mansion during World War I, and in spirit (although not in story) it reflects the play which inspired it, the ferociously antiwar Heartbreak House by George Bernard Shaw. A large group of family and friends have gathered at this country house to dance, drink, and converse. Their conversation, in particular, is adorned with erudite literary references and quotations. Despite their apparent refinement, their preoccupations are simple: sex and violence. Disquieting images break the tranquility of the vacationers' inappropriate idyll: some of these include documentary footage of starving African children, images (both real and re-enacted) of George Bernard Shaw going about his daily life, and a corpse coming to life on an autopsy table, only to cheapen that miracle by scolding a group of women. The music used in the film ironically points to its disturbing message and is uniformly anachronistic.
In her search for answers, 17-year-old Haru sets out on a long journey across the country to the town where, in 2011, the devastating tsunami swept away her brother and parents. This road trip takes the young woman, who is still haunted by her loss, from Hiroshima to Tokyo and Fukushima and all the way to Ōtsuchi, where her family home once stood. On the way she encounters other people, other stories, other lives and other losses. Landscapes and faces. The journey ends in the middle of a garden in full bloom among the scarred surroundings of her coastal hometown.. In it stands a telephone box which, even though it is no longer connected, is used to speak to those who cannot be reached any other way.
Steven Sullivan, a lonely office worker in an Australian metropolis longs to escape his feelings of self-loathing. Forcing himself into a life of hedonism, degeneracy and high-risk situations with a complete disregard for self-preservation, Steven begins his descent from a banal but normal life into a place with no return.
Recently divorced, aspiring filmmaker Helen (Jennifer Rubin) enters into a love triangle fueled by sexual hunger and manipulation. But as she attempts to define herself and fulfill her wants and needs, she must choose between her independence and her men. As Helen's exploits with controlling lover Paul (Michael Cerveris), casual beau Randy (Grant Show) and friend Donald (Lance Edwards) become fodder for her script, her choice becomes clear.
A woman challenges her husband on his decision to have a female friend stay over.
Bird droppings on a work shirt lead to extreme unintended consequences.
This enticing period melodrama depicts a long-suffering woman's relationship with her brilliant but self-destructive writer husband in postwar Tokyo. Based on a semi-autobiographical 1947 novel by Osamu Dazai, the story centers less on the womanizing, heavy-drinking, suicidal hero than on the wife who loves him. Written by Palm Springs International Film Festival
Yamashita Takako works in the food section of a department store. She pays frequent visits to a reputable local Chinese restaurant about opening an in-store branch. The owner of the restaurant, Wang Qingkuo from Shanghai, who does all the cooking by himself, gives Takako the brush-off. One day, however, Wang collapses due to overwork, and is left with partial paralysis. Hearing the rumor of the restaurant’s closure, Takako resigns from the department store and becomes an apprentice to Wang.