“Animales fantásticos y dónde encontrarlos” comienza en 1926 a medida que Newt Scamander acaba de terminar una excursión por todo el mundo para encontrar y documentar una extraordinaria variedad de creaturas mágicas. Al llegar a Nueva York para una breve escala, quizás pudo haber llegado y partido sin incidente... si no fuera por un No-Maj (término estadounidense para Muggle) llamado Jacob, un caso mágico perdido y la escapada de algunas de las bestias fantásticas de Newt, lo que podría significar problemas para los mundos tanto de los magos como de los No-Maj.
Amanda y Adam son un idílico matrimonio de abogados cuya paz conyugal se ve afectada cuando un caso los enfrenta en los tribunales como defensor y fiscal respectivamente: una mujer es juzgada por disparar contra su marido y la amante de éste. Adam no duda de la culpabilidad de la acusada, pero Amanda no es de la misma opinión.
A man tries to track down a potential love interest on a crowded train using a smartphone app.
Children Underground follows the story of five street children, aged eight to sixteen who live in a subway station in Bucharest, Romania. The street kids are encountered daily by commuting adults, who pass them by in the station as they starve, swindle, and steal, all while searching desperately for a fresh can of paint to get high with.
Trapped in an empty subway station, a timid freshman must fight to protect his soul from a decrepit, hollow monster.
A "love letter" to New York City through its subways & enclaves, H.O.M.E. is a film woven of two stories. One of a missing young man with Asperger's Syndrome who seeks refuge in the underground labyrinth of NYC. The other follows a gambling Ecuadorian livery driver & a Chinese woman desperate to get home to her sick child. Along each of their journeys through the urban landscape, they discover the deeper understanding of communication & their intimate connections despite their barriers. H.O.M.E. is an understated yet lyrical exploration of urban alienation & meaningful encounters through the lens of a "disconnected" city in constant motion.
Four people meet by chance at the subway station, exposing sides of themselves they're not really can handle.
A station. A boy. A girl. The same book. An exchange of looks and movements that tends to a loving dream with an unexpected ending. A 16 mm black and white exercise made by the author during her first trimester at the London Film School.
Is it okay to ride the subway without paying for the ticket?