In December 1941, Czech soldiers Jozef Gabčík and Jan Kubiš parachute into their occupied homeland to assassinate Nazi officer Reinhard Heydrich.
Germany, 1945. Soldier Willi Herold, a deserter of the German army, stumbles into a uniform of Nazi captain abandoned during the last and desperate weeks of the Third Reich. Newly emboldened by the allure of a suit that he has stolen only to stay warm, Willi discovers that many Germans will follow the leader, whoever he is.
When Adolf Hitler reawakens at the site of his former bunker in present-day Berlin, he is mistaken for a comedian and quickly becomes a media phenomenon.
In the early days of Nazi Germany, a powerful noble family must adjust to life under the new dictatorship regime.
Nazi hunter Ezra Lieberman discovers a sinister and bizarre plot to rekindle the Third Reich.
A pair of investigators team up with a Special Forces Unit to venture deep inside a war raging between the military and a massive army of Nazi Zombie Stormtroopers. Their mission is to fight their way behind enemy lines, locate the technology at the source of this growing threat and prevent the seemingly inevitable rise of the 4th Reich.
Two female Army agents go undercover at a Nazi prison camp to get information from a scientist being held there.
Before Dawn charts the years of exile in the life of famous Jewish Austrian writer Stefan Zweig, his inner struggle for the "right attitude" towards the events in war torn Europe and his search for a new home.
The National Socialist community "Kraft durch Freude" was a political organization with the task of organizing, monitoring and standardizing the leisure time of the German population. It is known today mainly as a vacation organization that practically brought mass tourism to Germany for the first time. The documentary shows private footage of travelers, film sequences from the Ministry of Propaganda as well as material from Eva Braun's film archive and thus provides a comprehensive insight into how vacations were organized in the Third Reich.
A Nazi propaganda film made to promote anti-Semitism among the German people. Newly-shot footage of Jewish neighborhoods in recently-conquered Poland is combined with preexisting film clips and stills to defame the religion and advance Hitler's slurs that its adherents were plotting to undermine European civilization.
Featuring never-before-seen film footage of Adolf Hitler and the Nazi regime, The Architecture of Doom captures the inner workings of the Third Reich and illuminates the Nazi aesthetic in art, architecture and popular culture. From Nazi party rallies to the final days inside Hitler's bunker, this sensational film shows how Adolf Hitler rose from being a failed artist to creating a world of ponderous kitsch and horrifying terror. Hitler worshipped ancient Rome and Greece, and dreamed of a new Golden Age of classical art and monumental architecture, populated by beautiful, patriotic Aryans. Degenerated artists and inferior races had no place in his lurid fantasy. As this riveting film shows, the Nazis went from banning the art of modernists like Picasso to forced euthanasia of the retarded and sick, and finally to the persecution of homosexuals and the extermination of the Jews.
Nazi historical drama about Duke Karl Alexander of Württemberg and his treasurer Süß Oppenheimer.
During the Nazi regime, there was widespread persecution of homosexual men, which started in 1871 with the Paragraph 175 of the German Penal Code. Thousands were murdered in concentration camps. This powerful and disturbing documentary, narrated by Rupert Everett, presents for the first time the largely untold testimonies of some of those who survived.
They were not only the largest construction project of the Nazi era, but above all the most popular: 80 years ago, work began on the Reichsautobahnen, whose myth still resonates today.
A dramatization of the life of Albert Speer, Hitler's young architect and onetime confidant, and his meteoric rise into the Nazi hierarchy. Based upon Speer's own monograph of the same title.
Examines the step-by-step process that led German medical professionals down an unethical road to genocide.
Now the subjects of a despotic chief, far from having any favor to expect from him, as both themselves and all they have are his property, or at least are considered by him as such, are obliged to receive as a favor what he relinquishes to them of their own property. He does them justice when he strips them. He treats them with mercy when he suffers them to live. In a beautiful house, during a beautiful day, next to a library with no books, a table is set for the last supper of its inhabitants.
He is considered to be one of the greatest German film stars, Hans Albers, known as "Der blonde Hans", a man made for the cinema. He was an actor, singer, idol of the Germans - and darling of the Nazis. Nevertheless, he could not protect his great love, the Jewess Hansi Burg. In 1938 she had to flee to London from anti-Semitism in Germany. But Albers himself stayed in Germany and continued to film, driven by a desire for a career and the call of money. In 1946, one year after the end of the Second World War, they meet again: Hansi Burg returns to the land of the murderers of her parents in the uniform of the British Army and visits Hans Albers in his villa on Lake Starnberg. He lives there with another woman. The rival has to go, then there is a tense debate. For a day and a night, the blonde Hans has to face uncomfortable questions and even more uncomfortable truths.
The intricate history of UFA, a film production company founded in 1917 that has survived the Weimar Republic, the Nazi regime, the Adenauer era and the many and tumultuous events of contemporary Germany, and has always been the epicenter of the German film industry.
How did Nazi Germany, from limited natural resources, mass unemployment, little money and a damaged industry, manage to unfurl the cataclysm of World War Two and come to occupy a large part of the European continent? Based on recent historical works of and interviews with Adam Tooze, Richard Overy, Frank Bajohr and Marie-Bénédicte Vincent, and drawing on rare archival material.