An ordinary man frustrated with the various flaws he sees in society begins to psychotically and violently lash out against them.
In the immense city of Tokyo, the darkness of the afterlife lurks some of its inhabitants who are desperately trying to escape the sadness and isolation of the modern world.
The Candyman, a murderous soul with a hook for a hand, is accidentally summoned to reality by a skeptic grad student researching the monster's myth.
Izi's close to escaping The Kitchen, one of London's last remaining housing estates. But when young Benji enters his life, he faces some hard decisions.
The Fool is a movie about a simple plumber. An honest man, he is up against an entire system of corrupted bureaucrats. At stake are the lives of 800 inhabitants of an old dorm that is at risk of collapsing within the span of the night.
A dangerously disturbed Vietnam veteran struggles with life 15 years after his return home, and slowly falls into insanity from his gritty urban lifestyle.
A solitary man struggles to cultivate beauty in a desolate urban world. Lonely and dislocated, he drifts in and out of a dream state envisioning the promise of regeneration. ROSEWATER tells a story of hope sustained through perseverance, ritual and, ultimately, revelation.
Loosely based on the true story of the killing of Kitty Genovese: A young woman's murder is witnessed by fifteen of her neighbors who do nothing to help and refuse to cooperate with the police.
Report on vandalism
Racial tensions arise when a black lawyer runs for mayor of a racially divided town.
Police inspector Sciarra, struggling with an identity crisis, and Domenica, an orphan who would like to know about her mother, spend one day together along the streets of Naples. It's Sciarra's last day of work and he has to take Domenica to the morgue, to identify a man who might have raped her. To Domenica, Sciarra is a father she never had, to him she is the daughter he couldn't have.
Deluge is a 2010 post-apocalyptic short film directed by Australian musician Lulu Collard.
A cinematic love letter to a pre-gentrification New York City
An unnerving glimpse into the near future is experienced through Callum, a young drifter.
The Doctor and Mel visit Paradise Towers, a residential complex that promises a peaceful life to its residents. However, the establishment is far from what its name suggests: A conflict persists among the Kangs, humanesque multicolour beings who gather in opposing gangs based on which colour of the rainbow they bear; killer cleaning robots prowl the halls, and a secret in the complex's basement poses the greatest threat of all.
The American Question examines the insidious roots of American polarization and distrust, in a desperate search for a path forward.
The Police Tapes is a 1977 documentary about a New York City police precinct in the South Bronx. The original ran ninety minutes and was produced for public television; a one-hour version later aired on ABC. Filmmakers Alan and Susan Raymond spent three months in 1976 riding along with patrol officers in the 44th Precinct of the South Bronx, which had the highest crime rate in New York City at that time. They produced about 40 hours of videotape that they edited into a 90-minute documentary.
"In this half-hour documentary, Producer Sandra King provides an intimate portrait of a public phenomenon: Graffiti. Over an 18 month period, King and her crew followed the teenage members of a graffiti 'crew,' Vandals on the Street, as they painted and rapped and moved through the streets of downtown Newark. What emerges is a unique glimpse behind the 'tags' at the kind of inner city kids who write on walls, but who also make art; who create out of wedlock children, but who also form binding relationships; who drop out of school and never read a book, but who create their own brand of poetry through the medium of 'rap.'
A portrait of a dilapidated Olympic-sized pool in Accra, Ghana.
The film follows a famous model and stylist Maja Atanasijević in her lonely, but intense struggle to bring back forgotten values of a city.