Trapped on her family’s isolated farm, Pearl must tend to her ailing father under the bitter and overbearing watch of her devout mother. Lusting for a glamorous life like she’s seen in the movies, Pearl’s ambitions, temptations, and repressions collide.
Дени (Остин О`Брајан) је дечак опседнут биоскопом и посебно филмовима са акционим херојем Џеком Слејтером (кога игра Арнолд Шварценегер). После добијања магичне карте која је од азијског мађионичара дошла до Худинија, а на крају до Денија, границе између реалности и света филма нестају када је Дени убачен у филм Џек Слејтер 4. Заробљен у филму, Дени мора да убеди Слејтера да је он у ствари измишљен лик кога игра стварни глумац Арнолд Шварценегер. Ствари постају компликованије када се пропалица у Џеку Слејтеру 4, плаћени убица Бенедикт (Чарлс Денс), докопа магичне карте и путује у стварни свет. Слејтер и Дени га прате, али налазе да су ствари много теже у свету где клишеи акционих филмова (аутомобили експлодирају када се пуца на њих и пролазак кроз стакло прозора не изазива бол) не постоје.
The duty manager of a seaside cinema, who is struggling with her mental health, forms a relationship with a new employee on the south coast of England in the 1980s.
Two projectionists discover a disturbing film featuring the lynching of a woman. Not only are they troubled by the content of the movie, but strange events befall them following the viewing.
Мае Дојле враћа се у свој родни град након 10 година, у рибарско село Монтереј у Калифорнији. Њен брат Џо није претерано одушевљен са њеним повратком јер се у иностранству променила и сада мисли да је боља од свих осталих, али пожели јој добродошлицу у породичну кућу. За разлику од њега, његова девојка Пеги је одушевљена њеним повратком па је Џо уплашен да ће Мае лоше утицати на њу...
A film projectionist longs to be a detective, and puts his meagre skills to work when he is framed by a rival for stealing his girlfriend's father's pocketwatch.
With a torrid past that haunts him, a movie theatre owner is hired to search for the only existing print of a film so notorious that its single screening caused the viewers to become homicidally insane.
Jean and Bill are a married couple trying to scrape a living. Out of the blue they receive a telegram informing them Bill's long-lost uncle has died and left them his business—a cinema in the town of Sloughborough. Unfortunately they can't sell it for the fortune they hoped as they discover it is falling down and almost worthless.
A story told from three angles. Max meets Elizabeth; they live together, but when she talks of marriage, he balks. He becomes extremely jealous, probably without cause, and thinks she's taken up with a friend of his, Jack. Elizabeth, stung by Max's refusal to marry, catches Jack's eye, but the friendship seems innocent. Lena, who works with Max, likes him and realizes she can manipulate his jealousy and maybe engineer his split from Elizabeth. When she's sure Elizabeth is with a man, she calls Max at work, sending him home to confront the lovers. Then, Lena feels guilty and takes off for Max's apartment. What's really going on? Who's with Elizabeth?
This is the story of my grandfather, Tiago Florit, who for 50 years was a film operator at the Teatre Principal de Maó, in Menorca. It is a review of his life, from his birth to his death, in a cinematographic key. A true love story to cinema.
A new projectionist spends her first evening on the job screening short films for an upcoming festival inside an old movie house. As she watches the horror films alone from the projection booth, she begins to feel that she is not alone.
12 Years ago, Fuyuko, was 7 years old, watched her sister, a high school student, raped and choked to die. Fuyuko never forgets that the man who killed her sister has a red snake tattoo on his thigh. Suffering from the memory and deeply being traumatized, Fuyuko meets the tattooed man by accident and tries to hunt down...
Documentary about film projectionists.
A projectionist bored with his everyday life begins fantasizing about his being one of the superheroes he sees in the movies he shows.
Hollywood has made up their minds, forcing theaters to convert to digital or go dark. As theaters around the world change to newer digital technology, the job of the 35mm film projectionist is becoming irrelevant. Going Dark profiles two theater projectionists during their final days on the job.
When the UK's oldest working cinema opened in 1909, it took five years to train a projectionist - a century later, it takes less than an hour. The Last Projectionist charts the amazing history of UK independent cinema, taking a tour of some of the most magical picture houses in the world, all centred around The Electric in Birmingham, the oldest working cinema in Britain.
Set in the most easterly town in England, Lowestoft, a young Projectionist (Andrew Hooper) must overcome grief and barriers created from his Mother's untimely death, and become the filmmaker she wanted to him to be.
Comedy short about working in a movie theater.
A 'cine-ramic' roller-coaster ride through the rise, fall and re-birth of projected film.
Documentary charting the experiences of projectionists who work or worked in cinemas in London, exploring the skills and dedication required for this unique role, set against changes in technology, society, and entertainment.