Trapped on her family’s isolated farm, Pearl must tend to her ailing father under the bitter and overbearing watch of her devout mother. Lusting for a glamorous life like she’s seen in the movies, Pearl’s ambitions, temptations, and repressions collide.

影片是著名動作影星施瓦辛格主演，1993年也是其最受歡迎的時期。影片應景地描寫了一個小孩兒非常喜歡施瓦辛格的電影，經常悄悄前往作為朋友的老電影放映員的後台觀看放映的電影，一天得到了一張神秘的電影票，被奇幻地帶進了其觀看的施瓦辛格電影，和片中主角一起經歷了電影劇情的種種，又將主角帶到現實，互相經歷對方的世界後，小孩親身救護了自己的眼中主角，圓了自己一直的夙願。 影片彷彿是為了那個施瓦辛格所走紅的時期量身定製，也是為了那個時期所有同樣幻想的觀眾特別是青少年所拍，雖未必有多大場景和特效，但題材新穎特別，即使直到現在也未見有同樣題材的佳片。曾經認為如果片中小孩由著名童星麥考利·卡爾金來出演會更好，可能因主演始終是施瓦辛格為了不與其搶戲所想，但這樣的格局會更大，同時再提升整體背景劇情，可以出更有景深的影片。

八十年代初期，在英國海邊小鎮的帝國戲院，戲院經理希拉莉（奧莉花高雯）備受憂鬱症困擾，與已婚上司埃利斯先生（哥連費夫）的一段婚外情亦令她深感委屈。這時，戲院來了一位黑人青年新員工史提芬（米高華特），樂觀開朗，渴望升讀大學，卻飽受種族歧視。兩顆孤獨的心在電影院裡相遇相知，黑暗中找到屬於他們的光影，照亮彼此，可惜好景不常⋯⋯

Two projectionists discover a disturbing film featuring the lynching of a woman. Not only are they troubled by the content of the movie, but strange events befall them following the viewing.

A film projectionist longs to be a detective, and puts his meagre skills to work when he is framed by a rival for stealing his girlfriend's father's pocketwatch.

An embittered woman seeks escape in marriage, only to fall for her husband’s best friend.

With a torrid past that haunts him, a movie theatre owner is hired to search for the only existing print of a film so notorious that its single screening caused the viewers to become homicidally insane.

Set in the most easterly town in England, Lowestoft, a young Projectionist (Andrew Hooper) must overcome grief and barriers created from his Mother's untimely death, and become the filmmaker she wanted to him to be.

Documentary charting the experiences of projectionists who work or worked in cinemas in London, exploring the skills and dedication required for this unique role, set against changes in technology, society, and entertainment.

When the UK's oldest working cinema opened in 1909, it took five years to train a projectionist - a century later, it takes less than an hour. The Last Projectionist charts the amazing history of UK independent cinema, taking a tour of some of the most magical picture houses in the world, all centred around The Electric in Birmingham, the oldest working cinema in Britain.

A 'cine-ramic' roller-coaster ride through the rise, fall and re-birth of projected film.

Jean and Bill are a married couple trying to scrape a living. Out of the blue they receive a telegram informing them Bill's long-lost uncle has died and left them his business—a cinema in the town of Sloughborough. Unfortunately they can't sell it for the fortune they hoped as they discover it is falling down and almost worthless.

A story told from three angles. Max meets Elizabeth; they live together, but when she talks of marriage, he balks. He becomes extremely jealous, probably without cause, and thinks she's taken up with a friend of his, Jack. Elizabeth, stung by Max's refusal to marry, catches Jack's eye, but the friendship seems innocent. Lena, who works with Max, likes him and realizes she can manipulate his jealousy and maybe engineer his split from Elizabeth. When she's sure Elizabeth is with a man, she calls Max at work, sending him home to confront the lovers. Then, Lena feels guilty and takes off for Max's apartment. What's really going on? Who's with Elizabeth?

12 Years ago, Fuyuko, was 7 years old, watched her sister, a high school student, raped and choked to die. Fuyuko never forgets that the man who killed her sister has a red snake tattoo on his thigh. Suffering from the memory and deeply being traumatized, Fuyuko meets the tattooed man by accident and tries to hunt down...

This is the story of my grandfather, Tiago Florit, who for 50 years was a film operator at the Teatre Principal de Maó, in Menorca. It is a review of his life, from his birth to his death, in a cinematographic key. A true love story to cinema.

A new projectionist spends her first evening on the job screening short films for an upcoming festival inside an old movie house. As she watches the horror films alone from the projection booth, she begins to feel that she is not alone.

A projectionist bored with his everyday life begins fantasizing about his being one of the superheroes he sees in the movies he shows.

Hollywood has made up their minds, forcing theaters to convert to digital or go dark. As theaters around the world change to newer digital technology, the job of the 35mm film projectionist is becoming irrelevant. Going Dark profiles two theater projectionists during their final days on the job.

Documentary about film projectionists.

Comedy short about working in a movie theater.