Melody , jej nastoletnia siostra Lila i ich przyjaciele — Dante i Ruth — przeprowadzają się do miasteczka Harlow w Teksasie, aby rozkręcić nowy, idealistyczny biznes. Jednak ich sen szybko zmienia się w koszmar na jawie, gdy przypadkiem zakłócają spokój obłąkanego seryjnego mordercy, którego przesiąknięta krwią spuścizna wciąż prześladuje okolicznych mieszkańców. Takich jak Sally Hardesty — jedyna ocalała z teksańskiej masakry piłą mechaniczną w 1973 roku, której marzy się zemsta.

Kiedy dobry glina (Peter Weller) zostaje napadnięty przez bezwzględnych kryminalistów, grupa lekarzy i naukowców ratuje mu życie przekształcając go w cyborga zwanego Robocopem. Niepokonana maszyna do walki z przestępczością zaczyna jednak przypominać sobie wydarzenia z przeszłości i twarze osób, które zaatakowały go na służbie. Poza sprawiedliwością RoboCop zaczyna pragnąć jednego... zemsty! [opis dystrybutora DVD]

"Barbershop 2: Z powrotem w interesie" z Ice Cubem w roli głównej. Calvin (Cube) prowadzi mały salon fryzjerski. Naprzeciwko jego zakładu duża korporacja chce wybudować centrum handlowe min. z siecią zakładów fryzjerskich. Calvin i jego przyjaciele muszą ratować rodzinny interes przed bankructwem. Cube walczy rozpaczliwie i w efekcie odkrywa, że najlepszym sposobem, by zapewnić sobie przyszłość jest sięgnięcie do swoich korzeni!

Last Black Man in San Francisco to nowy film debiutującego Joe Talbota, który miał już swoją premierę na festiwalach filmowych. Fabuła skupia się na młodym mężczyźnie, który chce odzyskać dom zbudowany przez jego dziadka w samym sercu San Francisco. Będzie musiał wyruszyć na wyprawę w celu odzyskania posiadłości i jednocześnie spojrzy w twarz szybko zmieniającemu się miastu, które zdaje się go odtrącać.

Diosdado spends his time debating with customers, particularly with his boss, who holds strong opinions about the financial aspects of the convenience store where he works.

An unlikely band of misfits has made their home on a roof between a feed mill and the municipal waste treatment plant. But life is good, away from society and living of this leftovers. Lisbeth, Herbert and Walther have created their own self-sufficient little paradise. While Herbert is hunting cats, Lisbeth tends to the self-grown vegetables and Walther angles for usable scrap from the dump down below. One morning though, the peace is disrupted: A nameless, suit wearing stranger has appeared overnight and set up his tent among their huts. He does not speak, but obviously he intents to stay. The rooftop dwellers are anxious. Will he destroy their perfect little society? Or can he be part of it… incorporated so to speak... ?

A journey through the fantastic and mysterious Barcelona that the Spanish writer Carlos Ruiz Zafón (1964-2020) loved so much, the city of myth and legend, the city that was before it became one of the main European tourist destinations.

After a long absence an artist returns to her gentrified community where she explores her social position and complicity in the rapid changes.

On the occasion of his last regulars’ table in his old neighbourhood of Schwabing, the laconic pensioner Schorsch gets paid a cab drive to his new home in Neuperlach in the outskirts of the city by his pals. But Schorsch rather wants to take one last look at his old downtown apartment which he had renovated himself after the war, and where he had lived for almost forty years until his landlord bullied him out of there as the latter wanted to use the space for expensive luxury apartments. Because Schorsch’s wife wanted to move to “the countryside”, they thereupon moved to the Neuperlach development site in the outskirts of Munich. But amongst the uniformly looking housing blocks, Schorsch can’t even find his new apartment, and so, the grumpy cabdriver Gustl becomes his companion on a nightly odyssey.

Sprzedawca nieruchomości Victor wymyślił sobie, że zamieni madrycką dzielnicę Chueca w miejsce, w którym mieszkać będą tylko bogaci, dobrze wyglądający homoseksualiści. Najpierw musi jednak pozbyć się stamtąd lokatorów w podeszłym wieku. Dąży więc do celu po trupach. Wszystko idzie zgodnie z planem aż do chwili śmierci pewnej staruszki. Policja podejrzewa, że mogło to być morderstwo. Poszukiwaniem zabójcy z Chueca zajmuje się pełna uprzedzeń i fobii pani komisarz, której towarzyszy zdziwaczały syn.

A woman risks everything to secure a future for herself and her brother by setting out on a dangerous odyssey in Portland, in doing so confronting her own dark past over one propulsive night.

Kathy's family left on a Saturday morning in 1965. The rumble of bulldozers echoed through the neighborhood, and her block was empty. Federally-funded urban renewal had arrived in Charlottesville, scattering dozens of families like Kathy's. The once-vibrant African American community, built by formerly enslaved men and women who had secured a long-denied piece of the American dream, disappeared.

Arriving in the US with a background in abstract art, opera, and film—including work with German director Werner Schroeter—Vogl began making Super8 films in New York that stripped away the stylistic markers of Hollywood, New Wave cinema of the 1960s and ’70s, and classic avant-garde film, leaving only traces of their generic conventions. For the first hour of OK Today Tomorrow, he stages a series of fraught encounters around the city between four gentrified New Yorkers before abandoning his vague narrative of youthful angst altogether in favor of documenting the urban landscape itself. The dusk-to-dawn “city symphony” that ends the film resembles similar Super8 social studies by Vogl’s uptown contemporary John Ahearn; both recorded the daily lives of working-class black and immigrant communities on the streets of a city on the verge of the corporate takeover and sweeping gentrification that followed in the 1980s and ’90s. Preserved by The Museum of Modern Art, New York.

Is the city of Zurich suffering from ‘density stress’? What is it like to live in mega cities such as São Paulo, Mexico City and Tiflis? Filmmaker Thomas Haemmerli broaches the topics of city development, architecture, density, housing market, xenophobia and gentrification from an autobiographical perspective. The path of his life has led him from a childhood in the villa district of Zürichberg, through his teenage years as squatter to flat shares, yuppie apartments and finally second homes in various cities. Only recently having become a dad, he plans to further enhance Zurich’s price appreciation by purchasing a huge, extended city apartment… This multifaceted essay not only humorously questions the filmmaker’s decisions, but also those of the right-wing conservatives, who are afraid of losing their space to immigrants, and the political left, who fail to embrace modern-age architecture.

Toronto filmmaker Charles Officer profiles the young people of Villaways Park, a housing project on brink of historic change.

On the tiny island of Martha's Vineyard, where presidents and celebrities vacation, trophy homes threaten to destroy the islands unique character. Twelve years in the making, One Big Home follows one carpenters journey to understand the trend toward giant houses. When he feels complicit in wrecking the place he calls home, he takes off his tool belt and picks up a camera.

A small bingo hall is threatened by the opening of the country's largest bingo centre nearby.

A film essay contrasting the modern metropolis with its "golden age" from 1830-1930, with the participation of some of New York's leading political and cultural figures. Made at a time when the city was experiencing unprecedented real estate development on the one hand and unforeseen displacement of population and deterioration on the other. Empire City is the story of two New Yorks. The film explores the precarious coexistence of the service-based midtown Manhattan corporate headquarters with the peripheral New York of undereducated minorities living in increasing alienation.