在这部续集影片中，想为荒废的德州小镇注入新活力的网红们遇到了那个臭名昭著、戴着人皮面具的的杀手 — “人皮杀人魔”。
底特律是世界闻名的汽车城，这里的机械工业已经到了出神入化的地步。墨菲（彼得•威勒 Peter Weller 饰）是底特律的一个普通警察，既没有非凡身手、也没有高超技术。一次，他执行任务时被一伙暴徒暴打致死，从此他的人生轨迹改变了。 底特律的科学家没能救活他的身体，却能将他的头脑和机械完美地合二为一。墨菲成了一个有着人类头脑和机械身体的机械警察！身上配备了各种武器、能应付各种各样的暴力活动的墨菲成了底特律警察的王牌。然而墨菲发生意外后他的家人却神秘失踪了，墨菲打击罪恶之余一直在竭力寻找家人。 令人意外的是，墨菲的机械身体却是操控在一伙利益集团手中。他们一直都在利用墨菲干着各种罪恶勾当…
经历过经济危机的苦恼后，卡尔文(冰块•酷巴 饰)的理发店没有卖出去继续营业了，阴翳过后这里又恢复了往日的欢声和热闹。这间理发店是卡尔文的家族产业，位于南部芝加哥，虽然收入寥寥一直靠着几个老主顾维持，憨厚热心的卡尔文仍然继续营业，在他看来，这里至少能够带给社区的人们休息和交流的场所。
理发店似乎还是老样子，人们聚集在这里讨论着家长里短或者国家大事，人人畅所欲言争论不休，却又热闹非常充满生气。理发师老艾迪(锡德里克 饰)还是为顾客们剃着一成不变的发型，以前颇为清高的吉米(辛•派屈克•托马斯 饰)终于变得随和亲切了，而泰莉(伊娃 饰)在对男友的失望之下，选择了一直暗恋她的邓卡(莱昂纳多•艾•豪斯 饰)，理发店似乎更加团结亲密了。
正当卡尔文奢望着理发店安安稳稳的营业下去时，旁边忽然开了间美容院，新潮的设计、先进的设备、优秀的理发师以及周到的服务，尤其是开朗热情的理发师吉娜(奎因•莱提法 饰)十分受人欢迎。很快，美容院立刻引起了社区人们的注意，吸引了社区大部分的顾客，甚至连理发店的老顾客们也开始动摇，打算把脚挪到旁边的美容院去了。
在美容院的竞争之下，刚刚缓过危机的卡尔文眼看着又要面临关门的危险，他们气恼地和美容院发生了一系列的争执，几乎闹得不可开交。
此事未了，一波又起，有个大财团试图吞并芝加哥南部地区所有的服务业，他们开了咖啡店、录像出租店和连锁理发店，并且试图把所有家庭式经营的小店全部赶尽杀绝。为了共同的利益，卡尔文的理发店和吉娜的美容院很快停止争执，合力一起争取他们的利益了……
故事围绕旧金山最后一个，也是即将消失的黑人社区展开。一个黑人男子(吉米·凡尔斯饰)和他的朋友(乔纳森·梅杰斯饰)为找回属于家族的归属感，他们决定买下属于自己家族的房子。
Sitting at the intersection of two main arteries of traffic on Melbournes Northside is a giant yellow rat that is pointing, with a long gnarled claw, to its explicitly large bottom. This yellow rat is the mascot for the small business Glenlyon Motors. This unusual mascot and the absence of an explanation for its existence has many residents of Melbournes north side puzzled. 'A Rats Arse' finally answers the question on every Northside residents lips - “Why?!” - and along the way reveals something about identity, values, community, and the people who exist within them.
A film essay contrasting the modern metropolis with its "golden age" from 1830-1930, with the participation of some of New York's leading political and cultural figures. Made at a time when the city was experiencing unprecedented real estate development on the one hand and unforeseen displacement of population and deterioration on the other. Empire City is the story of two New Yorks. The film explores the precarious coexistence of the service-based midtown Manhattan corporate headquarters with the peripheral New York of undereducated minorities living in increasing alienation.
Arriving in the US with a background in abstract art, opera, and film—including work with German director Werner Schroeter—Vogl began making Super8 films in New York that stripped away the stylistic markers of Hollywood, New Wave cinema of the 1960s and ’70s, and classic avant-garde film, leaving only traces of their generic conventions. For the first hour of OK Today Tomorrow, he stages a series of fraught encounters around the city between four gentrified New Yorkers before abandoning his vague narrative of youthful angst altogether in favor of documenting the urban landscape itself. The dusk-to-dawn “city symphony” that ends the film resembles similar Super8 social studies by Vogl’s uptown contemporary John Ahearn; both recorded the daily lives of working-class black and immigrant communities on the streets of a city on the verge of the corporate takeover and sweeping gentrification that followed in the 1980s and ’90s. Preserved by The Museum of Modern Art, New York.
A small bingo hall is threatened by the opening of the country's largest bingo centre nearby.
当喜剧遭遇谋杀时，第一守则是将观众注意从暴力和恐怖中转移开。"Chuecatown"将视角放在谋杀的旁观者——一群健壮和八婆的同志身上，不同人的不同反应营造出了奇妙的化学效果。
Toronto filmmaker Charles Officer profiles the young people of Villaways Park, a housing project on brink of historic change.
On the tiny island of Martha's Vineyard, where presidents and celebrities vacation, trophy homes threaten to destroy the islands unique character. Twelve years in the making, One Big Home follows one carpenters journey to understand the trend toward giant houses. When he feels complicit in wrecking the place he calls home, he takes off his tool belt and picks up a camera.
In 1959 New York City announced a "slum clearance plan" by Robert Moses that would displace 2,400 working class and immigrant families, and dozens of businesses, from the Cooper Square section of Manhattan's Lower East Side. Guided by the belief that urban renewal should benefit - not displace - residents, Frances Goldin and her neighbors formed the Cooper Square Committee and launched a campaign to save the neighborhood. Over five decades they fought politicians, developers, white flight, government abandonment, blight, violence, arson, drugs, and gentrification - cyclical forces that have destroyed so many working class neighborhoods across the US. Through tenacious organizing and hundreds of community meetings, they not only held their ground but also developed a vision of community control. Fifty three years later, they established the state's first community land trust - a diverse, permanently affordable neighborhood in the heart of the "real estate capital of the world."
The baker, the pie-maker and the diminished long-term community of Hoxton Street face gentrification in this compelling portrait of a rapidly changing London.
A woman risks everything to secure a future for herself and her brother by setting out on a dangerous odyssey in Portland, in doing so confronting her own dark past over one propulsive night.
A taxi drives through the city of Berlin. Its driver is a punk, left and a well-known figure in the autonomous scene. The stations of his trip are the most important places of the autonomous scene: all in the struggle for survival. The last evictions have not yet been processed and the next ones are coming right up.
Diosdado spends his time debating with customers, particularly with his boss, who holds strong opinions about the financial aspects of the convenience store where he works.
A documentary focusing on the rebuilding projects in Berlin after the fall of the Berlin Wall.
Residents struggle to pay their rapidly rising rents on Wellington Street in Montreal.
A short film focusing on bawdy talk and Italian-American stereotypes of African-Americans.