In 1927 Hollywood, a silent film production company and cast make a difficult transition to sound.
A nightclub dancer makes it big in modeling, leaving her dancer boyfriend behind.
Karel Novak is an incredibly naive Czech immigrant who is taken under the wing of streetwise New York chorus girl Sylvia. With the help of lovable cop-on-the-beat Murphy, Sylvia hides Karel from the immigration authorities and ultimately falls in love with him. In addition to Karel's illegal-alien status, the plot is complicated by a crooked lawyer and a group of well-meaning welfare workers who endeavor to place Sylvia's kid brother Frank in a foster home.
The vaudeville act of Harriet and Queenie Mahoney comes to Broadway, where their friend Eddie Kerns needs them for his number in one of Francis Zanfield's shows. When Eddie meets Queenie, he soon falls in love with her—but she is already being courted by Jock Warriner, a member of New York high society. Queenie eventually recognizes that, to Jock, she is nothing more than a toy, and that Eddie is in love with her.
Discovery by Flo Ziegfeld changes a girl's life but not necessarily for the better, as three beautiful women find out when they join the spectacle on Broadway: Susan, the singer who must leave behind her ageing vaudevillian father; vulnerable Sheila, the working girl pursued both by a millionaire and by her loyal boyfriend from Flatbush; and the mysterious European beauty Sandra, whose concert violinist husband cannot endure the thought of their escaping from poverty by promenading her glamor in skimpy costumes.
During the Great Depression, all Broadway shows are closed down. A group of desperate unemployed showgirls find hope when a wealthy songwriter invests in a musical starring them, against the wishes of his high society brother. Thus start Carol, Trixie and Polly's schemes to bilk his money and keep the show going.
Former burlesque star May and her daughter Peggy dance in the chorus. When May has a fight with featured dancer Bubbles, Bubbles leaves the show and Peggy takes her place. When Peggy falls in love with wealthy Randy, May fears class differences may lead to misery.
A producer puts on what may be his last Broadway show, and at the last moment a chorus girl has to replace the star.
Swellegant and elegant. Delux and delovely. Cole Porter was the most sophisticated name in 20th-century songwriting. And to play him on screen, Hollywood chose debonair icon Cary Grant. Grant stars for the first time in color in this fanciful biopic. Alexis Smith plays Linda, whose serendipitous meetings with Porter lead to a meeting at the alter. More than 20 of his songs grace this tail of triumph and tragedy, with Grant lending is amiable voice to "You're the Top", "Night and Day" and more. Monty Woolley, a Yale contemporary of Porter, portrays himself. And Jane Wyman, Mary Martin, Eve Arden and others provide vocals and verve. Lights down. Curtain up. Showtune standards embraced by generations are yours to enjoy in "Night and Day."
A chorus girl gets bad advice from her fellow chorines in handling a rich suitor who assumes she is a gold digger.
A chorus girl gets stranded in a small midwestern town. Against her better judgement, she hooks up with a smooth-talking con artist who says he can help her get out of town.
After one member of their group is murdered, the performers at a burlesque house must work together to find out who the killer is before they strike again.
The partners of stage-producer J. J. Hobart gamble away the money for his new show. They enlist a gold-digging chorus girl to help get it back by conning an insurance company. But they don’t count on the persistence of insurance man Rosmer Peck and his secretary Norma Perry.
A soldier falls for a chorus girl and then experiences trouble when he is posted to the Pacific.
A destitute, bored monarch falls in love with a chorus girl.
A chorus girl comes to the realization that she is not getting any younger and that her longtime relationship with a nightclub singer is going nowhere. She finds herself attracted to an unassuming but attentive--and much younger--delivery boy.
A crooked producer makes money from Broadway flops by selling more than 100% interest to multiple parties. He only fails if it makes a profit.
Carlos and his girlfriend Carmen are a happy and fun couple; however, his friend León and his girlfriend Luisa are quite the opposite; so Carlos recommends León to visit the mysterious Kamus —an artist, a drunkard, a philosopher—, in the hope that he can free him from his depressing and contagious existential pessimism…
Ted Howard, a vaudevillian left, stranded in a tank town. A local girl, Mary (Sally O'Neil), proposes to finance a new act with her savings and the team succeeds in a minor way until Ted is discovered by Broadway femme fatale Valeska (Carmel Myers). Not wishing to stand in her partner's way, Mary nobly resigns from the act and instead accepts a minor role in the show. She proves a sensation on opening night, however, and a jealous Valeska demands her ousted. But Ted, who is in love with Mary, reorganizes their old act and they begin a new life together as man and wife.
A researcher investigating a notorious serial killer who was hanged 20 years earlier seemingly becomes possessed by the long dead strangler.