Inside the Kit Kat Club of 1931 Berlin, starry-eyed singer Sally Bowles and an impish emcee sound the clarion call to decadent fun, while outside a certain political party grows into a brutal force.
A historical drama set in Roman Egypt, concerning philosopher Hypatia of Alexandria and her relationship with her slave Davus, who is torn between his love for her and the possibility of gaining his freedom by joining the rising tide of Christianity.
After a fishing boat is attacked, the sole surviving crew member realizes it is none other than a resurrected Godzilla. However, efforts to bring the story to light are suppressed by the Japanese government amid growing political tensions between the United States and the Soviet Union, who are both willing to bomb Japan to stop the monster.
Irish Republican Army member Fergus forms an unexpected bond with Jody, a kidnapped British soldier in his custody, despite the warnings of fellow IRA members Jude and Maguire. Jody makes Fergus promise he'll visit his girlfriend, Dil, in London, and when Fergus flees to the city, he seeks her out. Hounded by his former IRA colleagues, he finds himself increasingly drawn to the enigmatic, and surprising, Dil.
In a dystopian, polluted right-wing religious tyranny, a young woman is put in sexual slavery on account of her now rare fertility.
A young woman's desperate search for her abducted boyfriend draws her into the infamous Colonia Dignidad, a sect nobody ever escaped from.
Biography of Mohammed Ali Jinnah, the founder of modern Pakistan is told through flashbacks as his soul tries to find eternal rest. The flashbacks start in 1947 as Jinnah pleads for a separate nation for the Muslim minority, infuriating Lord Mountbatten. Mountbatten then tries to enlist Gandhi & Nehru to persuade Jinnah to stop his efforts. Gandhi sides with Jinnah, which upsets Nehru. However, Jinnah turns down the offer to become prime minister and the film takes another slide back to 1916, which reveals all of the political implications that have occurred.
An exceptionally talented face reader becomes entangled in a bloody power struggle between a child king and his uncle who plans to usurp the throne.
An old woman is carrying shopping bags.
A child with a gun is riding a scooter. Birds are flying. A city is falling. A party is lit.
A camera crew travels through Thailand asking villagers to invent the next chapter of an ever-growing story. A TV-obsessed boxer, a group of schoolkids, a lonely rubber-tree tapper and feuding food vendors all add to a tale that includes witches, tigers, surprise doublings, and impossible reversals.
Two American agents are hired to retrieve military chips containing top-secret information. Their plan goes awry when an unexpected political prisoner enters the picture.
Bologna, 2002. Amidst protests against the labor reform, the assassination of a lawyer opens old wounds between Italy and France. Former far-left terrorist Marco, convicted of murder during the Years of Lead and living in Paris since then thanks to the Mitterrand Doctrine, is suspected of being its instigator. When the Italian government asks for extradition, Marco goes into hiding with his daughter Viola, precipitating also the life of his family back in Italy.
In 2012 two members of anarchistic female band Pussy Riot were sentenced to two years in a Mordovian labor camp for "hooliganism motivated by religious hatred". Russian film collective Gogol’s Wives follow each step of the feminist punk band’s battle against Putin including their first disruptive performances on a trolley bus, shooting a video about transparent elections, a controversial performance in a Red Square cathedral, and footage shot in a jail cell. Support comes from many corners including Madonna who painted the words "Pussy Riot" on her back and wore a balaclava during her Moscow show. The documentary portrays the grim state of present-day Russia, a country starkly divided between conservatism and anarchy. Pussy Riot believes that art has to be free and they're willing to take it to extremes. "Pussycat made a mess in the house," they say, and the house is Russia. The filmmakers do not seek to moralize, they simply edit events and leave viewers to draw their own conclusions.
Spain, 1968. An analysis of the political and social situation of the country, suffocated by the boot of General Franco's tyrannical regime. (Filmed clandestinely in Madrid and Barcelona during the spring of 1968.)
Dare to Dream was directed by Marianne Jenkins, a film student from Goldsmiths' College, University of London, in 1990. It looks at the history of anarchism in the UK and beyond, as well as the state of the movement in the tumultuous year the poll tax uprising finally led to the resignation of Thatcher. Among the anarchist heavyweights interviewed are Albert Meltzer, Vernon Richards, Vi Subversa, Philip Sansom, Clifford Harper and Nicholas Walter, as well as a host of lesser known but equally committed dissidents. The film also features the miners strike and class struggle, squatting and social centres such as Bradford's 1in12 club, animal rights and feminism.
An archival documentary about the U.S. military’s response to the political and racial injustices of the late 1960s: take a military base, build a mock inner-city set, cast soldiers to play rioters, burn the place down, and film it all.
A thorough analysis of the socio-politics of Mexico, within the historical context of the Mexican Revolution reality. Includes footage from the 1910s, interviews with farmers, politicians, intellectuals, middle class, union, etc, as well as scenes from the life of an Indian family in Chiapas, their religious rituals, their crops, trials and bilingual schools. The film ends with the slaughter in the Plaza de Tlatelolco in 1968, during the infamous Olympics.
Laila leaves Bangkok, besieged by law enforcement due to political and social unrest, and embarks on a road trip to the town of Pattani, in the far south of Thailand, along with her brother Sugood and Toi, a friend of his, to visit Sainab, the brothers' aunt, whom they barely know.
Stolen Kosovo is a Czech language documentary by director Václav Dvořák (b. 1948), about the Serbian–Albanian conflict in Kosovo. The documentary describes the situation, first in a short overview of the history of the area, followed by the 1990s conflicts and bombing of Serbia by NATO forces in 1999 and ending with the situation after the Kosovo War. The documentary focuses on the 1990s in the time of Slobodan Milošević's rule as well as on numerous interviews of Serbian civilians and, less, of Albanian insurgents against the Milošević regime.
A protestor is kidnapped by the police and asked to use is influence to sway the protests in the governments way.