A family together with their grandpa go on a vacation, when their new car won't stop and it nearly escapes crashing into a hundred cars.

Arrogant, self-centered movie director Guido Contini finds himself struggling to find meaning, purpose, and a script for his latest film endeavor. With only a week left before shooting begins, he desperately searches for answers and inspiration from his wife, his mistress, his muse, and his mother.

Two troubled adolescents chronicle the events that ultimately lead up to a terrifying assault on their school.

Barnaby and Maxine Pierce, an embattled married couple in Connecticut, are on the verge of divorce. Their son is getting married in California and they decide to drive across the country to attend. Along the way, as they visit family and friends, they reflect on their tattered relationship and the events that transpired to create the estrangement.

A woman drives in her car, wearing a grave look on her face. In the background, we hear the sounds of the freeway. The camera often captures her face, but occasionally we look at her from behind. Hypnotising lines on the road whiz by. Just like trees and other elements surrounding the road. Some short telephone conversations alternate with long silences. Meanwhile, the spectator travels along with the woman for many miles. Next, her phone rings for the third time. It turns out to be her lover. Gradually, the nature of the conversation becomes clear. It is their final, but intense and extensive talk. One time, the tone is very impersonal, another time defiant or even particularly emotional. More and more becomes clear about the two characters and their past relationship.

December the 31th, 2003. Lucie decides to write a letter to the man who abused her from the age of 8 to 12 years old and resolves herself to bring it to him in person, wherever he may be.