1999年春。鉄道の高架下で男ヨンホは全てを失ったいま、過去を振り返っていた。3日前、ヨンホは危篤状態にある初恋の相手、スニムを見舞う。数年前には行きずりのバーのホステスにスニムの面影を見る。さらに3年前、新米刑事のヨンホのもとにスニムがやって来るが、彼はそっけなく追い返してしまう。その4年前には兵役についたヨンホを訪ねたスニムだが面会許可がおりなかった。そしてその1年前、青年ヨンホはスニムとこの高架下で互いの将来を語り合っていた。

1987年1月、全斗煥大統領による軍事政権下の韓国。南営洞警察のパク所長は北分子を徹底的に排除するべく、取り調べを日ごとに激化させていた。そんな中、行き過ぎた取り調べによってソウル大学の学生が死亡してしまう。警察は隠蔽のため遺体の火葬を申請するが、違和感を抱いたチェ検事は検死解剖を命じ、拷問致死だったことが判明。さらに、政府が取り調べ担当刑事2人の逮捕だけで事件を終わらせようとしていることに気づいた新聞記者や刑務所看守らは、真実を公表するべく奔走する。また、殺された大学生の仲間たちも立ち上がり、事態は韓国全土を巻き込む民主化闘争へと展開していく。＜1987年1月14日の学生運動家朴鍾哲拷問致死事件から6月民主抗争に至る大韓民国の民主化闘争を描いた韓国映画＞

A group of women involved in the Women's Liberation Movement hatched a plan to invade the stage and disrupt the live broadcast at the 1970 Miss World competition in London, resulting in overnight fame for the newly-formed organization. When the show resumed, the results caused an uproar and turned the Western ideal of beauty on its head.

Contrasting radical mobs, anarchy, and 1960s counterculture with footage of American manufacturing and innovation, this film celebrates the concept of American exceptionalism and argues that anti-Vietnam War protesters were influenced by communism, atheism, and immorality. Set mostly in a university library, this political debate between a medical student, his 1770s ancestor, and a history professor is a sequel to the 1972 National Education Program film, Brink of Disaster! Two additional characters appear in this drama: a 19th-century steamboat captain, and the student’s grandfather - an early 20th-century automobile worker. The National Education Program at Harding College in Searcy, Arkansas created a variety of widely-distributed anti-communism films from the mid-1940s to the early 1970s.

A student is held up in the library while a riot rages outside. As SDS protesters head to burn the library down, he has to fend them off with his baseball bat. This film opens with actual footage of civil disturbances in the 1960s, and moves on to images of historical American figures.

Anthropology student Daria, who's helping a property developer build a village in the Los Angeles desert, and dropout Mark, who's wanted by the authorities for allegedly killing a policeman during a student riot, accidentally encounter each other in Death Valley and soon begin an unrestrained romance.

Verona and Burt have moved to Colorado to be close to Burt's parents but, with Veronica expecting their first child, Burt's parents decide to move to Belgium, now leaving them in a place they hate and without a support structure in place. They set off on a whirlwind tour of of disparate locations where they have friends or relatives, sampling not only different cities and climates but also different families. Along the way they realize that the journey is less about discovering where they want to live and more about figuring out what type of parents they want to be.

In 19th century France, Jean Valjean, a man imprisoned for stealing bread, must flee a relentless policeman named Javert. The pursuit consumes both men's lives, and soon Valjean finds himself in the midst of the student revolutions in France.

黒澤明監督の戦後最初の監督作品。京大・滝川事件とゾルゲ・スパイ事件をモチーフに、ファシズムの吹き荒れる時代にあって自らの信念に基づいて強く生きる女性の姿を謳い上げたドラマ。国民的アイドル原節子が芯の強いヒロインを好演。昭和8年。京都帝国大学の教授・八木原の教え子たちにとって教授の一人娘、幸枝は憧れの的。野毛、糸川の二人の学生も幸枝に想いを寄せていた。秀才型で日和見的な糸川に対して実直で行動派の野毛。軍国主義が強まる中、野毛が左翼運動へと身を投じる一方、糸川はひたすらに法曹の道を目指していた。やがて、幸枝は信念を持って行動する野毛に魅力を感じ始めるのだったが……。

College graduates deal with Vietnam and other issues of the late '60s.

Teenage problems intertwine during the occupation of a high school in Rome. Silvio—much like his peers desperate to lose his virginity—wants to make his move on the girl he likes, despite her being already his friend's girlfriend and not knowing that her best friend harbors feelings for him—while clashing also with his parents, onetime Sixties radicals who look down on the kids' aimless political commitment.

A journalist preparing a story on extremist youth falls in love with a young radical who fears being killed by his companions when he is unable to commit a political assassination.

During an orgy, Some old and wealthy notables are being murdered by a small group of leftist young revolutionaries. Very soon the police are tracking down Virgile Cabral, the leader of the group. Meanwhile, Virgile's brother and only relative, Vincent, a violinist (and a thief), comes back to Paris. They have not seen each other for three years. Vincent does not believe in the revolution. He only tries to live as he wishes to live. But by looking for his hunted down brother, he has no other choice than to be involved in a fight that is not his.

When the Chinese Communist Party backtracks on its promise of autonomy to Hong Kong, teenager Joshua Wong decides to save his city. Rallying thousands of kids to skip school and occupy the streets, Joshua becomes an unlikely leader in Hong Kong and one of China’s most notorious dissidents.

Since its adoption in June 1955 by the Congress movement, the Freedom Charter has been the key political document that acted as a beacon and source of inspiration in the liberation struggle against Apartheid. It was reputedly the main source that informed democratic South Africa’s liberal constitution and a constant reference point for the ruling African National Congress (ANC) and rival political parties that it spawned since 1994, all claiming the Freedom Charter’s legacy. Freedom Isn’t Free assesses the history and role of the charter, especially in relation to key political and socio-economic aspects of developments in South Africa up to the present period. It includes rare archival footage with interviews of a cross-section of outspoken influential South Africans.

A reckless student contemplates terrorism in a prescient film that confirmed Shinoda as a fearless member of Shochiku’s iconoclastic New Wave. At the height of student protests, Shimojo (Shinichiro Mikami) takes his aggressions to another level, beset by seemingly insoluble feelings of alienation.

As Mexico prepares to host the 1968 Olympics, students and civilians are uniting on the streets to protest the authoritarian government. Tensions are running high and the eyes of the world are on Mexico and President Gustavo Diaz Ordaz. Ana Maria, a student photographer and daughter of a high-ranking official, finds herself embroiled in the movement and is swept off her feet by Félix, a working-class architecture student. This film remembers the events that led to one of the darkest chapters in Mexico’s recent history: the massacre at Tlatelolco, 10 days before the opening of the Olympic Games.

What remains of the 2012 Quebec student protests? Little has changed in the decade that ensued. Rodrigue Jean and Arnaud Valade exhume images of the battles, recorded live and relayed through the mass media, that flared up as anger and indignation went head-to-head with the rhetoric of power. Against these divisive images, the filmmakers overlay a historical perspective of the state and its police in Montreal, Quebec and Canada, delving into the roots of sanctioned violence. Their compelling glance at the past is, of course, a cry that continues to echo in the present day. While the voices have been silenced, revolt still brews. All it takes is a spark...

Five short stories with contemporary settings. In New York, people are indifferent to derelicts sleeping on sidewalks, to a woman's assault in front of an apartment building, and to a couple injured in a car crash. A man, stripped of his identity, dies in bed with actors expressing his agony. A cheerful, innocent young man walking a city street in a time of war pays a price for this innocence. A couple talks about cinema while it watches another couple talk of love and truth on the eve of one character's return to Cuba. Striking students take over a university classroom; an argument follows about revolution or incremental change.

A young Venezuelan freedom fighter seeks asylum in the United States, but his heart remains in the fight back home.