На початку фільму ми бачимо чоловіка, що кінчає життя самогубством на залізничному мосту. Далі, повернувши час у зворотньому напрямку, ми зрозуміємо, що його до цього привело. Стрічка про те, як людина з часом оскотинюється, вчиняючи помилку за помилкою. І про інші речі.
In 1987 Korea, under an oppressive military regime, a college student gets killed during a police interrogation involving torture. Government of officials are quick to cover up the death and order the body to be cremated. A prosecutor who is supposed to sign the cremation release, raises questions about a 21-year-old kid dying of a heart attack, and he begins looking into the case for truth. Despite a systematic attempt to silence everyone involved in the case, the truth gets out, causing an eruption of public outrage.
1970-ті роки, Англія. Сексуальна революція… Пошуки нової свободи… Конкурс «Міс Світу». На величезному лондонському подіумі найкрасивіших дівчат зустрічає велика кількість глядачів. Від спалахів фотокамер у них паморочиться в голові, але вони гідно виходять у різних вбраннях. Та в один момент на Альберт-хол вриваються інші дівчата – представниці феміністичної організації, які в корені змінять історію конкурсу.
Contrasting radical mobs, anarchy, and 1960s counterculture with footage of American manufacturing and innovation, this film celebrates the concept of American exceptionalism and argues that anti-Vietnam War protesters were influenced by communism, atheism, and immorality. Set mostly in a university library, this political debate between a medical student, his 1770s ancestor, and a history professor is a sequel to the 1972 National Education Program film, Brink of Disaster! Two additional characters appear in this drama: a 19th-century steamboat captain, and the student’s grandfather - an early 20th-century automobile worker. The National Education Program at Harding College in Searcy, Arkansas created a variety of widely-distributed anti-communism films from the mid-1940s to the early 1970s.
A student is held up in the library while a riot rages outside. As SDS protesters head to burn the library down, he has to fend them off with his baseball bat. This film opens with actual footage of civil disturbances in the 1960s, and moves on to images of historical American figures.
Двадцятирічні Марк та Дарина виконують роль пари, що зустрілася в Долині Смерті. Вона - секретарка, яка працює над проектом свого боса в Феніксі, він - колишній студент, який викрав літак. Вони гуляють неживою пустелею, з'ясовують, заради чого живуть, поринають у мрії та займаються коханням.
Verona and Burt have moved to Colorado to be close to Burt's parents but, with Veronica expecting their first child, Burt's parents decide to move to Belgium, now leaving them in a place they hate and without a support structure in place. They set off on a whirlwind tour of of disparate locations where they have friends or relatives, sampling not only different cities and climates but also different families. Along the way they realize that the journey is less about discovering where they want to live and more about figuring out what type of parents they want to be.
За крадіжку буханця хліба, яку Жан Вальжан вчинив, щоб нагодувати сім'ю, його засуджують до десяти років каторги, де він змушений працювати як раб.
Over more than a decade, the daughter of a Kyoto Imperial University professor comes of age as she witnesses her father fired for opposing the rise of fascism in Japan and becomes involved with two of his students.
Фільм розповідає про те, як змінюються надії, мрії та любовні історії знайомих нам шкільних друзів. Прощавайте, танці до упаду, нічні прогулянки і боротьба з прищами. Тепер усе життя приятелів крутиться навколо вечірок у студентському кампусі, романів і маршів миру.
Teenage problems intertwine during the occupation of a high school in Rome. Silvio—much like his peers desperate to lose his virginity—wants to make his move on the girl he likes, despite her being already his friend's girlfriend and not knowing that her best friend harbors feelings for him—while clashing also with his parents, onetime Sixties radicals who look down on the kids' aimless political commitment.
A journalist preparing a story on extremist youth falls in love with a young radical who fears being killed by his companions when he is unable to commit a political assassination.
During an orgy, Some old and wealthy notables are being murdered by a small group of leftist young revolutionaries. Very soon the police are tracking down Virgile Cabral, the leader of the group. Meanwhile, Virgile's brother and only relative, Vincent, a violinist (and a thief), comes back to Paris. They have not seen each other for three years. Vincent does not believe in the revolution. He only tries to live as he wishes to live. But by looking for his hunted down brother, he has no other choice than to be involved in a fight that is not his.
When the Chinese Communist Party backtracks on its promise of autonomy to Hong Kong, teenager Joshua Wong decides to save his city. Rallying thousands of kids to skip school and occupy the streets, Joshua becomes an unlikely leader in Hong Kong and one of China’s most notorious dissidents.
Since its adoption in June 1955 by the Congress movement, the Freedom Charter has been the key political document that acted as a beacon and source of inspiration in the liberation struggle against Apartheid. It was reputedly the main source that informed democratic South Africa’s liberal constitution and a constant reference point for the ruling African National Congress (ANC) and rival political parties that it spawned since 1994, all claiming the Freedom Charter’s legacy. Freedom Isn’t Free assesses the history and role of the charter, especially in relation to key political and socio-economic aspects of developments in South Africa up to the present period. It includes rare archival footage with interviews of a cross-section of outspoken influential South Africans.
A reckless student contemplates terrorism in a prescient film that confirmed Shinoda as a fearless member of Shochiku’s iconoclastic New Wave. At the height of student protests, Shimojo (Shinichiro Mikami) takes his aggressions to another level, beset by seemingly insoluble feelings of alienation.
As Mexico prepares to host the 1968 Olympics, students and civilians are uniting on the streets to protest the authoritarian government. Tensions are running high and the eyes of the world are on Mexico and President Gustavo Diaz Ordaz. Ana Maria, a student photographer and daughter of a high-ranking official, finds herself embroiled in the movement and is swept off her feet by Félix, a working-class architecture student. This film remembers the events that led to one of the darkest chapters in Mexico’s recent history: the massacre at Tlatelolco, 10 days before the opening of the Olympic Games.
What remains of the 2012 Quebec student protests? Little has changed in the decade that ensued. Rodrigue Jean and Arnaud Valade exhume images of the battles, recorded live and relayed through the mass media, that flared up as anger and indignation went head-to-head with the rhetoric of power. Against these divisive images, the filmmakers overlay a historical perspective of the state and its police in Montreal, Quebec and Canada, delving into the roots of sanctioned violence. Their compelling glance at the past is, of course, a cry that continues to echo in the present day. While the voices have been silenced, revolt still brews. All it takes is a spark...
Five short stories with contemporary settings. In New York, people are indifferent to derelicts sleeping on sidewalks, to a woman's assault in front of an apartment building, and to a couple injured in a car crash. A man, stripped of his identity, dies in bed with actors expressing his agony. A cheerful, innocent young man walking a city street in a time of war pays a price for this innocence. A couple talks about cinema while it watches another couple talk of love and truth on the eve of one character's return to Cuba. Striking students take over a university classroom; an argument follows about revolution or incremental change.
A young Venezuelan freedom fighter seeks asylum in the United States, but his heart remains in the fight back home.