改編自加拿大漫畫家人氣漫畫《Scott Pilgrim》，以電玩快打風格，反映街頭少年的青春文化。 故事敘述吉他手史考特（麥可塞拉飾）一上台，就風靡台下所有少女歌迷，這個萬人迷出自普普通通的「Sex Bob-omb」樂團一員。 既是萬人迷，想當然，從不缺女友，就怕甩不掉她們。可是這回，他遇上了從小迷戀已久的夢中情人蘿夢娜（瑪麗伊莉莎白文斯蒂德飾），眼看史考特的愛火重新點燃，不管怎樣，他這回立誓一定要奪走佳人芳心！ 豈料，蘿夢娜的「前男友」軍團，陣容強大，在他們眼中，心目中的女神，可輪不到區區一個史考特。 更令史考特棘手的是，「前男友」軍團中，更包括了聲名狼藉的滑板小子、以及一對令人聞風喪膽的雙胞胎。一心追愛的史考特，要如何擺脫這群不懷好意的前男友們，而贏得愛情呢？ 本片由《活人牲吃》導演愛德加懷特執導，這回風格大轉彎的他，以生猛、快節奏的調子，拍出熱鬧非凡的青春架構，男主角則是《鴻孕當頭》中害艾倫佩姬懷孕的麥可塞拉 。
一板一眼的紀錄片工作者賈許(班史提勒 飾)與他的老婆(娜歐蜜華茲)總是過著千篇一律的生活，夫妻倆一直想要有個小孩卻始終無法如願，但就在一次偶然的機緣下他們結識了一對充滿理想抱負且無拘無束的年輕情侶傑米(亞當崔佛 飾)與妲比(亞曼達塞佛瑞 飾)，就在彼此截然不同的生活撞擊下，他們離開了平時熟悉的生活圈而開始嘗試各種不同的可能，看似平靜的生活也擦出了不一樣的火花。
凱絲和她的男朋友到達紅杉林的一個偏遠小屋時，他們發現一對年輕夫婦已經在那裡。她的男朋友和這位年輕女子一起消失了，凱絲開始痴迷於尋找解釋。
Max, Aaron and Glen have a track record littered with strike-outs and misfit hook-ups. The boys embark on a mission to up their hot babe batting average. They meet Hollywood Casanova Johnny Eyelash who teaches these boys the game of scoring A-list arm candy. But there is one problem, the girls are organized, cunning and have an agenda of their own. Its not long before the girls, led by Big Wendy and Little Wendy pick up on Johnny's tactics and Hollywood becomes one big booby trap.
伊莎什麼都好，伊莎什麼都要。她年輕、美好、奔放不羈，在時髦廣告公司上班，同時攻讀博士學位，並以性為素材，展開攝影創作計畫。無畏的她奉行女性主義，同時和一男一女交往，忠實於各色各樣的慾望脈動。然而當她的多角戀相互抵觸時，她被迫搬回和母親同住，父親缺席的傷痛記憶再次纏繞心頭。此外，她和公司合作的人氣女攝影師過從甚密，甚至獻身全裸入鏡；另一方面，她開通成人網站帳號，開始兜售自己的敏感私照及「攝影服務」。伊莎無畏衝撞藝術和色情的界線，在愛與被愛的渴求之間，重新尋找自己的模樣。
Tom's advances on a young jive-talking girl cat get nowhere; nowhere, that is, until Tom gets a zoot suit. Armed with his miles of fabric and a new cool lingo, Tom still has to deal with the tricks of his nemesis, Jerry.
It follows Bennett, a nonbinary new parent, who arrives late to their postpartum "Mamas Group" at a place called "Wüm" with 3-month-old daughter, Edie.
Exhibitionism, voyeurism, jealousy, lust. Brooklyn wedding photographer Theo’s side business shooting surveillance-style photos of clients on the sly takes an unexpected turn - and creates a rift with his fiancée - when he’s hired by a provocative mystery woman.
On December 20, 2012, the eve of what may be the end of the world, Stacey decides he wants to see his ex-girlfriend, Parker. Though not entirely convinced of impending doom, Stacey convinces Parker to embrace the notion that this might be the end, and she agrees to spend the day with him, making sure to fit as much into these final moments as possible. Stacey and Parker bump into old friends and fall into old patterns, all the while struggling to embrace the present and not focus on the past.
A small group of friends are gathered at Katinka's summer house to celebrate her birthday. The guests are all in their thirties, upper class, art world, liberal humanitarian bohemians. They sit on the floor smoking amongst books, antiques and modern art. The party sets off on a high note, when suddenly during dinner, two new guests arrive. Linda, a blonde game show hostess, is unexpectedly brought to the party by Katinka's brother. Linda is greeted warmly at first, her brusque and liberated manners are entertaining and fresh. But during the course of the evening Linda stretches the groups invisible social rules of hospitality. Contempt starts to grow, thus unfolding the groups hidden prejudices.
Two teenage pseudo-intellectual hipsters spend the day driving around their hometown in search of culture and adventure
The vinyl record renaissance over the past decade has brought new fans to a classic format and transformed our idea of a record collector: younger, both male and female, multicultural. This same revival has made buying music more expensive, benefited established bands over independent artists and muddled the question of whether vinyl actually sounds better than other formats. Vinyl Nation digs into the crates of the record resurgence in search of truths set in deep wax: Has the return of vinyl made music fandom more inclusive or divided? What does vinyl say about our past here in the present? How has the second life of vinyl changed how we hear music and how we listen to each other?
A satire on "typical" upper middle class girls.
Claire purchases an antique educational toy that reignites fond memories from childhood and lays bare the sorry state her life is now in.
Magnus once had a girlfriend and a kid. But his girlfriend now has somebody new. And so now Magnus has his classic car, and a bar. Everything about Magnus’ manner makes him a hipster – par excellence. He has a couple of close friends, all cut from the same cloth. But then one night his car is stolen and Magnus falls into a kind of cultivated despair.
A mockumentary focusing on an art school frat's attempt at recording a music video for their latest party anthem with unwanted dancers and an unruly director.
Mosquito: A Fistful of Bitcoins
i also watcha you.
The Dijon Story dives with unexpected consequences into the life of four Finnish hipsters in Berlin.