Redheaded teen Remy is bullied by his soccer teammates and drawn into fights with his younger sister and mother in their cramped apartment. After a flare-up of domestic violence, he flees home and is tracked down by a bitter guidance counselor, Patrick, also a redhead. Patrick looks upon Remy’s sullen insolence with both sympathy and disdain and decides to toughen him up...
One day, on a whim, Marc decides to shave off the moustache he's worn all of his adult life. He waits patiently for his wife's reaction, but neither she nor his friends seem to notice. Stranger still, when he finally tells them, they all insist he never had a moustache. Is Marc going mad? Is he the victim of some elaborate conspiracy? Or has something in the world's order gone terribly awry?
A young man walks into a meticulously clean and sterile bathroom and proceeds to shave away hair, then skin, in an increasingly bloody and graphic bathroom scene. Many film critics have interpreted the young man's process of self-mutilation as a metaphor for the self-destructive involvement of the United States in the Vietnam War.
Carlos sweeps and mops the floor of an old-time barbershop. The day before Independence Day, among the customers is Julio. Their eyes meet, and when the barbershop closes Julio comes back for Carlos. They spend the night together, eating, chatting and even dancing, knowing full well that this encounter will be brief and short-lived.
A man referred to only as "Yankee" rides into a dying, desolate town in frontier New Mexico which is completely controlled by a man called the "Grand Cougar." Almost immediately, a battle for dominance ensues.
A young woman watching accidentally killing an unknown in the offices of her lover. From now on she's on the run, chased by an SUV who seeks her after life. The woman is desperate to escape their fate and experienced a world of humiliation and fear. After being raped she takes her fate into their own hands - the hunted becomes the hunter.
René desperately needs a new haircut before he flies to New York. When he discovers a mysterious Viennese hairdressing salon, his initial joy is quickly overshadowed by worrying questions: Why was the hairdresser so hesitant to let him in? Why did she lock the front door? Was it wise to ask a stranger for a shave? And who is that pale old man next to him, who neither speaks nor moves?
"Inspired by Martin Scorsese's 1967 shocking short The Big Shave—an unflinching body-horror that metaphorically criticized America's involvement in the Vietnam War—London-born directors Noah Lee and Danny Lee set out to create their own interpretation of the scene, enlisting Palo Alto star Jack Kilmer to play the role of the 'shaver.' The young man's self-mutilation draws creatively on Scorsese's original bloodbath, while pushing the act in a wholly new direction." - NOWNESS