Rumored to have been lost, Antrum appears as a cursed film from the 1970s. Viewers are warned to proceed with caution. It’s said to be a story about a young boy and girl who enter the forest in an attempt to save the soul of their recently deceased pet. They journey to “The Antrum,” the very spot the devil landed after being cast out of heaven. There, the children begin to dig a hole to hell.
Earthquakes in central Korea turn out to be the work of Yongary, a prehistoric gasoline-eating reptile that soon goes on a rampage through Seoul.
This mostly lost film is often confused with director Paul Wegener third and readily available interpretation of the legend; Der Golem, wie er in die Welt kam (1920). In this version of the golem legend, the golem, a clay statue brought to life by Rabbi Loew in 16th century Prague to save the Jews from the ongoing brutal persecution by the city's rulers, is found in the rubble of an old synagogue in the 20th century. Brought to life by an antique dealer, the golem is used as a menial servant. Eventually falling in love with the dealer's wife, it goes on a murderous rampage when its love for her goes unanswered.
Doris Poole, whose parents were theatrical people, was orphaned as a child, and four members of the troupe adopted and raised her. When grown, she has become the leading lady in a San Francisco stock-company. She meets and falls in love with Ted, the millionaire son of a rich widow, but she thinks he is only a tax-cab driver. His mother objects to the romance and looks into Doris' past. She learns that her father had murdered, in a fit of jealousy, her mother, and tells Doris what she has found out. The four actors who had raised her had never told her how she happened to become an orphan. They persuade Ted's mother to send him on a voyage to the Orient in order to get him away from Doris. But they neglected to tell the mother they had also booked passage for Doris on the same ship.
The circus provides the backdrop for this melodrama that chronicles the lives of four children raised within the big top. Film historian and collector William K. Everson stated that the only surviving print was lost by actress Mary Duncan who had borrowed it from Fox Studios. In the December 1974 issue of "Films in Review," he explained that Mary Duncan, one of the film's stars, wanted it to show to a group of friends in Florida. The star was aware that it was a dangerous nitrate print and assumed that Fox had others. She threw the only copy in the ocean, a mistake characterized by Everson as "a monumental blunder to rank with Balaclava, Sarajevo, and the Fall of Babylon as one of history's blackest moments."
A lost film based on the 'Reign of Terror', a real-life series of several dozen murders committed against the Osage people. 'Tragedies of the Osage Hills' was directed by James Young Deer, the first known Native American film director, and boasted a cast of “hundreds of real Indians.” Described as a dramatic thriller interwoven with a “tender love story”, the film’s premiere in Cushing, Oklahoma occurred just months after the arrest of Ernest Burkhart, the subject of Martin Scorsese’s similarly themed 2023 film 'Killers of the Flower Moon'. The 'Cushing Daily Citizen' described 'Tragedies of the Osage Hills' as having a fictitious ending of the Osage and white men united under an American flag.
Captain "Wolf" Larsen, the absolute master of a seal schooner, is a mystic and philosopher, though he rules his men with an iron hand. On a ferry going from San Francisco to Oakland, Van Weyden, a critic, and Maud Brewster, a novelist, meet in masquerade costumes and are forced overboard when their boat collides with a steamer. Humphrey, then Maud, are picked up by Larsen's crew. Because of her costume, Maud is taken for a boy and placed in the custody of Mugridge, the cook, who attempts to attack her upon discovering her identity. Larsen takes her under his protection and decides to marry her; but as the ceremony begins, the crew mutinies, and Larsen is stricken with blindness as he faces the rebels. The ship is set afire, and though Humphrey and Maud are rescued by another steamer, Larsen, deserted by his crew, refuses to quit his ship and is enveloped in flames.
Marilyn Monroe's final project, "Something's Got to Give", has become one of the most talked about unfinished films in history. The story of the film and Marilyn's last days were seemingly lost… until now. Through interviews, never-before-seen footage and an edited reconstruction of "Something's Got to Give", Marilyn Monroe: The Final Days provides a definitive and fascinating look at the last act in the life of the world's most famous and tragic superstar.
Heiress Sybil Drew is told by her Aunt Annabelle she must earn her own living for a year or be disinherited. Setting out for New York she finds many adventures and toils, including being mistaken for a thief before true love and success come her way.
In 1975, French Oscar-winning director Pierre-Dominique Gaisseau travelled to Panama to film the Kuna community, where women are sacred. Gaisseau, his wife and their little girl Akiko lived with the Kunas for a year. The project eventually ran out of funds and a bank confiscated the reels. Fifty years later, the Kunas are still waiting to discover “their” film, now a legend passed down from the elders to the new generation. One day, a hidden copy is found in Paris…
A young woman borrows money from her boss for her wedding dress. After the marriage he asks to be repaid, and she--not liking to ask her husband for money--writes a check on her husband's account. When he discovers that his wife has written a check to another man and not told him, complications ensue.
Adventures of an elderly man surrounded by pretty young swimming girls at one of the Belgrade beaches.
This film, believed lost, was based on William Vaughn Moody's 1906 play The Great Divide. The story was filmed as a silent film by MGM as The Great Divide (1925) and as an early silent/sound hybrid by First National also called The Great Divide (1929). Judith Temple has come West to Arizona for some excitement. As she says goodbye to her brother and his wife, who are returning to the East, Dr. Neil Cranford, who is in love with her, is called away to tend the broken ribs of a man injured in a barroom brawl.
A convicted murderer has been sentenced to death in the electric chair. He decides to spill the name of the man who hired him, but just before he does he's killed by a poison dart. A police detective and a pretty young newspaper reporter team up to find out the identity of the man behind the killings.
In Corsica, Marianna Paoli's brother is killed by an Englishman whose identity is unknown to her. She swears vengeance and tracks the killer to Monte Carlo. There she falls in love with a handsome young officer, only to discover that he is the murderer she has sworn to punish.
Philip de Mornay, a courtier in the French royal court of the 18th century, falls in love with Daphne La Tour, the daughter of a nobleman. Knowing that her family would never approve of their marriage, he takes her and hides her in a brothel, but is soon captured by pirates. Soldiers looking for women to bring with them to a settlement across the ocean in Louisiana raid the brothel and take the girls, including Daphne. Later on the trip to the new world their ship is attacked by pirates--and she discovers that her lover Philip is on board the pirate ship.
In a small town in Indiana in the 1890s, the domineering and ambitious Mrs. Biddle arranges a marriage between her spoiled daughter Thelma and the town's prize catch, harvester David Langston, who is wedded to the soil. David is friends with orphan Ruth Jameson and, although she is in love with him, he eventually gives in to the machinations of Mrs. Biddle and consents to marry Thelma. Meanwhile, technological advances come to town, including its first gasoline buggy, galvanic battery, and metal bathtub fitted with running water. When Mrs. Biddle tries to convince David to give up the farming life and join her husband in real estate, Mr. Biddle, hen-pecked and dissatisfied with city life, warns David against selling his farm.
A bungling bumpkin fails at a number of jobs in this slapstick comedy - before he finds his true calling.
A theatrical troupe from the west end of London loses its leading lady when she goes off to marry a rich young man from the other side of town. The rest of the play deals with the budding romance and trials and tribulations of their love, as well as the changing face of late-19th-century theatre.