Las Alas de la Paloma. A principios de siglo la hija de un pobre viudo drogadicto es acogida por su millonaria tía. Se apasiona por un periodista plebeyo de segunda fila, que no es de su clase. De modo que urde una trama para que él enamore a una joven rica y mortalmente enferma: si logra su fortuna, podrán casarse en el futuro.
Dos chicas adolescentes de clase acomodada abandonan la seguridad de sus hogares en las afueras de la ciudad para explorar el peligroso ambiente de Los Ángeles Este, un barrio conflictivo donde aprenden que hasta las acciones más inocentes pueden tener consecuencias...
El director de una gran empresa inmobiliaria propone a algunos de sus socios una curiosa apuesta: si el no es capaz de sobrevivir durante 30 días en uno de los barrios más pobres de Los Ángeles sin un céntimo en el bolsillo, entonces perderá su puesto. En su exilio, en medio de la calle, descubrirá la otra cara de la vida: la miseria.
Año 2036. La medicina ha sufrido una revolución gracias a la invención de las nanomáquinas el Sistema Shell, que permiten que la muerte sea cosa del pasado. Sin embargo solo los más ricos son capaces de costeársela. Yozo Oba no es rico, y está preocupado por unos extraños sueños, pero decide unirse a la pandilla de moteros de su amigo y realizar una incursión en “The Inside”, el lugar en el que viven los ricachones. Esto cambiará la vida de Yozo para siempre.
Told via Seussian poem, the short film exhibits the bravery of a person who has faced the ultimate adversity...a tummy ache.
You could be forgiven for mistaking Charlie Siem for James Bond. Whether he's driving an orange Porsche to his cliff-top Monaco mansion, ordering martinis or looking suave in a designer suit, he is a man on a mission. It isn't to hunt down SPECTRE, but to find perfection in everything he does. Whether it's performing on stage, recording albums, or selecting a suit, Charlie demands the best, of himself and others. Despite an entourage dubbed ‘Charlie's Angels', he's lonesome, and complains that people can't relate to him. Danish filmmaker Eva Mulvad, with patience and panache, delves into this life of privilege to find commonalities of ambition and desire.
In 1920s rural Mississippi, Nancy Mannigoe, an African-American servant, is placed on death row for the murder of Temple Drake's infant child. Temple, the daughter of the governor, pleads with her father to exonerate Nancy of the charges, explaining that Nancy acted in haste to prevent her from resuming her affair with a roguish Cajun called Candy Man. Details of Temple's sordid past are uncovered as she begs mercy for her faithful servant.
Rip and Seb are college students from very different backgrounds. Rip is from a working class family and has had to fight for everything he has. Seb is from an upper class background and has been surrounded by privilege his entire life until now. Both Rip and Seb wish to go to university. Unfortunately, neither can afford to go. Despite their differences, an unlikely friendship forms between the two and they plan to burgle a house to raise money. However, everything changes when they realise the house they are trying to steal from is owned by a gangster.
Mac and Steve, two immature college kids, are going out on a Friday night when they encounter a controversial homeless man that leaves them questioning their values and society.