14歳のプリシラは、世界が憧れるスーパースター（エルヴィス）と出会い、恋に落ちる。彼の特別になるという夢のような現実…。やがて彼女は両親の反対を押し切って、大邸宅で一緒に暮らし始める。魅惑的な別世界に足を踏み入れたプリシラにとって、彼の色に染まり、そばにいることが彼女のすべてだったが…。
Mia recounts her most intimate confessions, uncensored, in her first approach to a totally new world of domination and submission.
A sailor prone to violent outbursts is sent to a naval psychiatrist for help. Refusing at first to open up, the young man eventually breaks down and reveals a horrific childhood. Through the guidance of his doctor, he confronts his painful past and begins a quest to find the family he never knew.
巨匠アルフォンソ・キュアロン監督が、家族愛の物語を自身の幼少時の体験を交え美しいモノクロ映像で綴った自伝的作品。政治的混乱に揺れる1970年代のメキシコで、ある家政婦と雇い主一家の絆を感情豊かに描く。
The story of a child star attempting to mend his relationship with his law-breaking, alcohol-abusing father over the course of a decade, loosely based on Shia LaBeouf’s life.
A portrait of Alejandro Jodorowsky’s young adulthood, set in the 1940s and 50s, in the electric capital city of Santiago. There, he decides to become a poet and is introduced, by destiny, into the foremost bohemian and artistic circle of the time.
The life and career of shock-jock superstar Howard Stern is recounted from his humble beginnings to his view from the top. Possessing a desire to be an on-air personality since childhood, Stern meanders through the radio world, always with his supportive wife, Alison, by his side. Landing a gig in Washington, D.C., Stern meets Robin Quivers, who will become his long-time partner in crime. When the two move to New York, they face the wrath of NBC executives.
Nanni Moretti recalls in his diary three slice of life stories characterized by a sharply ironic look: in the first one he wanders through a deserted Rome, in the second he visits a reclusive friend on an island, and in the last he has to grapple with an unknown illness.
Against a plain, unchanging blue screen, a densely interwoven soundtrack of voices, sound effects and music attempt to convey a portrait of Derek Jarman's experiences with AIDS, both literally and allegorically, together with an exploration of the meanings associated with the colour blue.
An autobiographical film based on Taiwanese director Hou Hsiao-hsien's memories of his youth growing up in Taiwan after emigrating from mainland China.
1984, Sandusky, Ohio. A naive 17-year-old navigates heartbreak and self-expression as he explores his sexuality.
落ち着きがないことを理由に、小学校を退学になってしまったトットちゃん。新しく通うことになったトモエ学園の校長先生は、 出会ったばかりのトットちゃんに優しく語りかけた。「君は、ほんとうは、いい子なんだよ。」トットちゃんの元気いっぱい、すべてが初めてだらけの日々が始まるーーー
At age 25, Olivier Rousteing was named the creative director of the French luxury fashion house, Balmain. At the time, Rousteing was a relatively unknown designer, but in the decade since, he’s proven his business prowess and artistic instinct by leading Balmain to new heights. Wonderboy gives the viewer the rare opportunity to experience the inner sanctum of the fashion world, as we stand shoulder-to-shoulder with this extraordinary individual while he works.
結婚して子どももいる年上の作家・慎吾と長きにわたって一緒に生活している知子は、慎吾が妻と知子の間を行き来する生活に不満もなく、妻と離婚してほしいと思ったこともなかった。そんなある日、かつて彼女が家庭を捨てて駆け落ちした相手の涼太と再会。それ以来知子の心は揺らぎはじめ、慎吾との関係を継続させつつも涼太と以前のような関係に戻ってしまう。
G.J. Echternkamp tells the story of his relationship with his parents, his mother Cindy and his step-father, Frank. Frank used to be a member of OXO, a band from the '80s whose one hit wonder scored with the song "Whirly Girl". Cindy was the ultimate groupie who married Frank and thought life would be glamorous and award shows, but it's not how it turned out.
結婚を約束し幸せの絶頂にいた20代のカップル・尚志と麻衣。しかし結婚式の3カ月前、麻衣が原因不明の病に倒れ昏睡状態に陥ってしまう。尚志はそれから毎朝、出勤前に病院に通って麻衣の回復を祈り続ける。数年後、麻衣は少しずつ意識を取り戻すが、記憶障害により尚志に関する記憶を失っていた。2人の思い出の場所に連れて行っても麻衣は尚志を思い出せず、尚志は自分の存在が麻衣の負担になっているのではと考え別れを決意する。
革命運動のさなか、少年時代のマフマルバフ監督（モフセン・マフマルバフ）に刺された元警官（ミルハディ・タイエビ）が監督のところへ訪ねてきた。監督はあの日の出来事の映画化を決意。難航するオーディションの末、どうにか配役が落ちついた。監督、元警官それぞれが若き日の出来事を少年達にに語って聞かせ、演技指導をする。元警官は、毎日彼に時間を尋ねてくるうちに芽生えた少女への片思いを警官役の少年（アリ・バクシ）に告白。この映画を通して、刺されて以降会うことのなかった少女と再会するのが元警官の本当の目的だったのだ。
Angela and Jessie are best friends intent on taking a wild beach trip, but when their roommate loses all their money in a drug scam, the girls—blissfully stoned—go to increasingly daring and absurd lengths to get it back.
The first part of Bill Douglas' influential trilogy harks back to his impoverished upbringing in early-'40s Scotland. Cinema was his only escape - he paid for it with the money he made from returning empty jam jars - and this escape is reflected most closely at this time of his life as an eight-year-old living on the breadline with his half-brother and sick grandmother in a poor mining village.