Wreck-It Ralph is the 9-foot-tall, 643-pound villain of an arcade video game named Fix-It Felix Jr., in which the game's titular hero fixes buildings that Ralph destroys. Wanting to prove he can be a good guy and not just a villain, Ralph escapes his game and lands in Hero's Duty, a first-person shooter where he helps the game's hero battle against alien invaders. He later enters Sugar Rush, a kart racing game set on tracks made of candies, cookies and other sweets. There, Ralph meets Vanellope von Schweetz who has learned that her game is faced with a dire threat that could affect the entire arcade, and one that Ralph may have inadvertently started.
Now, we find the rowdy extraterrestrial getting used to life with his new ʻohana. However, a malfunction in the ultimate creation of Dr. Jumba soon emerges, which reinstates his destructive programming and threatens to both ruin his friendship with Lilo and to short him out for good!
The Planet Express crew return from cancellation, only to be robbed blind by hideous "sprunging" scam artists. Things go from bad to worse when the scammers hack Bender, start traveling through time, and take Earth over entirely! Will the crew be able to save the day, or will Bender's larcenous tendencies and their general incompetence doom them all?
In an indeterminate future, forbidden memories challenge a database containing all human memories. An experimental cinematic search between past and future, fiction and fact, Prishtina and Tirana. The future, a glitch.
In 2006, a 20 year old animal and nature lover ventures into the woods with a camera and a sense of serenity, only to discover that he would emerge with his reality shaken, and that only his footage would be found.
Young Rapper Ricky gives a teddy bear to a girl who doesn't like it and throws it away. But then she wants it and it's up to her friends to find that dumb bear. Yo, Ricky also busts rhymes.
A man's search in a cluttered garage claims an unlikely victim.
Someone wanders through a house while fleeing from a mysterious presence. Their body dissolves on-screen, and their mind is invaded by a strident gray noise.
Untitled project in development about liminal dimension.
A woman is faced with existential crisis after learning that the universe is an untitled simulation.
Ulysses Jenkins composed "Dream City" from documentation of a twenty-four-hour performance he organized in collaboration with David Hammons, Maren Hassinger, and Senga Nengudi. A discordant, absurdist, and poetic montage, the video weaves together jazz and punk shows, recitations by Jenkins, and shots of the Los Angeles skyline and oil wells to comment on power and nation in the early years of Ronald Reagan's presidency.
Amidst the realm of her parents' upscale nightclub, a young woman embarks on a surreal odyssey to confront her identity, only to find herself inescapably mirroring her father.
Such encounters are extremely rare and can last for perhaps a few seconds. The resulting light and heat, however, can exist in a residual state for eons. This produces in the seeker a kind of agitated euphoria similar to that of the stargazer. https://vimeo.com/3193844
A "glitch" is a malfunction in a system. Glitch art takes these errors and uses them as moments of aesthetic revelation. Interruptus is a glitch film, comprised completely of strategically halted downloads of digital videos. These broken files are then transformed into a stunning fugue of abstract texture. (Selected Exhibitions: In Media Res, Glitch Media Theme Week, Dramatic Chromatic, International Video Exchange (US Delegation, Trømso, Norway), GLI.TC/H at The Nightengale (Chicago, IL), GLI.TC/H at STEIM (Amsterdam))
If a machine would possess a soul it might be a beach. Every single sand corn symbolizes a data-set of a memory captured in the world wide web saved deep down in the ocean. From there the bytes condense and finally reach the cloud. But how would it feel for a machine to see the glitch waves and feeling the shore stones on its case? What would be the colours of the coastline? Glitching Offshore tries to portrait the soul of an AI and the universe behind it. Glitching offshore, alike drifting away as in a psychogeographical dérive (furthermore, away from the "rive": bank) where human intentional yet chaotic action is substituted by pixels' stirrings of the soul.
Some fun in the sun.
Mônica and Camila walks at night. A strange sound surprises them. An object falls from the sky. They receive a message. Something evokes them.