改編自華爾街真實事件，描述一群脫衣舞孃在舞台上魅力四射，下了舞台更將自己化身為「人肉詐彈」。在全球金融風暴影響下，為了報復那些手段骯髒的有錢人，王牌舞孃雷蒙娜決定聯手以前的姊妹，詐翻那些在華爾街偷拐搶騙的客戶們，她們策劃出最性感騙局，一步步引誘壞蛋上鉤，再替天行道削爆這些「華爾街之狼」… 單身母親黛絲亭（吳恬敏 飾），為了尋求經濟穩定，她在一家男士俱樂部找到了一份脫衣舞孃的工作，俱樂部的客戶主要是面向華爾街金融業的白領男士。俱樂部裡面最吸引人的舞孃算是雷蒙娜（Jennifer Lopez 飾），她也是一位很受歡迎的脫衣舞孃，是舞孃中大姐大，拉莫娜對黛絲亭工作十分照顧。2008年的金融危機席捲全球，對成人娛樂業也帶來了負面影響，削弱了其龐大的客戶群基礎，拉莫娜和黛絲亭想出了個計謀，她們通過一系列不道德的和非法的手段敲詐勒索有錢人——主要手法是下藥，然後透支他們的信用卡現金提取限額。

　　《舞女大盜》是一部炫酷的關於脫衣舞女的強盜電影，主演班底極為優秀。影片具有這個時代欠缺的真實，顯得混亂但又具備生活的冒險精神，是一部值得頌揚而充滿啟示的人性之作。

In a cold French city where suicide is a common urge, there is a colorful shop, managed for many years by the Tuvache family, where it is very easy to obtain the necessary tools to satisfy the sinister desires of so many depressed citizens.

吉姆是一個普通紐約人過著平靜的生活，有著一個高薪水的工作和幸福的家庭。突然間，一切都變了，經濟崩潰導致吉姆失去所擁有一切。在充滿憤怒下，吉姆選擇極端的報復以奪回他以前失去的。

Chelsea is an in-demand call girl whose $2,000 an hour price tag allows her to live in New York's lap of luxury. Besides her beauty and sexual skill, Chelsea offers her clients companionship and conversation, or, as she dubs it, "the girlfriend experience." With her successful business and a devoted, live-in boyfriend, Chelsea thinks she has it made... until a new client rocks her world.

Two young Spanish men, with a university education, are tired of unemployment and decide to move to Germany. But soon they will find out that finding a better living is not as easy as they expected.

由HBO製作。在2000年到2010年中期，華爾街股市飛漲，分紅獎金創新高，薪水扶搖直上，房價也跟著水漲船高。但在2008年，所有市場崩盤，讓美國經濟瀕臨癱瘓。 本片敘述2008年的金融危機，以及一群知情者如何在幾週內決定世界經濟的命運。財務部長漢克波森、聯邦準備理事會總裁班伯南克、紐約分佈總裁提摩西吉斯勒分別扮演挽救全球經濟的重要角色。

本片榮獲2015奧斯卡最佳女主角獎提名，瑪莉詠柯蒂亞以此片獲得歐洲電影獎最佳女主角。 工作只是一時，人生永不放棄。珊卓拉（瑪莉詠柯蒂亞飾演）在罹患憂鬱症後，公司的老闆打算將她解僱，並用一千歐元的獎金說服其他同事，投下贊成珊卓拉離職一票。但珊卓拉並不甘心，在丈夫的陪伴下，她決定利用週末的時間一一說服同事們幫助她。面對每個人不同的環境經濟因素，家家有本難念的經，這兩天一夜讓珊卓拉歷經煎

熬，在現實面前，人性正義何價？看盡人情冷暖的她，因此開始重新思考自己的人生…

A tomato is planted, harvested and sold at a supermarket, but it rots and ends up in the trash. But it doesn’t end there: Isle of Flowers follows it up until its real end, among animals, trash, women and children. And then the difference between tomatoes, pigs and human beings becomes clear.

A maverick New York hedge fund trader with uncanny analytic abilities moves to Hong Kong and orchestrates a mega-deal that swiftly escalates beyond his control.

Humanity’s ascent is often measured by the speed of progress. But what if progress is actually spiraling us downwards, towards collapse? Ronald Wright, whose best-seller, “A Short History Of Progress” inspired “Surviving Progress”, shows how past civilizations were destroyed by “progress traps”—alluring technologies and belief systems that serve immediate needs, but ransom the future. As pressure on the world’s resources accelerates and financial elites bankrupt nations, can our globally-entwined civilization escape a final, catastrophic progress trap? With potent images and illuminating insights from thinkers who have probed our genes, our brains, and our social behaviour, this requiem to progress-as-usual also poses a challenge: to prove that making apes smarter isn’t an evolutionary dead-end.

A day in the life of Azucena, who is running out of time to keep herself and her family from being evicted; Rafael, a lawyer who sets out to reunite a mother with her daughter; and Teodora, a sick old woman who searches for her long-lost son before it is too late.

A mixture of documentary and fiction examines the new god of Capitalism offered to the Serbs with the ending of state socialism. We look at a number of strikes in Belgrade during the late 2000s and these introduce us to several characters playing themselves. Employees dressed in American football helmets and pads square up with employers' heavies in their bullet-proof vests, resulting in explosive situations. A visit from the Russian tycoon's representative and vice president Joe Biden's arrival further complicates the proceedings.

A young woman who has just started a job at an art museum writes an email to a friend she lived with until recently. The other woman, also young, works as an artist and has just moved to a new city. A narrator reads this email, but we don't know which of the two women the voice belongs to, whether to the sender or to the receiver of the message. Neither are we aware of the details of this relationship; but what we do know is that, in addition to their interest in art, they share a concern for the difficulties of carrying out their personal and professional lives in the present. By focusing on the peripheral or hidden details of some paintings in the Bilbao Fine Arts Museum, this narrator relates several stories linked to the social, economic and psychological conditions of the artists, both past and present.

1997年，亞洲金融風暴，韓國經濟面臨空前危機，距離國家破產還剩下一周之時，韓國銀行貨幣政策經理韓詩賢（金憓秀飾）提前預測到國家即將遭遇這重大經濟危機。財經顧問尹正學（劉亞仁 飾）也觀察到這場風暴即將來臨，他決定逆向操作，趁機賭上一筆，大發國難財，同時，小工廠老闆岬秀（許峻豪 飾）與大型零售商簽下巨額合約，卻不知一場政府都支撐不住的金融風暴即將襲捲而來... 韓詩賢在摸索突破的方法時，卻面對來自長官（趙宇鎮 飾）及各方權力系統高層的壓力，眼見國家政策決定放棄經濟自主權，向IMF（國際貨幣基金組織）主席（文森卡索 飾）求助，她要如何堅守信念，力挽狂瀾？

Explore the rise and fall of one of the biggest corporate flameouts and venture capitalist bubbles in recent years – the story of WeWork, and its hippie-messianic leader Adam Neumann.

After being fired from his bull breeding job without proper compensation, Franco steals a world-class bull from his former employer and smuggles it to Hungary, planning to sell it for a large sum of money.

In 1991, the USSR is falling apart and Cuba enters its hardest economic crisis. Sergio, a professor of Marxism who can't provide for his family, and Sergei, a Soviet cosmonaut stranded in the Mir space station, share a common passion: amateur radio. Through this hobby, both men will be able to help each other in facing the dramatic changes of their countries.

Obsessively referring to the traumas and wounds that the Spanish civil war (1936-39) and Franco's dictatorship (1939-75) caused in their day no longer serves to explain the impassable abyss of incomprehension and hatred that the abject policies and radical positions adopted by both the right and the left in recent decades have opened up before the citizens of a country that is barely known beyond hackneyed cultural clichés.

Andres de Granada, a forty-benefit trade more clear, believed that the first months of 1993 are the best time to do business. It also has the help of his nephew Fulgencio, who has arrived in Madrid with the idea of ​​learning the trade.