17 movies

January 17, 1986

A cinematic love letter to a pre-gentrification New York City

November 25, 1985

Filmed in documentary-style, the film follows the character of Gringo, a young man looking for fortune in New York, only to fall into heroin addiction.

November 7, 2004

A group of street kids find that the only way to make it through the day is to hold onto their dreams while their reality is eating out of dumpsters, turning tricks and squatting in abandoned buildings.

The sexual misadventures of a sexually insane girl.

January 25, 2002

Four young office workers have a bet going to see who can last the longest without going outside. In the maze that is the downtown core of a large city, glass skywalks connect apartment buildings, office towers and shopping malls. Its day 28 of the bet and over the lunch hour, as the office prepares for the company founder's retirement party, things start to seriously unravel.

Two elderly criminals spend their final night in Los Angeles, California at the Golden Eagle Hotel prior to their departure to Las Vegas, Nevada, to lead a life without crime. Unfortunately, on the hottest night of the summer, these two ex-criminals seemingly get caught in the malice of prostitutes, pimps, drunken bums, fighting monkeys, and young runaways.

December 9, 1975

This is Poe and Král's first effort, shot on small-gauge stock, before their more well-known endeavor The Blank Generation (1976) came to be. A "DIY" portrait of the New York music scene, the film is a patchwork of footage of numerous rock acts performing live, at venues like Madison Square Garden, Radio City Music Hall, the dive bars of Greenwich Village and, of course, CBGB.

THE SINEMA OF NICK ZEDD is the first DVD collection of the filmmaker’s works, and includes 11 of his films as well as outtakes, interviews, and rare concert footage of Zedd’s music project, the noise band Zyklon-B. Contains: Police State, The Bogus Man, Ecstasy in Entropy, Why do you Exist, Whoregasm, War is Menstual Envy (exerpt), Tom Thumb in the Land of the Giants, the Wild World of Lydia Lunch, Go to Hell, Zedd’s Collaborations: Thrust in Me (with Richard Kern), Go to Hell, I of K9 with outtakes and screentests from Why do you Exist and Ecstasy in Entropy, Concert Footage and Interview with Zedd’s Industrial noise band Zyklon Beatles, and a trailer for War is Menstrual Envy.

January 1, 1987

Oddballs dancing, leering at camera, guy shaving a nontraditional part of his body and man ripping his own throat out, woman stabbing herself to death.

January 1, 1979

Real-life kung fu master Nathan Ingram stars in this gritty, low-budget martial arts epic as a local karate school owner who clashes with a gang of drug traffickers posing as the owners of a rival dojo. Director Charlie Ahearn (who helmed the landmark hip-hop film Wild Style) used the housing projects next to his New York Lower East Side apartment as his central location in this 1979 classic, shot on a vintage Super 8 camera.

October 1, 1988

The titular cackling machete-wielding nuthouse escapee prowls around the city killing people.

January 1, 2017

In downtown Buenos Aires, messengers Roble and Tripa are robbed of an important package. After realizing they were betrayed by their boss, Filo Mendoza, they decide to take revenge with the help of a friendly street vendor, Patricio Rey.

January 1, 1985

A series of short films by Richard Kern: Stray Dogs, Woman At The Wheel, Thrust In Me, & I Hate You Now.

Features live footage from the Greed/Holy Money tour in 1986 in London and Nottingham and the A Long Slow Screw video.

October 1, 1987

In downtown Kansas City, a bunch of drunk bums get strangled with a radioactive chain of mutation.

June 8, 2017

A Hispanic teenage girl dealing with depression, anxiety, loss and heartache lives her life struggling to find her identity all the while trying to hold on to the relationship she once had with her mom.

November 17, 2017

2005, at the corner of St. George and Robinson Streets; the gray observatory at the corner of temptation, my new apartment, where I am about to live an intense and poetic urban experience in the district of the red light fish & chip. Between the horizontal blades of my venetian blinds, the freaky-deaky city comes alive for me, image by image.

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