Francia se muere de hambre, mientras el Rey Luis XIV mantiene un reinado de terror. Sólo "los tres mosqueteros" podrán salir al rescate. Su misión: liberar a un misterioso prisionero en La Bastilla, en cuya identidad radica el secreto que podrá salvar a la nación...
Nadie puede resistirse a los intentos de seducción de la Marquesa de Merteuil y del Vizconde de Valmont. Unidos en sus complots y sus secretos, ambos reinan en los salones y los gabinetes de la aristocracia. Como dos cazadores en el mismo territorio, estos perversos especialistas de la intriga amorosa acabarán por enfrentarse. En este duelo sin piedad, un sentimiento sincero es un error mortal. (FILMAFFINITY)
Primer largometraje realizado por la pareja de directores Straub y Huillet. Presenta una biografía de Bach, pero no hay una recreación dramática: los documentos, la narración del diario de su mujer y, ante todo, su música, interpretada en escena por músicos vestidos de época, lo dicen todo. Según Straub, la idea era crear un film en el que la música fuera utilizada no como acompañamiento ni como comentario, sino como materia estética. Gustav Leonhart, el conocido intérprete de clavicordio, interpreta el papel de Bach.
En sus más ostentosas galas, un distinguido grupo de individuos se reúne para celebrar un banquete. Todos ocultan su identidad pero son libres de revelar su esencia, pues en este lugar apenas hay normas. Después de retirar los entrantes, el servicio coloca una gran bandeja en la mesa. Sobre ella, vulnerable, un hombre desnudo.
October 5th, at 10.30 pm , after pope John-Paul II`s blessing of Lyon from the top of Fourvieres hill, Rendez-Vous Lyon got under way, a concert performed for more than 800,000 people on the banks of the river Saone. Fourvieres hill was ablaze for ninety minutes, fired on by cannons of light, fireworks and images synchronised to music being performed live on the central stage by Jean-Michel Jarre, 60 musicians and 120 choristers. A baroque feast, blending classical and avant-garde, workmanship and high-tech, past and future, Rendez-Vous Lyon will long be remembered as an exceptional event.
When Bach was in the service of Prince Leopold in Coethen, he had his own orchestra and was contracted to compose a great deal of instrumental music. This gave him an opportunity to try new techniques and to develop his own instrumental style. The six Brandenburg Concertos belongs to these masterpieces for a small ensemble. This joyously infectious performance of these famous landmarks in the history of music by the Freiburg Baroque Orchestra demonstrates both the musical satisfaction and the high professional standard that can be reached with period instruments. The performance was given in the Bach Anniversary Year 2000 – 250 years after his death – in the elegant Hall of Mirrors at Coethen Castle. The Freiburg Baroque Orchestra’s members all have virtuoso skills. They take the spotlight gracefully for solos but also play with the true ensemble spirit required by the music. Their decision to perform without a conductor revives an eighteenth century practice.
Year 1763, the Seven Years' War is about to end. August III, Elector of Saxony and King of Poland, has died, leaving empty the royal treasury and an extraordinary collection of paintings, sculptures, jewelry and goldsmith masterpieces, which he considered a symbol of his greatness, and that of Dresden, one of the European capitals of Baroque art.
In this unique documentary, French filmmaker Benoit Jacquot interviews Alfred Deller, the internationally celebrated contemporary countertenor who focused his talent on showcasing Renaissance and Baroque music to modern audiences. One of the few films on Deller, it includes footage of him performing selections from Campion, Rosseter, Morley and Purcell. Deller toured the globe with his group, the Deller Consort, from the 1950s through the '70s.
Now Titus' father has died, the new emperor will be free to marry his beloved Bérénice. Also In love with Bérénice, Titus' friend Antiochus plans to flee Rome rather than face the marriage. However, public opinion about the pairing causes Titus to choose his duty to Rome over his love for Bérénice, and he sends his love rival to tell Bérénice the news...
The Flemish painter, humanist and diplomat Peter Paul Rubens (1577-1640) was fortunate to be recognized during his lifetime as an artist of genius and one of the most prolific among his peers, making him a key figure of the Baroque.
Honoring the legacy of renowned 17th-century English Baroque composer Henry Purcell, the talented Choir of Clare College performs a selection of his sacred music, including "Te Deum," "Jubilate," "Anthems" and "Funeral Music for Queen Mary." Recorded at the beautiful Jesus College Chapel in Cambridge and directed by Timothy Brown, this live performance features the work of several brilliant soloists.
The film includes rare archival footage and tells in a very personal way of Gidon Kremer's encounters with Johan Sebastian Bach's music, accompanying the famous violin virtuoso in rehearsals, recording sessions and discussions with a few trusted confidants.
The Spanish sculptor meditates about his life and work
John Eliot Gardiner goes in search of Bach the man and the musician. The famous portrait of Bach portrays a grumpy 62-year-old man in a wig and formal coat, yet his greatest works were composed 20 years earlier in an almost unrivalled blaze of creativity. We reveal a complex and passionate artist; a warm and convivial family man at the same time a rebellious spirit struggling with the hierarchies of state and church who wrote timeless music that is today known world-wide. Gardiner undertakes a 'Bach Tour' of Germany, and sifts the relatively few clues we have - some newly-found. Most of all, he uses the music to reveal the real Bach.
“Principe Maurice #Tribute” is a documentary about the icon of the Night Theatre, and Master of Ceremonies of the Carnival of Venice, Maurizio Agosti. Known by his stage name of Principe Maurice, Agosti tells his story starting from the beginning of his carrier at the Cocoricò of Riccione to his recent work at Plastic of Milan and at the Carnival of Venice.