A case of the flu quickly morphs into a pandemic. As the death toll mounts and the living panic, the government plans extreme measures to contain it.

The vampire myth is given a stylish 1960s treatment, where a human cop partners with a vampire cop to stop a vamp bent on creating a war between the two "separate but equal" races.

As the first part of our investigation, the CORONA.FILM prologue will delve into the science behind the pandemic. Starting at the very beginning, we shine a light on the responses. The aim is not to point the finger; our aim is to tell the whole story in all its complexity, as we believe that justice cannot prevail if only one side of the story is told.

It's 1918, the height of United States involvement in World War I - Liberty Bonds are sold, German immigrants are suspected as traitors or saboteurs, young men everywhere succumb to the patriotism and propaganda and enlist. In a small Texas town, Horace Robedaux feels the pressure - he doesn't want to leave his young wife Elizabeth and their young child Jenny - but Elizabeth's can't-do-anything-right little brother is constantly talking about the war, and Elizabeth's stern father, who opposed the marriage initially, now has plans to take care of his daughter and the child so Horace can fight for his country. However, the influenza epidemic sweeping the town (and the nation) may change everyone's plans.

A hard-hitting public information film made at the height of the Great Influenza 1918-18.