2006년 겨울 아침, 호수 위의 집에 살던 의사 케이트 포레스터(산드라 블록)는 시카고의 병원 생활을 위해 집을 떠나야 하는 것이 못내 아쉽다. 다음 세입자에게 자기 앞으로 오는 우편물을 챙겨달라는 것과 현관 앞의 강아지 발자국은 이사오기 전부터 있었다는 설명을 적어 우편함에 넣는다. 뒤 이어 호수 위의 집으로 오게 된 건축가 알렉스 와일러(키아누 리브스)는 케이트의 편지와는 달리 오랫동안 사람이 살지 않아 잡풀이 무성하고 강아지의 발자국이란 어디를 찾아봐도 보이지 않아 당황한다. 그러나 며칠 후, 페인트 칠을 하고 있을 때 집 잃은 강아지가 현관을 밟고 지나가 그 자리에 발자국이 남자 알렉스는 우편함으로 주고받은 편지를 통해 케이트가 2004년 자신과 2년이나 떨어진 시간에 있음을 알게 된다. 어느새 서로에게 특별한 감정을 느끼게 된 그들은 다른 시간의 차이를 극복해보기로 하는데...

에미상을 수상한 존 앨퍼트 감독이 세 쿠바 가족의 일대기를 40여 년에 걸쳐 카메라에 담았다. 카스트로 밀착 인터뷰와 함께 격동의 쿠바가 고스란히 담긴 다큐멘터리. 

Two lovers break up after they realize that their career goals are pulling them in different directions.

Demons and humans share a planet near Earth. The humans occupy the planet by day and the demons occupy it at night. They live in harmony until some of the demons scheme against the humans. The Guardians rid the planet of the troublesome demonic creatures to preserve the peace.

14살 때 교통사고를 당해 10년 동안 혼수상태에 빠져있던 요시이(니시지마 히데토시)는 어느 날 갑자기 기적적으로 깨어난다. 10년이라는 세월 동안 그의 가족은 뿔뿔이 흩어져버렸고, 깨어난 그를 찾아온 사람은 가해자와 아버지의 친구인 후지모리(야쿠쇼 코지)뿐이다. 요시이는 후지모리의 도움을 받아 새로운 생활을 시작하게 된다. 하지만 그가 진정으로 바라는 것은 사고 전처럼 온가족이 함께 모여 화목하게 사는 것이다. 소식을 들은 가족들이 하나둘씩 그를 찾아와 곁에 머무르지만, 잃어버린 10년은 쉽게 회복되지 않는다. 시간을 잃어버린 청년이 느끼는 존재에 대한 불안감을 절제된 롱테이크와 롱쇼트로 표현해냄으로써, 손쉬운 감동보다는 적극적인 사유를 요구하는 작품. 극적인 소재를 다루면서도 오히려 특별한 사건이 일어나지 않는 일상을 무덤덤하고 담담하게 그려내고 있다. 1999년 베를린영화제 출품작. 이 작품은 감동보다는 사유를 요구하는 구로사와 감독의 의지를 드러낸다. 다작을 생산하는 감독으로 알려진 그는 독특한 작가성을 인정받고 있는 반면, 계속되는 실험 지향적 성향을 우려하는 목소리도 적지 않다.

(2015 한국영상자료원 - 구로사와에서 구로사와까지, 일본영화의 절대강자들)

A story of siblings building a tree house together over the course of a year. We experience the beauty and brutality of the seasons, as we follow them through their struggles and moments of joy.

For ten years, Raymond Depardon has followed the lives of farmer living in the mountain ranges. He allows us to enter their farms with astounding naturalness. This moving film speaks, with great serenity, of our roots and of the future of the people who work on the land. This the last part of Depardon's triptych "Profils paysans" about what it is like to be a farmer today in an isolated highland area in France. "La vie moderne" examines what has become of the persons he has followed for ten years, while featuring younger people who try to farm or raise cattle or poultry, come hell or high water.

스토리의 전반적인 부분은 영화의 각본가이자 프로듀서의 실제 경험을 바탕으로 제작했다. 이성애자 친구와 애틋한 관계를 원하는 주인공은 결국 주인공의 바램대로 그와 특별한 관계를 맺게되나, 완전한 마음과 애정을 표현하지 않는 친구와 주인공의 내적 갈등을 보여준다.

In this story set at a seaside fishing village and inspired by a Charles Kingsley poem, a young couple's happy life is turned about by an accident. The husband, although saved from drowning, loses his memory. A child is on the way, and soon a daughter is born to his wife. We watch the passage of time, as his daughter matures and his wife ages. The daughter becomes a lovely young woman, herself ready for marriage. One day on the beach, the familiarity of the sea and the surroundings triggers a return of her father's memory, and we are reminded that although people age and change, the sea and the ways of the fisherfolk remain eternal.

Generational saga tracing the events in the lives of the midwest pioneering Nordholm family, as seen through the eyes of businessman Orin Nordholm Jr., who ages from a youth to an elderly grandfather.

With the destruction of their previous neighbourhood has inevitably come the destruction of the lads’ favoured watering hole The Fat Ox. Again, it’s Bob rather than Terry who is visibly distressed by this. Upset and much the worse for free alcohol, Bob then storms into the library to seek sympathy from Thelma - who is, predictably, unimpressed. So when Thelma finds out that Terry has been getting semi-serious with glamorous Finnish shop assistant Chris, she takes it upon herself to try and pair them off for good via planning first a dinner party and then that mainstay of 70s comedy, a camping expedition. Of course, things don’t go quite according to plan and before you can say ‘I can see the way this is going’ we are set up for japes, larks and embarrassing incidents aplenty, which culminate in the lads getting rather fed up with their partners’ attempts to inflict the rugged outdoor lifestyle upon them and trying to hitch up and drive off with the girls still asleep in the caravan.

The history of a Polish family and its contributions to the war effort throughout American history.

Late 19th century Japan: a studio photographer who always captures his clients’ best smile. One day he tries to coax a smile out of a little girl, but… A nostalgic tale of a relationship that transcends wars and disasters.

The Clock is Ticking transports its audience into a collage of creative multimedia animation. This short animated film explores the passage of time. Angst grows stronger as Emily questions her purpose in a waiting room, surrounded by strangers with a similar destiny. At the sight of a teddy bear sitting alone on a chair, Emily can’t help but identify with the plushie. She dives deep into her subconscious, reliving her past and expanding into a potential future doomed to destruction. Time doesn’t wait, and the clock keeps ticking. Faced with this realization, Emily snaps out of her dream, deeply changed. She grabs the plushie and escapes the waiting room in a hysterical demonstration of freedom. Emily will no longer wait !

Short animated film

In 2013, Lei Lei and Thomas Sauvin collected numbers of black-and-white photos from Chinese flea markets and imagined that all of them belonged to one fictional Chinese person. Through rendering, collage, and a cyclical process of hand coloring, scanning, and printing, connections among the photos were created.

A portrait of a seemingly ordinary house - one that holds cherished memories while also bearing the burden of abandonment and neglect. Revisiting my grandparents’ house, I find myself exploring the intersection of home, nostalgia, and the passage of time while trying to grasp the essence of a place where time seems to stand still.