After tracing the origin of a disturbing supernatural affliction to a wealthy family's ancestral gravesite, a team of paranormal experts relocates the remains—and soon discovers what happens to those who dare to mess with the wrong grave.
מיי היא נערה חנונית בת 13, אשר קרועה בין להיות בת צייתנית לאימה לבין הכאוס שהוא גיל ההתבגרות. אמה המגוננת-על-גבול-השתלטנית, מינג, תמיד נמצאת בקרבת מקום - וזו מציאות די מתסכלת בעבור נערה מתבגרת. אם מיי חשבה ששינויי גיל ההתבגרות כוללים רק שינוי תחומי עניין, מערכות יחסים חדשות ושינויים גופניים, ברגע שהיא מתרגשת קצת יותר מדי (שזה כמעט כל הזמן), היא נהפכת לפנדה אדומה ענקית.
הפעם, בן לומד על הקשר של משפחתו לרצח של אברהם לינקולם בידי ג'ון וילקס בות'. גייטס מוכרח לאתר את 18 העמודים החסרים מיומנו של בות', ולא רק כדי לטהר את שם משפחתו, אלא גם בכדי לגלות ולקשר סודות מסוימים, המוחבאים בספר, המצביעים על קונספירציה גדולה וחובקת-עולם.
Explores the journey of three young people as they seek solace under the watchful gaze of the Taranaki mountain and companionship in the spirit of adventure.
The Good Comrades are a collection of varied gentlemen who crave one thing - solitude. They reside at Drearcliff House, ancestral home of their eldest member. All seems serene and convivial until one by one the members begin to perish in the most grisly of manners. Foul play is suspected by the Good Comrades' insurance agent, who turns to Sherlock Holmes and Dr. John Watson for guidance.
ימי הביניים באנגליה, מרלין והמלך ארתור רוצים לסלק את מורגנה הקוסמת הרעה ובנה מורדרד עד קצה העולם והקוסת הרעה מורגנה נשבעת לנקום.
Wealthy, reckless Californian Julie Merriday, accompanied by her boyfriend Harry Lindsay, an attorney, narrowly avoids crashing into a motorcycle driven by young Ben Gunther. Ben temporarily abandons his damaged cycle and accepts a ride from Julie but insists upon calling her Barbara. Later, at the Merriday beach house, Julie's Aunt Sarah tells Julie that her great great grandmother was named Barbara, and furthermore, that ancestress had an illegitimate child fathered by one Benjamin Gunther.
As queer trans and gender non-conforming children of the Vietnamese diaspora, we are fragmented at the crossroads of being displaced from not only a sense of belonging to our ancestral land, but also our own bodies which are conditioned by society to stray away from our most authentic existence. Yet these bodies of ours are the vessels we sail to embark on a lifetime voyage of return to our original selves. It is our bodies that navigate the treacherous tides of normative systems that impose themselves on our very being. And it is our bodies that act as community lighthouses for collective liberation. Ultimately, the landscape of our bodies is our blueprint to remembering, to healing, to blooming.
While staying at an inn in a colonial-recreation village for her anniversary, a young woman becomes possessed by her murderous ancestor through an antique mirror and compelled to murder her husband.
A San Francisco lawyer uses a woman to lure a merchant seaman worth a legendary fortune.
An old man decides to find the body of his son, a Kazakh soldier who died fighting somewhere in Russia, to bury him in the land of his ancestors. Travelling across the land with his grandson, they discover the harsh reality of war. And when they finally find the coveted grave, they realise that many brothers-in-arms are buried with the soldier. Every inch of the great homeland becomes the land of our fathers, the land of the ancestors...
By retracing the mixed heritage of First Nations peoples and Quebecers, painting a modern portrait, and sketching a human geography, this film
helps us (re)discover the beauty and strength of our common territory: the Americas.
Jesa is a Korean tradition honoring one's ancestors. The filmmaker interviewed her parents about this ritual. However, it goes totally unexpected.
Marina is a girl who discovers the legends and traditions of her ancestors on a magical journey through the nature that surrounds her and takes her to Shark Island. Short film spoken in the Comcáac language.