A young woman who has just started a job at an art museum writes an email to a friend she lived with until recently. The other woman, also young, works as an artist and has just moved to a new city. A narrator reads this email, but we don't know which of the two women the voice belongs to, whether to the sender or to the receiver of the message. Neither are we aware of the details of this relationship; but what we do know is that, in addition to their interest in art, they share a concern for the difficulties of carrying out their personal and professional lives in the present. By focusing on the peripheral or hidden details of some paintings in the Bilbao Fine Arts Museum, this narrator relates several stories linked to the social, economic and psychological conditions of the artists, both past and present.
It's World War II and there is a severe housing shortage everywhere - especially in Washington, D.C. where Connie Milligan rents an apartment. Believing it to be her patriotic duty, Connie offers to sublet half of her apartment, fully expecting a suitable female tenent. What she gets instead is mischievous, middle-aged Benjamin Dingle. Dingle talks her into subletting to him and then promptly sublets half of his half to young, irreverent Joe Carter - creating a situation tailor-made for comedy and romance.
During the housing shortage of the Summer Olympic Games in 1964, two men and a woman share a small apartment in Tokyo, and the older man soon starts playing Cupid to the younger pair.
While heading to Spain to spend their honeymoon there, Siniša and Svetlana find themselves at Montenegrin coast due to mistake made by travel agency. They get back disappointed to Belgrade, where new problems expect them: Svetlana applied for an apartment, but divorced mothers with children are those who have advantage. Svetlana and Siniša decide to divorce for a part-time period so they could trick the housing board and get an apartment.
Successfully completed your studies - now what? Raffly already has a lucrative job offer from a large German company, but neither an apartment nor a work permit.
Over the course of over six decades, Honest Ed's became a Toronto Landmark. The neighbourhood it left behind when it closed its doors in 2016 reflects on its history and legacy.
The son of a real estate mogul moves undercover into a shared flat to gross them out on his father's behalf. But things turn out very differently.
A film about problems in providing the population with housing that meets their needs. Affected citizens and representatives of the responsible state institutions give their views.