《鸦骨》是一部心理剧，通过克里族族长阿琳·斯皮尔斯的眼睛讲述，在加拿大的寄宿学校系统中幸存下来，继续她家族的世代斗争，面对系统性饥饿、种族主义和性虐待。乌鸦的骨头在一百年间展开，累积的力量将我们推向未来。
死者正在红乌鸦孤立的米格马克保护区外复活，除了它的土著居民，他们奇怪的免疫僵尸瘟疫。
Elliot Page brings attention to the injustices and injuries caused by environmental racism in his home province, in this urgent documentary on Indigenous and African Nova Scotian women fighting to protect their communities, their land, and their futures.
十九世纪，加拿大政府把印第安土著的儿童强制抓进改造学校，接受白人教育。来自印第安马家族的男孩迷恋冰球并表现出众，在加入职业球队后却受到歧视，直到回归故乡后他才重新振作起来。影片力图把原著小说承载的厚重感传达给观众，对白人和土著的冲突刻画生动。
10位女性，她们大多生活在温哥华或多伦多，讲述了自己在20世纪40年代、50年代和60年代的女同性恋经历：她们发现了当时关于恋爱中的女性的低俗小说、自己的初恋、分手的痛苦、经常出入同性恋酒吧、面对警察的突袭、男性的反应，以及女同恋情中攻和受的角色。在采访和档案录像中穿插着低俗小说《禁忌之爱》的四个戏剧化章节：劳拉离开了她的乡村小镇，前往城市，在酒吧里遇到了米奇。擦出火花，笑声和喜悦四溢。安·班农是那些关于禁忌之爱的平装小说的作者之一，她谈到了这种类型。
当一名律师失去了阻止伐木公司砍伐美洲原住民土地的上诉时，一名印第安人激进分子将他和被绑架的伐木工厂经理拖进了森林。律师的空谈是关于公司的贪婪应该受到怎样的惩罚，这是亚瑟的残酷行为，他以寓言的方式折磨经理，模仿伐木者对森林的所作所为。
Incident at Restigouche is a 1984 documentary film by Alanis Obomsawin, chronicling a series of two raids on the Listuguj Mi'gmaq First Nation (Restigouche) by the Sûreté du Québec in 1981, as part of the efforts of the Quebec government to impose new restrictions on Native salmon fishermen. Incident at Restigouche delves into the history behind the Quebec Provincial Police (QPP) raids on the Restigouche Reserve on June 11 and 20, 1981. The Quebec government had decided to restrict fishing, resulting in anger among the Micmac Indians as salmon was traditionally an important source of food and income. Using a combination of documents, news clips, photographs and interviews, this powerful film provides an in-depth investigation into the history-making raids that put justice on trial.
On the Kainai (Blood) First Nations Reserve, near Cardston, Alberta, a hopeful new development in Indigenous enterprise. Once rulers of the western plains, the Bloods live on a 1 300-square-kilometer reserve. Many have lacked gainful employment and now pin their hopes on a pre-fab factory they have built. Will the production line and work and wages fit into their cultural pattern of life? The film shows how it is working and what the owners themselves say about their venture.
In this era of “reconciliation”, Indigenous land is still being taken at gunpoint. Unist’ot’en Camp, Gidimt’en checkpoint and the larger Wet’suwet’en Nation are standing up to the Canadian government and corporations who continue colonial violence against Indigenous people. The Unist’ot’en Camp has been a beacon of resistance for nearly 10 years. It is a healing space for Indigenous people and settlers alike, and an active example of decolonization. The violence, environmental destruction, and disregard for human rights following TC Energy (formerly TransCanada) / Coastal GasLink’s interim injunction has been devastating to bear, but this fight is far from over.
同是在父亲虐待下成长的孩子，在寻找母亲的路途中遇见，亲情已不是最终的归宿，有人在等你，那才是未来的依靠。
《我们还在这里》是对詹姆斯·库克抵达该地区 250 周年的电影回应，是对抵抗和生存的诗意而有力的陈述。 影片通过八位英雄主角，穿越 1000 年，探索亲情、失落、悲伤和坚韧的故事。 故事以一部以古代为背景的令人惊叹的动画开始，一对外出钓鱼的母女对未来产生了令人不安的愿景。 然后我们来到 1862 年，澳大利亚和新西兰的原住民都面临着可怕的未来。 1915 年，一名萨摩亚士兵发现自己身处险境，但也遇到了意想不到的善举。 除了过去的故事外，还有关于激进主义、对抗种族主义、浪漫和祖先之爱的当代故事。 最后，是一个反乌托邦未来的愿景。 《我们还在这里》汇集了动画、科幻、浪漫喜剧、古装剧等多种类型，讲述了一个面对殖民主义、种族主义和企图抹杀的坚忍故事。 这也证明了我们地区令人兴奋的新原住民电影人才。
First Nations fight to end grizzly bear trophy hunting in the Great Bear Rainforest in British Columbia. The Heiltsuk, Kitasoo Xai'xais and Gitga'at First Nations enforce a ban by using Coastal Guardian Watchmen, while the Raincoast Conservation Foundation purchases trophy hunting licenses in the area to prevent a hunt from taking place. The film offers unique access to Canada's First Nations and a breathtaking view of the majestic animals inhabiting the Great Bear Rainforest, including the elusive Spirit Bear.
"Blockade" takes place in the mountains and valleys of northern British Columbia, at the heart of the boldest aboriginal land claims case to challenge the white history of Canada. The Gitksan and Wet'suwet'en hereditary chiefs claim that everything within 22,000 square miles, including the trees, is rightfully theirs.
A new songline for 21st century Australia - a fresh look at the Cook legend from a First Nations' perspective - the songline tells of connection to country, resistance and survival and features the cheeky, acerbic and heartfelt showman - Steven Oliver and a host of outstanding, political Indigenous singer/songwriters.
“Those Who Come, Will Hear” proposes a unique meeting with the speakers of several indigenous and inuit languages of Quebec – all threatened with extinction. The film starts with the discovery of these unsung tongues through listening to the daily life of those who still speak them today. Buttressed by an exploration and creation of archives, the film allows us to better understand the musicality of these languages and reveals the cultural and human importance of these venerable oral traditions by nourishing a collective reflection on the consequences of their disappearance.
Legendary documentary filmmaker Alanis Obomsawin provides a glimpse of what action-driven decolonization looks like in Norway House, one of Manitoba's largest First Nation communities.
Explores the sensitive, and tense, relationship between life on an First Nations reservation and life in the outside world. When Native Canadian Silas Crow is forced to write a personal essay in order to get a much-desired job, he tells the story of the rape and murder of an Indian girl by a drunken thug. When the killer received a lenient two-year sentence for manslaughter, the First Nations community felt shock and anger—and tried desperately to deal with the after-effects of this lack of justice.
The territory of Akwesasne straddles the Canada-U.S. border. When Canadian authorities prohibited the duty-free cross-border passage of personal purchases - a right established by the Jay Treaty of 1794 - Kanien'kéhaka protesters blocked the international bridge between Ontario and New York State.
Three Kiowa boys attempt to escape a government boarding school in 1891, Oklahoma.