Nobody likes self-centered realtor Oren Little, and he prefers it that way. He's deliberately mean to anyone who crosses his path and wants nothing more than to sell one final house and retire. His life turns upside-down when his estranged son drops off a granddaughter he never knew existed. Suddenly left in charge of her and with no idea how to take care of a child, he pawns the girl off on his neighbor, Leah -- but he eventually learns how to open his heart.
A very typical post-Soviet era storyline. A bunch of vagabonds lured an innocent teenage girl to their apartment, offered her a drink, intimidated, then gang raped her. Local cops are incapable to undertake an adequate actions against the scoundrels - prevented by the superior chief of the local police, who is the dad of one of the scumbags. The case is closed. The girl's granddad tired of an endless circumlocution decides to take revenge in his own hands.
Tsugumi Dozono works at a large electronics company in Tokyo. She likes to spend long vacations at her grandmother’s house in the countryside. When her grandmother dies, Tsugumi Dozono decides to live in the house full-time, and to work from there as well. However, one day she encounters a middle-aged man in the house, who tells Tsugumi that her grandmother gave him a key to the annex house when he was her student. The two share the property, although Tsugumi still does not know the exact relationship that her grandmother had with this man.
Kunjoonjamma Thomas is a widow living in the village all by herself. People always make fun of her because she is grumpy and depressed due to the deaths of her husband and her only child. Children irritate her by ringing her door bell and running away. One day, her granddaughter Girly, who she had never met, visits her. Initially, Kunjoonjamma does not like Girly, but they soon become close to each other.
With depth, intimacy, and humor, FLOAT! captures filmmaker Azza Cohen's magnetic grandma’s life-affirming journey learning to swim at 82, inspiring audiences to defy societal expectations of aging and to boldly look forward at every stage.
Button Gwinett Brown is a freshman congressman on a mission to rid Washington of corruption. He quickly runs afoul of the powerful Senator Norton...
Recently retired accountant Richard Flicker attends a life-drawing class and his world is turned upside down when he encounters free-spirited Amelia, the spitting image of a long lost love from decades ago. Grappling with a troubled home front, Richard flirts with the temptation of this second chance at romance.
The communal justice system accuses Don Evaristo, 80 years old, of the murder of his granddaughter Yana-Wara, 13 years old. During the hearing, everyone learns the tragic story of this young girl.
A young woman, Amanda Post (Susan Bracken), is summoned to the house in which she grew up to attend to her dying grandmother Harriet (Rhea MacAdams). The place holds bad memories for her; as a child, she witnessed the murder of her mother there, and the mystery assailant was never caught. On returning, she encounters three sinister individuals: Doctor Crawther (Jim Harrell), who refuses to admit the sick woman to a hospital and insists on administering her medication himself; Judge Stemple (Gene Ross), a corrupt local magistrate, and Claude Kearn (Larry O’Dwyer), curator of a nearby museum, who is angling to inherit the old lady’s collection of antique furniture, garments and jewellery. Amanda gives the three vultures their marching orders, only to find herself targeted by a menacing phone caller who knows her every move…
Flora Bear’s youngest granddaughter searches for truth and answers about her Indigenous grandmother’s life.
When You Come Home was Randle’s seventh feature film, and sees him recount his life as a music hall odd job man to his grandaughter.
A little girl gets to know the meaning of death when her grandfather suffers through the late stages of Alzheimer's disease.
Cecile travels back to the province to spend time with her Lola Pina after years of little to no contact, but she discovers that her Lola may not be the same as she remembers. Despite their distant relationship further stunted by Lola Pina’s declining memory due to her dementia, they are connected by one thing: music.
A young woman struggles to tell her beloved grandmother a truth that she believes may ruin their relationship.