Rudy Russo (Kurt Russell), um vendedor de carros usados, necessita de dinheiro para concorrer ao Senado. Assim fala com Luke Fuchs (Jack Warden), seu chefe, que concorda em lhe arrumar os 10 mil dólares que ele precisa. Entretanto, um "acidente" elaborado por Roy Fuchs (Jack Warden), o irmão gêmeo de Luke e ferrenho rival nos negócios, mata Luke. Roy também tem uma revenda de carros usados do outro lado da rua e está esperando o momento para reivindicar a propriedade para si. Os empregados de Luke escondem a sua morte, para impedir que Roy herde o negócio. É quando aparece então Barbara (Deborah Harmon), a filha de Luke.

With a static camera Tan films the dense night-time traffic in West Los Angeles from her temporary studio location at the Getty Center. Undercutting the cinematic quality inherent in this view of teeming traffic, the upright frame instead suggests a domestic window or an abstract painting. The space is flattened, and the viewer is unsettled. Shorn of a narrative, Vertical Wide is part of a trio of video works that are a series of dream-like moving pictures.

With a static camera Tan films the dense night-time traffic in West Los Angeles from her temporary studio location at the Getty Center. Undercutting the cinematic quality inherent in this view of teeming traffic, the upright frame instead suggests a domestic window or an abstract painting. The space is flattened, and the viewer is unsettled. Shorn of a narrative, Vertical White is part of a trio of video works that are a series of dream-like moving pictures.

With a static camera Tan films the dense night-time traffic in West Los Angeles from her temporary studio location at the Getty Center. Undercutting the cinematic quality inherent in this view of teeming traffic, the upright frame instead suggests a domestic window or an abstract painting. The space is flattened, and the viewer is unsettled. Shorn of a narrative, Vertical Red is part of a trio of video works that are a series of dream-like moving pictures.