To test its top-secret Human Hibernation Project, the Pentagon picks the most average Americans it can find - an Army private and a prostitute - and sends them to the year 2505 after a series of freak events. But when they arrive, they find a civilization so dumbed-down that they're the smartest people around.
ドキュメンタリーとドラマを織り交ぜて、自身が開発したテクノロジーに警鐘を鳴らす専門家らとともに、SNSが人間にどれほど危険な影響を及ぼすのかを検証する。
ニューヨークのデパートで、サンタクロースとして雇われた白ヒゲの老人クリス・クリングル。クリングルのサンタは評判を呼ぶが、彼は「自分は本物のサンタだ」と主張し、ついには裁判が開かれる――
Big money artists and mega-collectors pay a high price when art collides with commerce. After a series of paintings by an unknown artist are discovered, a supernatural force enacts revenge on those who have allowed their greed to get in the way of art.
The video debut of experimental musicians and culture jamming artists Emergency Broadcast Network.
A hilarious collection of animated television commercials that were rejected because of their creator's failing grip on sanity.
Arguing that advertising not only sells things, but also ideas about the world, media scholar Sut Jhally offers a blistering analysis of commercial culture's inability to let go of reactionary gender representations. Jhally's starting point is the breakthrough work of the late sociologist Erving Goffman, whose 1959 book The Presentation of the Self in Everyday Life prefigured the growing field of performance studies. Jhally applies Goffman's analysis of the body in print advertising to hundreds of print ads today, uncovering an astonishing pattern of regressive and destructive gender codes. By looking beyond advertising as a medium that simply sells products, and beyond analyses of gender that tend to focus on either biology or objectification, The Codes of Gender offers important insights into the social construction of masculinity and femininity, the relationship between gender and power, and the everyday performance of cultural norms.
An experimental collage of commercials, political advertising, news footage, and found video used to mark the rapid capitalization of young Americans after the collapse of the 60s/70s youth movements.
This is Bill Hicks' LIVE final televised interview where he appeared on the Austin, Texas public access television show CapZeyeZ, hosted by Metal Dave. He appeared on this interview prior to his performance at the Laff Stop at which his album "Rant in E Minor" was recorded. With this interview we are privileged with some of Hicks' intuitive criticisms and some "fresh" material.