La labirinto de la faŭno disvolviĝas en ne-identigita regiono en la nordo de Hispanio, dum la jaro 1944, kvin jarojn post la hispana civila milito. Ĝi rakontas la interesan vojaĝon de Ofelia (Ivana Baquero), 13-jara knabino tre ŝatanta fantaziajn librojn, kiu kune kun sia patrino, Carmen (Ariadna Gil), en malforta sanstato pro ŝia profunda gravedeco, translokiĝas en malgrandan vilaĝon, kie estis postenigita Vidal (Sergi López), kruela kapitano de la frankista ĝendarmaro (Guardia Civil), novedzo de Carmen (tial ke la patro de Ofelia mortis komence de la milito), ulo por kiu Ofelia sentas nenian inklinon. Kapitano Vidal estis postenigita tie por fini kun la lastaj restaĵoj de la respublikana rezistado, kaŝita en la montoj de la regiono, pro kio li ne hezitas uzi tutan serion da procedoj, inkluzivante mortigon kaj torturon, ankaŭ alproprigante al si kaj porciumante la proviantadon de la civila popolo de la regiono.
Tasked by MI6 to find the mythological Pandora's Box, an ancient object supposedly containing one of the deadliest plagues on Earth, Lara Croft must beat evil Nobel Prize-winning scientist turned bioterrorist Jonathan Reiss to it.
Hailed as India's first stereoscopic animated film, 'Krishna Aur Kans' is an exciting narrative full of action and drama. The movie chronicles Krishna's early years -- from his birth as the nemesis of his tyrannical uncle Kans.
The film told, apart from the main story of the friendship between Krishna and Kuchela, a few sequences from the Bhagavatha
In 1424, the Chancas tried to conquer a small kingdom: the Incas. In this war, the destiny of the Andean world was decided with the rise of Pachacutec as the leader in Cusco, and the genesis of the Incan Empire and its expansion under his rule. This short narrates the decisive battle between the two factions, along with mythological elements.
"This is a nice fruit tree here. Why don't you eat from it? " Working from about 2,500 images, all painstakingly drawn and painted and textured onto clear 70mm film leader, Nina Paley’s brilliant, camera-less short film paints the proverbial "Fall from Grace" as a labyrinthine trip through Pandora's box. It is a mad race, a dance with death and a rollicking good time in this raucous, vibrant set of color images shimmering and shimmying over a black background, all to the driving insouciance of Scottish punk rockers the Revillos' "Yeah Yeah."
An old man's vision of a drowning world is clouded. He decides to take radical actions inflicting damage to his surroundings. Instigating a self-destructive chain of events, coming from the dark abyss of his subconsciousness.
