On a winter morning, a mother goes to waken her son Heinrich; his bed is empty. She leaves her flat to find him. The neighbors' door, with a Star of David painted on it, is ajar, the furnishings in disarray, the family gone. She asks passersby, runs to the police then on to the rail yard. Flashbacks show that Heinrich and the neighbors' son Paul are six years old and best friends. Paul's family's deportation is expected soon; Heinrich's mother tells her son that they're going to Toyland. Heinrich wants to go with them, has a bag packed, and listens for their departure. His mother realizes he's joined them, and her resolve becomes more urgent. Will she arrive in time to save Heinrich?
Mag (Susan Sarandon), jako matka siedmiorga chłopców, zmuszona jest radzić sobie z różnymi problemami dnia codziennego. Wiadomość o wybuchu wojny w jednostce komandosów, w której służy jej syn, przekracza jednak jej wytrzymałość. Cała rodzina łączy się w oczekiwaniu na wiadomość o Percivalu ((Matt Keeslar).
While on a road trip to spread her godfather's ashes, Daphne and her ill godmother Fran get into an accident forcing them to make an unexpected stop. Wanting to keep Fran off the road, Daphne enlists Matthew, their mechanic, to be her fake boyfriend. But soon their fake relationship isn't so fake after all.
Instead of enjoying her vacations in a peaceful peninsula of Turkey, Anna feels stuck in a strange torpor, while her boyfriend, Thomas, doesn't seem to notice it at all. Later in the afternoon, when a little girl suddenly disappears on the beach, Anna awakens and decides to go and find her, despite the unknown and the nightfall.
The cat of the house has its nap interrupted by two playing puppies, which sets off a chain of events.
How much time and energy do we spend wishing things were how they used to be? We often think about times in our past when things were different and want our lives to be like that again. Some of us have even come to believe that our best days may actually be behind us. But if we're in some way hung up on the past, what does that mean for our lives now? How are we and those around us affected if we're not fully present? If we're longing for the way things used to be, what does that really say about our understanding and appreciation of our lives today? Maybe we need to learn to embrace our past for what it is, in order to live our lives to the fullest, right here, right now.