Prompted by the death of his father and the grief of his mother, a man recalls the story of how they met in flashback.
A cop who moonlights as a hit man agrees to kill the hated mother of a desperate drug dealer in exchange for a tumble with the young man's virginal sister.
Strife and disaster befall a poor Mississippi family during a two-day trip by horse and wagon to bury their deceased matriarch.
A college prank at an abandoned house accidentally awakens a frightening spirit.
A group of idealistic, but frustrated, liberals succumb to the temptation of murdering rightwing pundits for their political beliefs.
Kaveh Nariman is a Doctor in the medical examiner's office. One day at his work he meets a corpse which is very familiar to him.
Inconsolable since the death of his wife, Karsh, a prominent businessman, invents a revolutionary and controversial technology that enables the living to monitor their dear departed in their shrouds. One night, multiple graves, including that of Karsh’s wife, are desecrated, and he sets out to track down the perpetrators.
The imprint of the past is made present by the return of three migrants to a community in the upper Mixteca region of Oaxaca, where the three stories intersect.
A troupe of beautiful dancers find themselves stranded in a sinister castle, not knowing it is home to a group of vampires.
“As death, when we come to consider it closely, is the true goal of our existence, I have formed during the last few years such close relationships with this best and truest friend of mankind that death's image is not only no longer terrifying to me, but is indeed very soothing and consoling” - thus said Mozart about death. Mozart died in 1791 and was buried in a mass grave, as standard at the time in Vienna for a person of his social and financial situation. In 2000, 452 of Riga’s deceased — people without relatives, the homeless and the unidentified — were buried at the Jaunciems cemetery. But this film is not about death: it's about Mozart, The Magic Flute, Riga, and love. A short commissioned for the Latvian exhibition at Venice Biennale.
Pensioner Roli comes to Fareed's assistance when the Syrian refugee is faced with the burial of his Muslim wife. Together they stumble into a bewildering forest of Swiss bureaucracy to which Roli finds beautifully simple answer.
After the untimely death of their mother, twin brothers struggle over what to do with her belongings and discover a dark entity.
Salome goes out for another day at work, but not without bringing a definitive closure to a delicate occurrence.
In a culture where cremation is unusual, cemeteries fill up rapidly. In Latin America and in some other places, to solve the problem, remains are frequently exhumed. In Cuba, two year after interment. Relatives are invited to observe the little ritual. The music of the film is drawn from requiems from different periods. Twelve pieces by seven different composers are quoted. Together, they make up a traditional requiem, although only a few passages from the "dies irae" have been included, and other sections are slightly abbreviated.
A man reflects over his life during a burial.
A mother and son attend a funeral for someone they really don't know, and intend to leave right after, but end up leading the procession to the burial.
Svensson is a wealthy, aging blusterer who has just had a rather unusual funeral for his late wife and is now on his way to Spain with his cracker of a young mistress. But his trip is delayed when a lawyer turns up with a paternity suit. With a young undertaker as the new chauffeur at the wheel of his Jag, he sets off to confront the woman who claims to be the mother of his unknown daughter, turning his life and that of his companion upside down in the process.
Gustav finds it challenging running the family's funeral home in a little town where no one dies. One day a mysterious man occurs.
Moon Chae-Ku and his friend Kim Chul try to bring the body of Moon's father back to his native Kwisong Island for burial. Their ferry is intercepted by resentful islanders who will not let the boat dock, because of the father's political activities in the 1950's, informing on Communist sympathizers. Kim Chul, through flashbacks, recalls people and events from his island childhood.
Circus hijinks surround the barangay of Sta. Maria in the midst of an international murder sensation. Swanie, Sta. Maria’s barangay chair and a distant relative of the killer, tries to gain political points by staging a wake for the criminal-turned-celebrity. Meanwhile in faraway Manila, Joanna, Swanie’s runaway son, navigates his way through labyrinthine bureaucracy, to give a neighbor a proper burial. With these two unrelated deaths, estranged mother and son each bury the dead long shelved in their hearts. Amidst these unspoken family burials, the neighborhoods’ penchant for funeral fiestas, gossip and secrets, bizarre social events and the sheer mix of scandal and inebriation complete the picture of dying the Pinoy way.