A dramatic story, based on actual events, about the friendship between two men struggling against apartheid in South Africa in the 1970s. Donald Woods is a white liberal journalist in South Africa who begins to follow the activities of Stephen Biko, a courageous and outspoken black anti-apartheid activist.
I dette humoristiske og hjertevarme dramaet blir en syrisk musiker og andre flyktninger sendt til en avsidesliggende øy mens de venter på svar på asylsøknadene sine.
Refuge(e) traces the incredible journey of two refugees, Alpha and Zeferino. Each fled violent threats to their lives in their home countries and presented themselves at the US border asking for political asylum, only to be incarcerated in a for-profit prison for months on end without having committed any crime. Thousands more like them can't tell their stories.
It's 1990 and an Indonesian fishing boat abandons Iraqi and Cambodian refugees in a remote part of the Western Australia. Although most are quickly caught by officials, three men with nothing in common but their misfortune and determination to escape arrest, begin an epic journey into the heart of Australia.
The story of Ahmed Albarjo, a man living in Malta struggling to secure Refugee Status. Made in collaboration with Spark 15 and RAAH.
FOREIGNERS OUT! SCHLINGENSIEFS CONTAINER is a thrilling, insightful, funny chronicle and reflection of one of he biggest public pranks and acts of art terrorism ever committed. Austria 2000: Right after the FPÖ under Jörg Haider had become part of the government, the first time an extreme right wing party became state officials after WW2, infamous German shock director Christoph Schlingensief showed a very unique form of protest. Realising public xenophobia and the new hate politics in the most drastic ways possible, he installed a public concentration camp right in the middle of Vienna's touristic heart, right beside the picturesque opera where hundreds of tourists and locals pass by daily. And it was no concentration camp you had ever feared to return from the old times, but one that cynically reflected our new multimedia culture. Satirising reality TV shows, "Big Brother" especially, a dozen asylum seekers were surveilled by a multitude of cameras, could be fed and watched by.
A Haitian asylum seeker flees an immigration camp, unknowingly approaching a house owned by a paranoid blue-collar worker.
Parvaneh is a young Afghan immigrant who recently arrived at a transit centre for asylum seekers in the Swiss Alps. The only things she has got to know yet are the rural area surrounding the centre and the centre itself.
A country football coach who has a plan to rebuild the local football team by recruiting recently settled asylum seekers.
To cool the heat on the asylum debate - the biggest 'hot potato' in Australian politics, we took a hot potato food van around the country in the lead up to the 2013 Federal Election. The mission? To see what Australia really thinks asylum seekers. This is an account of this journey.
Mirte is a cleaner in the reception centre for asylum seekers at the airport. She tries to forget her past through routine. When the charismatic West African Luc is brought in, Mirte seems to get a grip on her life again. A film about loss, fleeing and love from an unexpected corner.
One inside, one outside. One thin line that creates “us” and “them”. The importance of the borders has again a huge impact in Europe. Yesterday it was all about free movement. Today it´s about controled borders. And walls and fences have become normality. “Before our eyes” is a testimony that shows a situation where Hungary, and indirectly Europe closes itself to the outside world. The film portrays four places, four events, which was filmed over three days in early September 2015, when the worst refugee crisis we have seen since the Second World War started in earnest. “My Europe does not build walls!” said Stefan Löfven, the swedish prime minister, in a speech a few days later. Before our eyes shows how words and actions are no longer connected. Today, Spain, Greece, Bulgaria, the UK, Hungary, Slovenia and Austria have built fences and walls to strengthen theirs and Europe’s external borders.
Asylum is a poignant drama that unfolds the harrowing journey of Khadija Jallow and her daughter, Khawla, seeking asylum after a political coup in their home country, The Gambia. As Khadija recounts her story during an asylum interview, the narrative delves into the complexities of love, sacrifice, and the impact of political disruption on a family.
Documentary about asylum seekers in the Netherlands.
Lauren Southern investigates what is really happening at Europe’s borders. From interviews with human traffickers in Morocco to secret recordings of illegal NGO activity in Greece, Borderless will blow the European Border Crisis wide open.
In the Cold War years of the 1970s, an American patrol boat meets a Soviet ship off the east coast of the United States for talks about fishing rights in the Atlantic. In the midst of this, while Russian commanders are aboard the U.S. Coast Guard vessel where the talks are being held, a Lithuanian sailor jumps across the ten feet of icy water separating the boats. Crash-landing on the deck of the American ship, he desperately begs for asylum. Though they try, the Americans ultimately fail to provide protection and the Soviets are allowed to capture him and brutally return him to their vessel. Thus begins a stranger-than-fiction story of imprisonment, discovery, fame, and freedom. Through rare archival footage and a dramatic first-person re-enactment of that fateful day by Simas Kudirka, the would-be defector himself, this tale of one of the biggest Cold War muddles takes us on a journey of uncanny twists of fate, and the emotional sacrifices of becoming a universal symbol of freedom.
This feature documentary follows three newly arrived people in Canada and their experiences with the Canadian Refugee process. As claims are assessed and paperwork is double checked, we begin to examine exactly who can be considered a refugee.
After crossing 11 countries irregularly to seek asylum in Canada, Peggy, Simon and their three children are waiting for the hearing that will determine whether they get refugee status or not. Having fled political repression in the Democratic Republic of the Congo, the family tries to rebuild a peaceful life in Montreal, in spite of the constant threat of deportation. Between ghosts from the past, hopes for the future, a complex legal maze and seemingly endless trial, the film delves into the struggle of the Nkunga Mbala family to remain in Canada. Offering unprecedented access to their hearing before the Immigration and Refugee Board, the film unveils the opaque process of claiming asylum in Canada.
Four rejected asylum seekers relive the hearing on their reasons for fleeing their home countries, shedding light on the core of the asylum procedure. Will the interviewees be able to describe their traumatic experiences in a way that satisfies the official criteria?
The Perfect Story offers a riveting, intimate look at the ethical and moral challenges sparked by the relationship between a foreign correspondent and a young Somali refugee. By revealing the boundaries of journalism and filmmaking, the film questions what stories are told, why, and who gets to tell them.