In 1950s Connecticut, a housewife's life is upended by a marital crisis and mounting racial tensions in society.
In 1954, a German-Austrian expedition led by Mathias Rebitsch set off for the difficult-to-access Karakoram Mountains, geographically north of the Himalayas. They come across the Hunza, a people who live in the valley of the same name and believe they are descended from the soldiers of Alexander the Great. The documentary conveys impressions of the poor life of the Hunza people, the harvest, a court hearing, festivals and the children's everyday school life. Finally, the expedition sets off again and sets up its main camp on the moraine ridge of a glacier, where they measure the glacier and the earth's magnetic field. Finally, some men from the research community set off for a sub-peak of Batura.
Oscar François de Jarjayes was born female, but her father insisted she be raised as a boy as he had no sons. She becomes the captain of the guards at Versailles under King Louis XVI and Marie Antonette. Her privileged, noble life comes under fire as she discovers the hard life of the poor people of France. She is caught up in the French Revolution, and must choose between her loyalty and love.
The key to the communal laundry room in the block of flats on the Rue de Genève 85 in Lausanne serves a much greater function than merely unlocking the door. This encounter between a symbol of typical Swiss mentality with a penchant for order and the tenants who have been housed here by the city’s social services department is not something to be taken for granted. Although the laundry room is normally located in the cellar, the tenants in this building share a tiny laundry room off the entrance hall because the cellar is reserved for prostitution. To maintain order and cleanliness, the landlord hires Claudina, a new “laundry woman”.
Shot over the course of ten years on both film and video, the film consists of a series of carefully composed tableaux of people and environments. Pedestrians shuffle across a bustling Beijing street, steelworkers linger outside a deserted factory, tourists laugh and scamper across a crowded beach, worshippers kneel to pray in a remote village. With a painterly eye for composition, Wang captures China as he sees it, calling to a temporary halt a land in a constant state of change.
A portrait of the relations between neighbours in a Lisbon courtyard. A story made of small episodes of humour, friendship, rivalry, love.
Composed from the conversations that the director holds with people passing by in the street under his Warsaw apartment, each story in 'The Balcony Movie' is unique and deals with the way we try to cope with life as individuals. All together, they create a self-portrait of contemporary human life, and the passers-by present a composite picture of today's world.
First year film 2018
Four different stories about people who have one thing in common: the Stones. An office worm rushing to work, a grown-up girl who considers herself a child, looking for new friends, girlfriends who want to smoke a brick, a strange person who decided to become a rock in the park. Each of them has no idea what awaits them when they meet a motionless boulder. But the lives of the heroes may change greatly after what happened to them on the rocks.
This video has won festival prizes in Chicago and Rotterdam and has been declared Norway’s finest video for tourists by “Aftenposten”, one of Norway’s largest newspapers, witch wrote: “The reality of this region, communicated by craftsmen who know what they are going, is by itself fantastic enough. Here you will see real people – fishermen and Sami – in our best known travel destination, in magnificent, flowing scenes revealing rapturous artistic flair. Three cheers!” Life in this part of the country is totally dependent on nature. Winter storms, cold polar nights, the midnight sun and warm summer days. Communities that rebuilt themselves after being totally destroyed during World War II. You can take part in all of this and experience life at the North Cape, the northern outpost of Europe. You will find yourself watching this video time and time again…
A deft portrait of gender lines in the sex industry, this short lip-sync documentary tells the stories of men who buy sex
Documentary about the two big resources in the North Atlantic, fish and oil, and the impact of their exploitation on the environment in various countries on both sides of the Atlantic.
What does a retired police officer, a dog trainer, the founder of a political party and anti-government protesters have in common? They've all met on the streets of Bucharest, 23 years after the Romanian Revolution, determined to reclaim the public space. Vlad Petri is following their stories for one year, from the first days of the anti-government protests to the final days of the Referendum against the President. The film raises questions about the role of the public space, the power of the individual and the understanding of democracy in a society caught between a communist past and an uncertain future.
ON EDGE is a short film directed and written by Noemi Miranda, accompanied by her co-writers Jose Vera, Paulina Jara and Valentina Nuñez. Performed by the theater workshop of the Terraustral Oeste School. This school short film was selected and presented at the AVANTI 2021 Festival Winner for Best Actor Tomás Venegas playing FEAR Winner for Best Direction Noemi Miranda This beautiful project answers the proposed question, which was: What world do you want to build and leave for new generations?
A short sketchbook-style animated film that takes a look at people at a 'La Fete Nationale' celebration in Montreal, Quebec.
Rotterdam 2040 is a film about the city’s future, departing from the principle of Gyz La Rivière that you can’t look ahead without considering your past (something that hasn’t always been Rotterdam’s strongest feature). At high speed, La Rivière reconstructs the history of Rotterdam from the time before the bombings until now, and expands the developments to the year 2040 (100 years after the bombing and the 700th anniversary of the city). La Rivière made a specific choice to expose his personal vision, which is sometimes radical or a little absurd. So no experts and no talking heads, but an assault of old and new imagery, held together by La Rivière as the narrator of the film. Although Rotterdam 2040 deals with architecture and urban renewal, it is actually a film about people. The subjective experience of the city by its (future) occupants mainly determines the parade of architectural blunders and suggestions for the future. All tongue-in-cheek of course.