2002年金馬影展熱門影片，原版未通過新聞局電檢，大膽性愛畫面..2P..3P..同性戀...異性戀，令人瞠目結舌的豪放青春...獲得2002金球獎最佳外語片提名，2001威尼斯影展最佳劇本、最佳新進演員獎，歐洲影展5項提名，法國維爾拉影展。賣翻出品國墨西哥、美國（僅次於《艾蜜莉的異想世界》）。 就像其他十七歲的青少年一樣，胡立歐（Gael Garcia Bernal 飾）跟登諾（Diego Luna 飾）的生活就像是受荷爾蒙影響的狂情愛慾、玩伴死黨之間的至情友誼、以及想及早邁入成人世界的引頸盼望。在這個夏天中，這兩個生活上的死黨，跟著一個美麗成熟的女子，共同逃離於一段無拘無束的旅程，尋找他們生活中的天堂海灘，經歷與解放在這個美妙的成長世界。 胡立歐與登諾因為女友前往義大利度假而不知如何渡過漫漫長夏，在一次家族婚禮中驚艷來自西班牙，28歲的美麗性感表嫂路易莎，兩個男孩笨拙的與路易莎調情，並且邀請她一起到一個神秘浪漫的海邊-天堂之口，然而胡立歐跟登諾根本就不知道如何前往這個海灘，更不用說這個捏造的海灘是不是真有其事。 幾天後，路易莎接到令其心碎的消息，決定接受他們的邀請，一同出發前往這個未知的海灘。三人開車上路後，天堂之口的神秘與吸引力，還比不上途中三人經歷過的純真感情、性的解放以及友情的衝擊。 要清楚瞭解一個人，最好就是跟他去旅行! 在這個漫長的旅程中，胡立歐跟登諾被迫需要面對自己從不曾面對的另一面，重新去探索與認識他們的友誼。路易莎就像是他們自我成長的分析師，她的出現有時像是性感的誘惑女神，迷惑著兩個年輕男子，另一方面又是他們友誼中所缺乏的成熟形象。最後在旅途終點時，他們三個人才發覺這段逃離的旅程，並沒有辦法讓他們逃開他們必須面對心裡頭最深刻的慾望與衝突。
在這部巧妙串連的奇片裡，墨西哥電影「一哥」蓋爾賈西亞貝納（《壞教慾》、《革命前夕的摩托車日記》、《戀愛夢遊中》）飾演一個看不慣混帳哥哥又情不自禁愛上大嫂的癡情男，妄想從鬥狗賺足私奔的盤纏。另一個漂亮名模，則和有婦之夫打得火熱，沒想到突如其來的車禍，粉碎了她的人生。更意想不到的是個拾荒老人，真實身份其實是深藏不露的職業殺手，他養了一群狗，並且目睹那場嚴重的車禍。宛如三個世界的人，經過命運的劇烈撞擊，奔向無法預期的道路。男與女、貧與富、人與狗，串起令人欷噓的生命百態，也為新世紀的電影語言，投下一顆震撼彈。
路易斯是一名有原住民血統的 18 歲男孩，他進入英雄軍事學院，希望能擁有更美好的未來。 在那裡，他遇到了一個嚴格的、制度上暴力的製度，旨在把他變成一個完美的士兵
Sent to Mexico to help take care of aging Father Benito, young Father Amaro faces a moral challenge when he meets a 16-year-old girl who he starts an affair with. Likewise, the girl's mother had been having an affair with Father Benito. Father Amaro must choose between a holy or sinful life.
Set in Mexico City, Carlos Reygadas's sexually explicit drama centers on a man in turmoil over his past actions. Chauffer Marcos feels compelled to reveal a dark secret to his boss's daughter, Ana, a wealthy woman who works as a prostitute just for the thrill of it. Marcos confesses that he and his wife committed a crime that ended in horrible tragedy. Haunted by his past, Marcos searches for redemption.
Gerardo is deeply in love with longtime lover Jonas. When Jonas falls for a stranger he met at a local nightclub, heartbroken Gerardo soon seeks solace in the arms of Sergio. Despite other interests, Gerardo and Jonas can't bring themselves to end it.
Four ambitious and beautiful young women. From four very different corners of Mexico. Just like hundreds of others, they are caught up in the frenzy that sweeps the nation when Alejandro Mateos, one of the country's most powerful producers, dreams up a nationwide talent search to cast the lead in his next big movie. But all this is news to Alejandro's on-again, off-again lover, Eva Gallardo, a diva of epic proportions, who expected to get the part. While Eva schemes to nail down the role, our four leads begin their own journey on the road to fame.
墨西哥導演卡洛斯雷卡達斯一鳴驚人的處女作。在墨西哥一處荒涼僻遠的沙漠，突然有一個行動不便的畫家到臨造訪，他的身份成謎，也沒有人知道他所為何來。他出現在這個小村落，借住在一名印地安老太太家中，男子隨身聽不離手地聽著同一個音樂，看似想了結自己生命，但總又一天度過一天。然後，他與這位老太太之間竟發生了令人訝異的情事…。 自承師法自塔可夫斯基，《生命最後之旅》充滿「時光雕刻」的痕跡，瀰漫神秘、形而上的況味，自然景象的大量長鏡頭隱喻生命不可承受之重。片末的360度長鏡頭令人驚呼，看似無止盡的推軌畫面，為男子劃下難以忘懷、低沉再三的生命終局。對於此片，雷卡達斯認為「影像是由攝影與剪輯所構造，敘事對我來說只是個載具，是邪惡的，也是必要之惡」，《生命最後之旅》豐富的影像語言，也確立了雷卡達斯標誌性的超現實美學風格。
Gerardo, a 17-year old guy has just finished his relationship with Bruno and starts wandering hopeless through the streets of the city. In his wandering he's tortured by images: each masculine body he sees reminds him of his lover. Gerardo is determined to keep what's left of his dying love. The only comfort he has is a letter that Bruno left him with his boss.
A view of the end-of-the-century Mexican family. A father who comes back home after a long absence, but who would rather be somewhere else. A daughter suffering from a trapped pain. A son full of guilt and recriminations. A little kid who soaks up all the tension in the house, like a sponge, and a self-effacing mother who would like to go away and leave everything behind.
When washed-out, has-been actor Francisco, finds out that his ex-wife is about to remarry and take their daughter to live abroad, he'll manipulate everyone around him to stop the wedding and get his family back.
A family man is extorted to kill another man in less than 24 hours. Everything changes when he decides not to.
The patron Saint Festivities is the most important celebration of the year.
Esther knows it and has a great hope to attend. Esteban, her husband thinks the opposite.
The situation of the past involve a debate in this elderly couple to attend the celebration that can relive their relationship for the last time.