Le pacifique royaume d'Azeroth est au bord de la guerre alors que sa civilisation doit faire face à une redoutable race d’envahisseurs: des guerriers Orcs fuyant leur monde moribond pour en coloniser un autre. Alors qu’un portail s’ouvre pour connecter les deux mondes, une armée fait face à la destruction et l'autre à l'extinction. De côtés opposés, deux héros vont s’affronter et décider du sort de leur famille, de leur peuple et de leur patrie.
La CIA est bien embêtée car les Russes ont 5 ans de retard en informatique et volent plein de PC américains via des sociétés écrans implantées dans des pays soi-disant alliés. La Comtesse Luciana est ainsi mandatée pour envoyer Cody Abilene , détective privé, enquêter auprès de Lady Chamberlain. Et là, c'est le drame, car un domestique est assassiné. Très vite, Cody comprend qu'il va devoir se taper toutes les nanas à la ronde pour pouvoir progresser dans son enquête.
The world of female bodybuilding provides the backdrop for this tale of an aspiring young actress who initially becomes interested in the sport as a means of self-defense following a physical attack by two men, but then finds that while concentrating on building up her body her relationship with her parents, with whom she is living, and her new-found boyfriend, a young cop, is breaking down. Several noted bodybuilders and iron-pumpers, male and female, put in appearances to give this production an added authenticity.
Tom se bat avec un rival pour briller devant sa belle...
Part two of two teaching films about human anatomy which is devoted to the action of the skeletal muscles in producing movement of the bones at the joints of the human skeleton. It uses live action and animated medical illustrations as well as an actual skeleton with commentary. A man, naked to the waist, also demonstrates the relevant physical processes such as respiration.
David is a young bodybuilder who obsessively trains to become his artist mother's muse. As he dedicates himself to further developing his physique, he goes through an identity crisis that will mark his destiny.
Opens with a woman posing on a pedestal, dressed in a white body leotard with a sash tied at her hips. Marshall continues with various feminine poses, reminiscent of classic Greek statuary, to accentuate her figure. Film cuts to Treloar posed on the bare stage without a pedestal. He wears brief leopard-skin trunks or short tunic, wrist bands, and Roman-looking laced sandals. His poses accentuate the muscular development of his upper body, particularly that of his arms, and include movements that make the muscles jump. Treloar finishes with a slight nod to the camera.