Мирно царство Азерота стоји на ивици рата кад се њихова цивилизација суочи са неустрашивом расом освајача: Орк ратници беже из свог дома који је на рубу пропасти и желе да колонизују други свет. Кад се портал отвори да споји ова два света, једна војска се суочава са уништењем, а друга са нестанком. Са ове две зараћене стране, два хероја ће кренути један на другог, а то ће одредити судбину њихових породица, њиховог народа и њиховог дома. Тако почиње спектакуларна сага о моћи и жртвовању у којој рат има много лица и где се свако бори за нешто.
In this erotic spy tale private eye Cody Abilene teams up with the Contessa Luciana and policewoman Beverly McAfee to infiltrate a mansion and discover who is sending computer secrets to the Russians.
The world of female bodybuilding provides the backdrop for this tale of an aspiring young actress who initially becomes interested in the sport as a means of self-defense following a physical attack by two men, but then finds that while concentrating on building up her body her relationship with her parents, with whom she is living, and her new-found boyfriend, a young cop, is breaking down. Several noted bodybuilders and iron-pumpers, male and female, put in appearances to give this production an added authenticity.
Tom settles in for a day at the beach with his sweety, accidentally ruining Jerry's day. Meanwhile, Tom's girl is paying more attention to the bodybuilders than to Tom.
Part two of two teaching films about human anatomy which is devoted to the action of the skeletal muscles in producing movement of the bones at the joints of the human skeleton. It uses live action and animated medical illustrations as well as an actual skeleton with commentary. A man, naked to the waist, also demonstrates the relevant physical processes such as respiration.
David is a young bodybuilder who obsessively trains to become his artist mother's muse. As he dedicates himself to further developing his physique, he goes through an identity crisis that will mark his destiny.
Opens with a woman posing on a pedestal, dressed in a white body leotard with a sash tied at her hips. Marshall continues with various feminine poses, reminiscent of classic Greek statuary, to accentuate her figure. Film cuts to Treloar posed on the bare stage without a pedestal. He wears brief leopard-skin trunks or short tunic, wrist bands, and Roman-looking laced sandals. His poses accentuate the muscular development of his upper body, particularly that of his arms, and include movements that make the muscles jump. Treloar finishes with a slight nod to the camera.