Claire is a midwife and has devoted her life to others. At a moment when she is preoccupied by the imminent closure of the maternity clinic where she works, her life is further turned upside down when Béatrice, her father's former mistress, turns up on the scene. Béatrice is a capricious and selfish woman, Claire's exact opposite.
Emmett enters into a nightmarish game of therapy with his wife Anya, who has inexplicably taken on the persona of his estranged and recently-deceased mother.
Saeko and Yukako live together in a small apartment complex in Tokyo. After the Tohoku earthquake in 2011, both live in a state of unease. Saeko, who is in a divorce, is worried that her daughter is exposed to radiation. Yukako is also afraid of radiation and tries to convince her husband to move. The two become friends after Yukako tries to save Saeko after a suicide attempt.
Illa de Arousa, 1971. Maria is a woman who earns her living by seafood. She is also known on the island for helping other women in childbirth with special dedication and care. After an unexpected event, she is forced to flee and begins a dangerous journey that will make her fight for her survival. Seeking her freedom, Maria decides to cross the border by one of the smuggling routes between Galicia and Portugal.
Natalia is a 17-year-old mom living with her mother and son, Antos. She wanted to have a baby because it was a “cool” thing to do, and because she feels she has someone to love; someone who can love her in return. Everything changes when Natalia’s mother decides to move out, giving Natalia a chance to lead a “normal life.”
After giving birth to her first child at age 20, Mona Achache had the idea to make a film on childbirth. She filmed the work of midwives to produce this documentary, which became a reference in more than 500 maternity wards and private midwives' offices in France during birth preparation sessions.
The planet’s busiest maternity hospital is located in one of its poorest and most populous countries: the Philippines. There, poor women face devastating consequences as their country struggles with reproductive health policy and the politics of conservative Catholic ideologies.
Being mother is the most natural thing in the world. Or so it seems. Yet the demands on women with children have rarely been as overloaded and contradictory as they are in today’s Western world. Promises of happiness are often followed by disadvantages, excessive demands and feelings of guilt. The mother has become an artificially glorified ideal, which nevertheless is often legitimized by the „nature of the woman“. We live in a time when three people could claim to be the same child’s mother: egg donors give their genes to beget children, surrogate mothers deliver babies which they give away immediately after birth, and men raise children by themselves – without a woman at their side. Hence the question arises: What makes a human being a real mother?
It is 1968 and Marianne is nineteen years old. She has been sent to a home for young girls, far from her family and friends. Here she meets other girls whose secrets have turned their lives upside down.
That Mothers Might Live is a 1938 American short drama film directed by Fred Zinnemann. The short is a brief account of Hungarian physician Ignaz Semmelweis and his discovery of the need for cleanliness in 19th-century maternity wards, thereby significantly decreasing maternal mortality, and of his struggle to gain acceptance of his idea. Although Semmelweis ultimately failed in his lifetime, later scientific luminaries advanced his work in spirit like microbiologist Louis Pasteur, who provided a scientific theoretical explanation of Semmelweis' observations by helping develop the germ theory of disease and the British surgeon, Dr. Joseph Lister who revolutionized medicine putting Pasteur's research to practical use. In 1939, at the 11th Academy Awards, the film won an Oscar for Best Short Subject (One-Reel).
Jeanne take her daughter for the week-end in Majorque. While everything goes to rack and ruin, mother’s only concern is to photograph Kiki, the classroom mascot.
Alba, a young woman, lives with her boyfriend in a small apartment. One morning she receives terrible news along with the few month-old baby Mía, who is dropped off in her life. Upon her arrival, Alba experiences a series of insecurities and fears that will cause her into a mental breakdown. After her father is dead, Alba is forced to take care of the baby he left, even though the baby represents imbalance in her life.
As a letter to her son, the filmmaker testifies her experience as a photographer aboard the Aquarius, a ship that rescued 29,523 people in the Mediterranean between 2016 and 2018.
Helena, a woman in her early 40's, is obsessed with getting pregnant. After failing her last try, her neighbors get back from the hospital with their new born baby. Helena breaks in to their house when they´re gone, steals the baby monitor and starts listening to what happens next door.
