Marc-André Leclerc, an exceptional climber, has made solo his religion and ice his homeland. When filmmaker Peter Mortimer begins his film, he places his camera at the base of a British Columbia cliff and waits patiently for the star climber to come down to answer his questions. Marc André, a little uncomfortable, prefers to return to the depths of the forest where he lives in a tent with his girlfriend Brette Harrington. In the heart of winter, Peter films vertiginous solos on fragile ice. He tries to make appointments with the climber who is never there and does not seem really concerned by this camera pointed at him "For me, it would not be a solo if there was someone else" . Marc-André is thus, the "pure light" of the mountaineers of his time, which marvel Barry Blanchard, Alex Honnold or Reinhold Messner, interviewed in the film. An event film for an extraordinary character.
A small mountain community in Canada is devastated when a school bus accident leaves more than a dozen of its children dead. A big-city lawyer arrives to help the survivors' and victims' families prepare a class-action suit, but his efforts only seem to push the townspeople further apart. At the same time, one teenage survivor of the accident has to reckon with the loss of innocence brought about by a different kind of damage.
A boy learns to deal with personal loss by making friends with a wild animal in this drama for the entire family. Jesse is a 16-year-old who is trying to put his life back together after the death of his father, who died while trying to rescue him in the wilderness. Jesse goes to live with his Uncle Roy, who lives in the rugged mountains of Washington State. While exploring, Jesse finds and rescues a wolf who has been seriously wounded; Jesse bonds with the animal, and while Roy understands the dangers of trying to tend to a wild animal, reluctantly allows Jesse to keep him. Jesse, who is fond of snowboarding, teaches the wolf to be his partner in skijoring, a sport in which a dog is used to haul a man on skis. John Rockwell the owner of a ranch, has different plans for the animal; he sees the wolf as a threat to his stock and is determined to see that the animal is put down.
A couple of youngish adventurers go into the wilderness of British Columbia in search of a lost colleague. Their plane crashes and they find themselves at the mercy of a crazed old Scottish miner, who has lived in isolation for many decades searching the mountain caves for a chamber of long lost gold. He is prepared to do anything - including murder - to keep his gold for himself.
Morgan and his friends are on a hunting trip on a remote Canadian island when they are attacked by a swarm of giant wasps. Looking for help, Morgan stumbles across a barn inhabited by an enormous killer chicken. After doing some exploring, they discover the entire island is crawling with animals that have somehow grown to giant size. The most dangerous of all of these, however, are the rats, who are mobilizing to do battle with the human intruders.
It’s 2003, and 12-year-old Rell “Goat” Barrel and her mom Jane are scheming and scrounging their way through another Penticton summer. Having illegally sublet the house they’re renting; they’re now holed up in a RV park bordering Skaha Lake. From this modest base of operations, Goat befriends an awkward outsider (Leandro Guedes), skateboards, shoplifts, and talks a big game about becoming a world-class surfer… Despite having never actually climbed atop a board or laid eyes on the ocean.
"A documentary film which looks at the issue of British Columbia Native land claims and how the aboriginals link their culture to the land, which has been stolen by the dominant white culture of North America. In the film, the argument is presented that the lands have been taken from the Natives without any clear treaty agreements and how attempts had been made to wipe out Native culture through the Residential School system. " Produced by the Union of BC Indian Chiefs in 1975.
A cattleman fights to establish a ranch in the middle of gold country.
Mountain Men is a comedy/drama that follows two estranged brothers, Toph and Cooper, as they journey to a remote family cabin in the mountains to evict a squatter. Buried resentment and bruised egos soon derail the plan and when the smoke clears they've destroyed their car and burned down the cabin, leaving them stranded in the cold Rocky Mountain winter. With their very survival at stake, they must learn to work together as brothers to get back to civilization.
When a young boy is captured by a grizzly bear, he begins the most incredible journey of a lifetime, full of breathtaking excitement, harrowing danger and thrilling surprises.
Ten women in Canada talk about being lesbian in the 1940s, 1950s, and 1960s: discovering the pulp fiction of the day about women in love, their own first affairs, the pain of breaking up, frequenting gay bars, facing police raids, men's responses, and the etiquette of butch and femme roles. Interspersed among the interviews and archival footage are four dramatized chapters from a pulp novel, "Forbidden Love".
Toad People introduces audiences to the stories of people like Steve Clegg who make up a community-led movement to save this threatened species. In different parts of the province, people from all ages and walks of life come together to do whatever it takes to help toads survive. They stop road traffic, collect toads in buckets and carry them across the road, build toad tunnels. In the Kootenays, Debbie Pitaoulis is fighting to protect the toad habitat from logging. The film follows these individuals’ passion for the natural world, their fighting spirit, perseverance but also their struggles, demonstrating that people do not need to be environmental activists or scientists to take action, they just need to be citizens who care.
In this era of “reconciliation”, Indigenous land is still being taken at gunpoint. Unist’ot’en Camp, Gidimt’en checkpoint and the larger Wet’suwet’en Nation are standing up to the Canadian government and corporations who continue colonial violence against Indigenous people. The Unist’ot’en Camp has been a beacon of resistance for nearly 10 years. It is a healing space for Indigenous people and settlers alike, and an active example of decolonization. The violence, environmental destruction, and disregard for human rights following TC Energy (formerly TransCanada) / Coastal GasLink’s interim injunction has been devastating to bear, but this fight is far from over.
Marie Deschamps has her whole life ahead of her but isn't sure what to do with it. To the disappointment of her parents, she drops out of college and decides to go work in Whistler in order to perfect her English. After a journey across Canada, her arrival in British-Columbia is less glorious than she dreamt. Fortunately, she meets Jean-Francois Laforest, a Quebecois skier who has been living on the West Coast for 10 years. J-F will introduce her to his Anglo friends and to the lifestyle of the mountains. Somewhere out West, this adventure will change her life forever.
Acclaimed Métis filmmaker Christine Welsh presents a compelling documentary that puts a human face on a national tragedy: the murders and disappearances of an estimated 500 Aboriginal women in Canada over the past 30 years. This is a journey into the dark heart of Native women's experience in Canada. From Vancouver's Skid Row to the Highway of Tears in northern British Columbia, to Saskatoon, this film honours those who have passed and uncovers reasons for hope. Finding Dawn illustrates the deep historical, social and economic factors that contribute to the epidemic of violence against Native women in this country.
In the Land of the Head Hunters is a 1914 silent film fictionalizing the world of the Kwakwaka'wakw (Kwakiutl) peoples of the Queen Charlotte Strait region of the Central Coast of British Columbia, Canada, written and directed by Edward S. Curtis and acted entirely by Kwakwaka'wakw natives. It was the first feature-length film whose cast was composed entirely of Native North Americans; the second, eight years later, was Robert Flaherty's Nanook of the North.
The human impact on forests is explored through breathtaking vistas and poignant vignettes set in Canada's Pacific Northwest. Those who rely on this precious resource highlight the tensions and dilemmas between commodification and conservation.
Haida Gwaii, an archipelago off the west coast of Canada, is home to Skil Jaadee and her family. They live in harmony with nature and have made it their mission to save their language and preserve their history.
In this follow-up to his 2003 film, Totem: the Return of the G'psgolox Pole, filmmaker Gil Cardinal documents the events of the final journey of the G'psgolox Pole as it returns home to Kitamaat and the Haisla people, from where it went missing in 1929.
Gurdeep is a thirteen-year-old Canadian Sikh whose family runs a dairy farm near Chilliwack, British Columbia. They have retained their language and religion. Attendance at the Sikh temple, playing soccer with his schoolmates, and working on the farm are all part of Gurdeep's well-integrated life, but sometimes he feels a little different from the other children because he wears a turban. This film is part of the Children of Canada series.