Wydarzenia przedstawione w dokumencie zdobywcy Oskara za "One Day in September" Kevina Macdonalda rozegrały się w roku 1985, a jego bohaterowie byli wówczas młodymi, sprawnymi, świetnie wyszkolonymi alpinistami. Joe Simpson i Simon Yates wyruszają w góry, aby zdobyć szczyt Siula Grande w peruwiańskich Andach od ściany zachodniej. Do tej pory ta sztuka nie udała się nikomu. Pierwsze trzy dni wyprawy przebiegają zgodnie z planem, jednak w końcu zdarza się wypadek. Joe Simpson upada i łamie sobie kilka kości w nodze. Bez szans na jakąkolwiek pomoc, obaj śmiałkowie postanawiają kontynuować wspinaczkę z Joe Simpsonem zawieszonym na linie. Każdy fałszywy ruch może się okazać dla nich śmiertelny.
Trzech amerykańskich wspinaczy podejmuje ambitne wyzwanie zdobycia znajdującej się w Himalajach góry Meru.
In the shady campgrounds of Yosemite valley, climbers carved out a counterculture lifestyle of dumpster-diving and wild parties that clashed with the conservative values of the National Park Service. And up on the walls, generation after generation has pushed the limits of climbing, vying amongst each other for supremacy on Yosemite's cliffs. "Valley Uprising" is the riveting, unforgettable tale of this bold rock climbing tradition in Yosemite National Park: half a century of struggle against the laws of gravity -- and the laws of the land.
In the mountains, they stand alone against whatever will happen. For the several days they live in nature, they can rely only on themselves and each other. Elsewhere, there is always a fallback - here one is without a safety. This in itself can bring some to terror - the terror of having to rely on yourself - your own judgment, wits and fortitude. This is also the most incredible feeling of strength and independence. Knowing there is no safety means having to be one's own safety.
After years of mass tourism in the Alps, a rethinking is slowly taking place. Whether researchers, artists or philosophers, many are trying to approach the essence of the mountains in new ways.
L'Appel Des Cimes, directed by Alain Pol, is a documentary commissioned by the CAF and the various French ministries on the practice of post-war mountaineering. In 1946, climbers trained at the Fontainebleau Climbing School. Guy Poulet and Jacques Poincenot try to climb the Aiguilles de Chamonix but fail during the climbing phase. After a night in a refuge with Denise Rouzeau and the guide Pierre Allain, the mountaineers make a new attempt. Successful demonstration for those who continued the approach walk then the passage of the seracs of the glacier. On the rock, the roped party crosses a chimney and a crack to reach the summit and abseil down. Led by high mountain scouts, Guy and Jacques rediscover the glaciers and needles of the Mont-Blanc massif during the next lesson.
For nearly three years, director Dina Khreino interviewed world-class mountain climbing athletes, listening to what compels them to leave behind families, friends, and everyday comforts to risk everything for a fleeting glimpse into the unknown. What she found was a tribe, a diverse group of professional adventurers and amateur philosophers forged by the ultimate test of body, mind, and spirit. In the face of shifting winds, sheer granite cliffs, and impossible odds, they climb. Each for their own reason, but every one connected by the vertical world. In this rarefied air, these athletes are fundamentally changed, not just as climbers, but as human beings.
Many mountaineers as part of their activity have used cameras and films to allow us to participate through images in their adventures and their emotions. Many of them have become true film professionals: Joseph Vallot, Lionel Terray, Marcel Ichac, Renè Vernadet, Jean Afanasieff, Pierre Royer, Denis Ducroz, Kurt Diemberg and many others are among the conquerors of the image of the mountain. The film depicts the passion of these men on the highest mountains in the world... behind the lens.
This documentary tells via the testimonies of people who knew him (like Simone Moro, his companion during his last ascent), the life, the mountaineering exploits and the very tolerant character of Anatoli Boukreev. This famous mountaineer has made more than twenty-one ascents on mountains of 8,000 m altitude, without using supplemental oxygen, and has reached the summit of Everest four times. In 1996 he saved the lives of many climbers in a group led by Scott Fischer during their attempt on Everest. The documentary is based on footage shot during his tragic last ascent of Annapurna in Nepal in 1997.
On some peaks in 2003, the statistics are impressive. For the K2 dubbed "wild mountain" or "ruthless mountain", only 240 reached the summit and more than 60 perished in the ascent. An unimaginable rate of one death in four to survive. And these statistics are even worse At the start of the 2004 climbing season, only five talented and determined women had reached the 8,616-meter summit of K2, but only two made it out alive. , they too perished while climbing other peaks of 8000 meters, these five women all disappeared in the mountains.
As darkness fell on May 10, 1996, a fast-moving storm of unimaginable ferocity trapped three climbing teams on the slopes of Mount Everest. The climbers, exhausted from their ascent to the summit, were soon lost in the dark, in a ferocious blizzard, far from the safety of High Camp at 26,000 feet. This film tells the story of the five climbers who perished in this storm, marking the worst climbing tragedy in the history of Mount Everest. But most remarkably, it's the story of eleven climbers caught in the storm, and eyewitness accounts of their astonishing survival in the world's most unforgiving environment.
Movie about David Lama climbing the Patagonian mountain Cerro Torre for the first time free, a mountain that has been dubbed the most difficult to climb in the world.
"Perilous Assignment" is an episode of ABC's Walt Disney Presents. Disney loved to show viewers behind the scenes of the daring shoots of its theatrically released or TV shows. The theme of the episode is the making of his next film, The Third Man on the Mountain, an adaptation of James Ramsey Ullman's novel Banner in the Sky, based on the true story of the first ascent of the Matterhorn. Walt Disney will not be limited to a simple promotional making-of. He offers to meet exceptional people, including the French mountain guide Gaston Rébuffat. The latter will show climbing techniques and then reveal breathtaking images of his ascents of steep cliffs with a client for the ascent of Mont-Blanc, filmed for the occasion. In 1958, Walt Disney will therefore offer him to be deputy director on the high mountain scenes of the film "The Third Man on the Mountain".
Marcel Ichac accompanied the mountaineer Armand Charlet, in 1943, in the repetition of the first crossing of the Aiguilles du Diable that the guide of the Chamonix valley had made in 1925. A roped party joined on snow and ice the Col du Géant, reached at the Mont-Blanc-du-Tacul stop and on the Col du Diable. The men cross the needles by climbing chimneys, cracks and abseiling walls. They access the eastern slope of the Mont-Blanc massif which offers a panorama of the Grandes Jorasses and Mont-Blanc. Armand Charlet was the first to reach the summits of four needles above 4000 meters: the Devil's Horn, Pointe Chaubert, Pointe Médiane and Pointe Carmen; he also tells how he successfully climbed the furthest, the Isolated. Marcel Ichac shot these scenes as close as possible to his subject, he responded with this film with a “truth” cinema, the principle of which we find in his later productions.
"The ascent of the Aiguilles Ravanel and Mummery", climbed by young guides in cycling pants: The brothers Armand Charlet and Georges Charlet, Arthur Ravanel, Henri Couttet and Charles Balmat. The film was shot by Georges Tairraz II, Chamoniard mountain photographer, representative of the third generation of a family line of mountain photographers and filmmakers. George Tairraz II's film will lay the groundwork for a French vision of mountain film; In the 1930s, a French school of mountain cinema emerged, less expressionist, more stripped down and realistic than the German school. These are the films of Marcel Ichac, Roger Frison-Roche, Samivel, Georges Tairraz II, etc. It develops according to the principles set by Marcel Ichac, in opposition to the German school. It is both about getting out of the dramatic vision of the mountain and placing the mountain and the climbers at the heart of the plot.
It is 1 p.m. on June 30, 1982, when Christophe Profit, 24, shows up at the foot of Les Drus with his pof bag, his climbing shoes and nothing else. He will try the west face of Les Drus in "solo", in the Mont Blanc massif by "Directe Américaine", 1100 meters of vertical and smooth rock. Christophe will achieve the feat of climbing the wall in free solo, without using a rope or any belaying technique. At 4:10 p.m., barely more than three hours after the start of his ascent, the new climbing star can embrace the Virgin of the Drus at the same time as the career of a high-level mountaineer. Three years later, on July 25, 1985, he climbed the north faces of the Matterhorn, the Eiger and the Jorasses in the same day. Awarded at many mountain film festivals, this great documentary is a magnificent testimony to one man's passion for climbing, the mountains and adventure.